Genre

“Why would anybody create a Nazi puppet?!”

There are two types of people in this world: A) the sort of person who reads the question above and says, “That’s offensive! I have absolutely no idea” and B) the joyful weirdo who replies, “Why would anybody stop at creating just *one* Nazi puppet?” If you’re in Group B, you’re in luck…the people behind Puppet Master: The Littlest Reich didn’t stop at one Nazi puppet. (Not even close!) More importantly, this bloody reboot of the 1989 cult horror classic features some of the craziest and most disgusting kills I’ve seen in a while. (I promise that’s a compliment.)

As some of you might know, I have a son, a three-year-old toddler. Since we live in the suburbs, we unfortunately don't get out as often as we like to places like the beach or any other places where we might be able to explore the animals and creatures that inhabit the wondrous ocean. As a result, we have a tendency to watch plenty of underwater nature documentaries or whichever Pixar animated Nemo or Dory show we can find. Today, we have for review an animated tale about creatures who can turn into beautiful red dolphins so they can be a part of the human world. Is the movie as beautiful as it seems, or much like the dolphins, is it something else in disguise?

"Some fish aren't meant to be caged. Because they belong to the sky." In the northern ocean, fish go by the name of Kun, because they are too large to measure. We listen to a narrator who is 117 years old explain the philosophy of life. We apparently are all just fish of the sea. Four and a half billion years ago, fish were the souls of human beings. At the end of the sea is a sky into the human world.

“This is the greatest s— show on Earth!”

The First Purge arrives in theaters a little more than five years after the (lowercase) first Purge rampaged into moviegoers’ consciousness as a nasty bit of R-rated, summer blockbuster counterprogramming. The movies are obviously quite popular, but I’ve never felt that any of them fully lived up to the killer concept at the center of this franchise. Unfortunately, that still holds true for The First Purge, which had a chance to deviate from the established formula in a variety of interesting ways, but ends up playing a lot like The First Three Purges.

The world doesn't want any more saints.”

Maybe the world didn't want any more Exorcist movies...at least not any that looked like Exorcist II: The Heretic. This follow-up to William Friedkin's 1973 genre-defining horror classic is not only regarded as one of the weakest sequels of all-time, but some consider it to be one of the worst films ever made. I hate to throw out a ***SPOILER ALERT*** so early in my review, but...I don't think this is the worst film ever made. ***END OF SPOILER ALERT*** Instead, I find Exorcist II to be a nonsensical, somewhat intriguing disaster whose fatal flaw is that it took everything that everyone loved about The Exorcist...and decided to do almost the exact opposite.

"Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet. This process is slow, and normally taking thousands and thousands of years. But every few hundred millennia, evolution leaps forward."

Fox is taking full advantage of their version of the X-Men Universe these days. By this time next year, the group of mutants will once again be back with Marvel at Disney, and I suspect they will quickly join that studio's MCU. I can't blame Fox for getting as much out of it now as they can. With the pending release of Dark Phoenix and two television shows running, this was the perfect time to release the original film trilogy on UHD in ultra-high-definition. While the films feel just a little dated today, it's quite a nice little treat to have them in 4K. These kinds of films are what 4K was built for. And now you can add the original films to your 4K collection with X-Men Trilogy 3 Film Collection out now from Fox.

"How will we be remembered? Will it be for saving the world...Twice? Nope. We're the team who broke time. That's right. History has been torn to shreds, which means it's up to us to put it back together again, piece by piece, finding these so-called anachronisms before we get torn to shreds. So please, don't call us heroes. We're legends." 

At the end of the second season the team broke one of the cardinal rules of time travel. You can't revisit a time and place that you already visited. The result is that you break time, and that's exactly what the Legends of Tomorrow have done. The result is that they have been recalled and dismissed from service by the newly-formed Bureau of Time. Now our legends are back in the mundane world, where Sara (Lotz) is working as a clerk at a bed and shower store, having fantasies of killing her boss. Ray Palmer (Routh) went from owning the world's largest tech company to working for a kid at a dating app... eh, make that a holistic social networking program. Professor Stein (Garber) is enjoying his new family with a grandchild on the way. Jackson (Drameh) is just bored to death with a normal life. And Mick (Purcell) is chilling on a beach in Aruba when his chill is interrupted by Caesar (Merrells). That's Julius, and not the salad, hotel, or talking ape. Of course, he's an anachronism who happened to arrive in Aruba for the annual Aruba-con celebration. It looks like the team is going to have to get together, but the powers that be don't quite see it that way. So they steal back the Waverunner, which was retired to a training simulator, and it's off fighting the problem that they created.

Told you it was aliens.”

What if Michael Bay was Australian and he was only given $6 million to make an alien invasion movie? The result might look a lot like Occupation, a rollicking, gleefully dumb sci-fi/action flick that works best as a throwback to simpler (i.e. dumber) times at the multiplex. But while Occupaton has its charms, the movie's shoddy special effects and production values consistently undermine the kickass story it's trying to tell.

So here we are...in the belly of the beast. A lot of power and money in this room.”

That cheeky line came from Iggy Pop during The Stooges' induction into the Rock & Roll Hall of Fame in 2010. It's also featured in Rock & Roll Hall of Fame: In Concert — Encore, a wonderfully comprehensive collection of the four induction ceremonies between 2010 and 2013. The 2-disc Blu-ray set features over 8 hours of content, including full induction speeches and 44 musical performances from rock and roll icons and rising stars. Iggy was right about the power and money in the room; this set features some of the biggest names in the history of music...plus A-listers like Meryl Streep and Oprah Winfrey!

"Is there life out there? Good heavens! To doubt it is a failure of more than the imagination. It is a failure to recognize the limits of our own stupidity. The nascency of our science. The rudiment of our tools. We listen. We search. We hope for a sign, as if our eyes and ears are good enough, our brains large enough, our egos small enough."

By the time The X-Files had reached its seventh season, the two stars of the show were feeling the stress of doing over 20 episodes of the series every year. In the eighth season David Duchovny was going MIA, and Gillian Anderson's Scully character had a new partner in Robert Patrick's Agent Doggett. They used Duchovny's absence as a new story arc in the overall mythology, and the story became the search for Mulder. It provided an interesting chance for Anderson to take even more center stage, and she actually handled the changes pretty well. But even Anderson was getting tired, and the ninth and final season would feature Anderson in only a limited role as Doggett and his new partner Agent Reyes, played by Annabeth Gish, became the new agents on The X-Files. The missing Mulder storyline began to get stale, and the show limped through that final season. But fans hoped that Mulder and Scully would find a way to reunite and bring back the core team that really was the heart of The X-Files.

"A long time ago in a galaxy far far away..."

Yes, those lines open this Star Wars story, because the filmmakers want to be sure you know what you're watching. This is Star Wars. Just in case there was anyone at all in the audience who had no idea they just bought a ticket to Star Wars. If he were dead, George Lucas would be rolling over in his grave. Instead, maybe he's just having some restless nights with little sleep. It is Star Wars. And that means there will be a droid as a main character, space battles, and some good old fashioned one-reel-serial-days adventure. It's a heck of a visual amusement park ride, and the film will certainly entertain. But I have to open by saying it is my least favorite of the Disney Star Wars films to date.