Posted in: Disc Reviews by J C on April 24th, 2012
At the very least, London River deserves credit for exposing audiences to a different side of English life beyond "upstairs, downstairs" period drama (Gosford Park, Downton Abbey), twee stories in a small-town setting (Waking Ned Devine, Calendar Girls) or the rich white people problems of Woody Allen's contemporary London (Match Point, Scoop).
Set against the backdrop of the 7/7 terrorist bombings that rocked London in 2005, London River follows the parallel stories of Elisabeth (Oscar nominee Brenda Blethyn) and Ousmane (the late Sotigui Kouyate) as they travel to the English capital and search for their respective children in the wake of the attacks. The two parents eventually meet and try to put aside their cultural differences and prejudices — though one of them clearly had more prejudices to put aside — so they can support each other in their journey.
Posted in: Disc Reviews by Michael Durr on April 24th, 2012
I am not sure about others, but I often I think I daydream more than most. Perhaps it is about being a published author, perhaps it is about being an adventurer in mythic times. When I watch movies, I want to travel to a New World, whether scary or magical where I can let my fantasies wander in any direction I wish. Today, I review Witches of Oz which sounds like it might involve the magical land of Oz. In reality, it only involves the world of New York City. Wicked witches indeed.
Stop me if you have heard this part before. Ages ago, when magic filled the land and all sorts of magical creatures roamed the landscape. Now, there was good and dark magic. However, evil always has dark intentions and was able to conquer good magic. The world grew dark except for something called “The Changing Word” which was used to create a new realm called Oz. “The Changing Word” was never supposed to be used again.
Posted in: Disc Reviews by Gino Sassani on April 24th, 2012
"At the top of the world, there's a job only a few would dare. The Ice Road Truckers are back.."
It was the peak of the 1970's, and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those Smokeys. The man practically started a new genre of music with the hit song Convoy. The song was so popular that the backup band used their cut to start a little project of their own. They became Mannheim Steamroller and used the cash to cut their own music. The movies started giving us things like Smokey And The Bear. Truckin' was in fashion, and a good time was had by all.
Posted in: Disc Reviews by M. W. Phillips on April 23rd, 2012
“Here in Tresock, I believe the old religion of the Celts fits our needs at this time. Isn’t that all you can ask of a religion?”
In 1973 Director Robin Hardy captured lightning in a bottle with the classic The Wicker Man. Based on David Pinner's 1967 novel Ritual and loosely adapted into Anthony Shaffer’s sharp screenplay. Shaffer painstakingly researched paganism giving the film an undeniable authenticity, The Wicker Man became a genre of its own known as Folk Horror. The beauty of the film was the war of counter-religions, Christianity vs. Celtic Paganism. Both religions were well respected and represented, never sinking to the point of parody or cynicism. Of course, the lion’s share of the cultural clash leaned to the side of the pagans, robustly embracing their music and daily rituals. The film served as a horror movie for Christians and a victorious feel-good movie for pagans. Either side found it unforgettable.
Posted in: Disc Reviews by David Annandale on April 21st, 2012
The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done.
Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?
Posted in: Disc Reviews by Gino Sassani on April 19th, 2012
"This is how it starts..."
You know, it's getting awfully hard to make an original alien invasion film. Most filmmakers have accepted the obvious and go for mind-blowing f/x and never mind the story. Still others go the trendy found-footage route. I was pleasantly surprised that The Darkest Hour appears to prove that there just might be more than just fumes in the creative tank after all. I'm not going to try to convince you that the film doesn't rely on much of the tried and true standby material. It covers most of the traditional formula. What I will try to convince you of, however, is that The Darkest Hour feels fresh even if it does rely on many of the standard conventions. In the end, it's a very entertaining film that proves you don't have to break the bank or take the shaky camera angle to put some quality on the screen.
Posted in: Disc Reviews by Michael Durr on April 18th, 2012
Egypt has always been known as paradise on earth to its people and the many visitors it gets each year. The land is often described as a strong, fertile land with an emphasis on history and rich tradition. Personally, I find myself in a general state of knowledge about the country but wished to know more. My curiosities peaked when I received a copy of “Planet Egypt” on DVD at my doorstep thanks to the History Channel. Let us see what rich history is held inside.
Disc One
Birth of an Empire:
Egypt has always had war and peace. Their technology was always ahead of its time and their legacy has stood the test of time. In 3000 BC, also known as Dynasty 0, a tablet is made to depict the adventures of what would be Egypt’s first pharaoh, Narmer. The tablet would become known as Narmer’s Palette. Supposedly, Narmer ruled the south and had asked the tribes of north to abide by his rule. According to legend, they opposed but eventually Narmer used force to usurp the area from the tribes.
Posted in: No Huddle Reviews by J C on April 18th, 2012
"I love this country. So I had this idea to find out all the things that make this country great: the people, the history, the way we do things! Only in America."
To put it mildly, I'm not exactly in Larry the Cable Guy's target demographic. Before sitting down to watch this DVD set, my exposure to him was limited to hearing his voice in the Cars movies and recoiling in horror whenever I stumbled onto any of his straight-to-DVD "films" at Movie Stop. Heck, I don't think I'd ever seen him with sleeves or without his trademark camo hat.
Posted in: Disc Reviews by M. W. Phillips on April 17th, 2012
“Won't bow, don't know how.”
More than any other show, Treme captures the very soul of the city it is set in. Where The Wire may have presented the city of Baltimore as one of the supporting players in the series, Treme is New Orleans. The haunting percussion and brass of the musicians, the lyrical shorthand of its citizens, the quiet desperation of pride after destruction, rampant political corruption and unchecked crime mix together to form an eclectic jazz tempo that makes up the heartbeat of the Crescent City.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2012
As a nation, the United States is pretty evenly divided on most of the larger issues of the day. Nowhere is that more evident than the opinions on capital punishment. If you took a poll today, you'd likely still find a slim majority of Americans continue to support the death penalty. Unless, of course, you were to take that poll in Texas. The Lone Star State has pretty much led the way in dealing out death sentences since the practice was resumed in the 1970's. For a time in the 80's and 90's Florida was giving Texas a run for their money, but today there isn't a state that comes close. In both states Old Sparky has been retired in deference to lethal injection.
In 2001 Michael Perry and Jason Burkett wanted a red Camaro belonging to Sandra Stotler. They killed her and took the car. They also took her body to an isolated lake and proceeded to dump her in an area often used to illegally dump garbage as if she were nothing more than the trash that littered the area already. They went back to the house but found they could not get into the gated community without the code. So they waited for Sandra's son Adam and his friend Jeremy Richardson to return. They lured the two boys out to the lake where they also brutally murdered the young boys. They got themselves a car to joyride in while three innocent victims lost their lives violently. The pair bragged about their heinous deeds, and when the police came to arrest them they engaged in a firestorm shootout. They even ran one officer over with the stolen car. If ever there was an argument for the death penalty, Michael Perry and Jason Burkett were it.
