Posted in: Disc Reviews by J C on September 7th, 2018
“Our group of friends has been playing the same game of tag for 30 years.”
The tag(haha)line on the Blu-ray cover for this film states, “Based on a True Story. We're Not Kidding.” The idea of a life-long game of tag is so ridiculous, the people who made this movie can hardly believe it themselves. But while Tag has some fun presenting a children's game as if it were a big-budget action flick, the film ultimately (and ironically) falters when it veers away from the silly real-life premise and tries to shoehorn dramatic moments to make it feel more like a movie.
Posted in: Disc Reviews by Gino Sassani on September 6th, 2018
"We've got a whole new game of tiddlywinks."
It's the unlucky 13th season of Supernatural, and it might be the most loaded season ever. We have a basket full of bad guys and gals, and the Winchester Brothers have got their work cut out for them, as if last season wasn't busy enough. The Winchesters found and then lost their Mom. Crowley has finally bit the dust, and he will be greatly missed at least by this fan. Lucifer's son has finally been born, and there are going to be a lot of bad folks wanting to get their hands on that little guy. Of course, he isn't such a little guy any more. He's now the appearance of an older teenager, and he has some mad wicked power. The question is whether Sam and Dean can influence that power for good. Or will he go the way of his Pops and be the poster child for evil? Now if all of this is Greek to you, then you're in the wrong place. You have 12 years of lore to catch up on before you should even consider picking up Supernatural Season 13 from Warner. Check out our long list of reviews here and start binge-watching fast. Once you're caught up continue on.
Posted in: Disc Reviews by Brent Lorentson on September 6th, 2018
There is something about the notion of movie magic that I believe can grab hold of an audience member and pull them from their living room seat and into the story they are watching. This movie magic seems to occur more often these days, as special effects seem to take leaps and bounds every year as new technology is created to dazzle us all. Here’s the thing, though, sure, it’s great how we can now see lifelike 50-story monsters destroying cities, or how underwater worlds can exist, but none of it matters if the story or the characters are not relatable. If the story isn’t there, then your big effects are nothing more than overpriced cartoons that will be forgotten by the time the audience has exited the theater. When it comes to Higher Power, the best way to describe it is to use the overused expression, “all style and no substance.”
Co-writer and director, Matthew Charles Santoro comes from a special effects background, and you can tell he’s leaning heavily on his strengths with this film, and the result is a film that plays out more like a demo reel than an actual movie. Sure, there is a cast of characters to move the story forward, but the problem is none of it makes any sense.
Posted in: Disc Reviews by Gino Sassani on September 3rd, 2018
Amazon Prime Video is beginning to offer new scripted drama shows on their streaming service. One of the more recently acclaimed is a Jack Ryan series. That gives Paramount a great opportunity to take advantage of the situation and release the five Jack Ryan films on UHD/4K. Whatever the excuse, I'm happy to see these films get the UHD treatment. The release includes The Hunt For Red October, Patriot Games, Clear And Present Danger, The Sum Of All Fears and Jack Ryan Shadow Recruit. It's a chance to see Alec Baldwin, Harrison Ford, Ben Affleck and Chris Pine all take the Tom Clancy CIA analyst to the big screen. You don't have to pick your favorite, because they're all here.
This is the film that literally started a trend. Within a decade, submarine films would make a huge comeback in the big-budget film industry. Titles like Crimson Tide, U-571, and K-19: The Widowmaker all took a little from Red October. Maybe the Cold War is over, but our fascination with that modern version of cowboys and Indians doesn’t seemed to have waned much in the last nearly 20 years. While our relationship with Russia might be up and down over the last two decades, there is still a part of our culture that can’t seem to let go of that classic game of good guys and bad guys. It’s not unique to the former Soviet Union by any means. World War II has been over for more than 60 years, but the occasional Nazi bad guys still make their presence known from time to time. Maybe it’s those accents. Whatever the reason, the seemingly dated subject matter of Red October is never a liability to the film. When Red October came out, the Soviet Union had just fallen a mere two years earlier, and there were some who suggested the film was an inappropriate reminder of those recent bygone days and might even be considered a slap in the face to the new regime in Russia. Fortunately this was not one of those instances where Hollywood let its often hypocritical sense of political correctness get in the way of a great film.
Posted in: Disc Reviews by J C on August 30th, 2018
You can’t call your TV show Masters of Sex and not expect to elicit a few chuckles. (You also can’t be surprised if people go looking for it on Skinemax Cinemax rather than Showtime.) But placing its titillating title aside, Masters of Sex turned out to be an engaging, often-excellent, and low-key adventurous period drama for four seasons. The show shined brightest when it was conveying the thrill of discovery and exploration. (Also, it turns out there was a fair amount of sex.)
The series is based on the Thomas Maier biography, “Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love.” (Excellent call by Showtime and the creators paring title down.) The real-life duo studied human sexuality from the late 1950s until the 1990s. The show’s first season chronicles their first meeting, as well as the relentless effort it took to get their pioneering sex study off the ground.
Posted in: Disc Reviews by Gino Sassani on August 28th, 2018
"Ain't nobody feeling Team Kid Flash."
When Season 3 ended on The Flash, Barry Allen/The Flash (Gustin) is trapped inside the Speed Force where he sacrificed himself to free his friends. Months later we find Wally West/Kid Flash (Lonsdale) acting as the team's speedster. Iris (Patton) is now in charge of the team, while Caitlin (Panabaker) has left to tend bar, mostly running from her Killer Frost persona. Joe West (Martin) is lending police support where he can, and Cisco (Valdes) has honed his teleportation skills and gets the players where they need to be. But they are barely holding their heads above water, and the stress is finally getting to them. And that was before a robotic Samurai arrives threatening to destroy Central City if the team doesn't bring him The Flash. Of course Cisco comes up with a plan to free Barry, and it's no spoiler here to reveal that he does just that. After all, the show isn't called Kid Flash. It's called The Flash, and Barry is always going to be a key ingredient to that name. If all of this sounds a bit confusing to you, you're starting in the wrong place. Check out our reviews of the previous three years here.
Posted in: Disc Reviews by Brent Lorentson on August 27th, 2018
When it comes to Paul Schrader, I feel the argument can be made that he is the greatest American screenwriter. I know it’s a bold statement but when you look over his credits that include Taxi Driver, Rolling Thunder, Hardcore, Raging Bull, The Last Temptation of Christ and so many others I feel there just isn’t anyone out there that can compete. Lately though he’s seemed to have had a difficult time recapturing that greatness, there has even been a part of me that has felt that perhaps I should give up on hoping he’ll crank out one more great film and simply appreciate the filmography he’s delivered us cinema fans over the years. Paul Schrader, despite having some classic titles to his name he’s still a writer and a director that isn’t for everyone. His films typically are dark in tone and typically shine a light onto the underbelly of society that most would prefer to not know about. It’s because of his fearlessness in tackling these subjects that has made me a fan of his for years so when the opportunity to see First Reformed came along I didn’t hesitate, this was a screening I couldn’t miss.
As the film opens we get a long shot that pushes in to an old church, we quickly find out the church is named First Reformed. Inside we meet Reverend Toller (Ethan Hawke) as he is delivering a sermon to a very sparse crowd of parishioners. It doesn’t take long to realize that Toller is a damaged man, both physically, emotionally and spiritually. We get insight into the reverends thoughts through his journal entries that he writes and are narrated for us. Things get moving when Mary (Amanda Seyfried) approaches Toller after a service and requests he speaks with her husband Michael (Philip Ettinger) who she fears wants her to have an abortion.
Posted in: Disc Reviews by Gino Sassani on August 24th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes. The problem is that raunchy comedies, like superhero films, share the deadly expectation curse. Rarely does a comedy film sequel live up to those expectations, and if you're anybody but Marvel, it doesn't happen often in the superhero genre either. If all of this sounds like it's leading up to a death knell for Deadpool 2, you're right. It does sound that way. Fortunately for us Deadpool 2 manages to escape its fated demise and not only work as well as the first film; Deadpool 2 is better.
Posted in: Disc Reviews by J C on August 24th, 2018
“Who do you think you are, Jackie Chan?!”
I'm going to do my very best to describe how insane this movie is, but it still might not be enough. I want to try and be fair because there aren't many people who have worked harder to entertain audiences than Jackie Chan. The 64-year-old martial arts legend has more than 100 acting credits to his name in a career that has spanned well over 50 years. Naturally, there are bound to be some turkeys along the way. Unfortunately, Bleeding Steel — an obnoxiously incoherent sci-fi departure for the action star — firmly (and gloriously) falls into the turkey category.
Chan stars as Lin, a Hong Kong special agent with an ailing daughter who is in critical condition. Lin is rushing to the hospital to be by her side when he gets an urgent work call about a witness that needs to be protected. The witness is Dr. James, a geneticist who has been working on creating a mechanical heart(!) and bioengineered blood to create super soldiers. Lin chooses duty over his daughter and rushes to protect Dr. James just in time to be ambushed by a deranged, mech-enhanced villain named...Andre (Callan Mulvey), who looks like Darth Vader without his helmet on. Lin and his team face off against Andre's stormtrooper-sequel army, Dr. James gets caught in the crossfire, and half a dozen explosions later we finally get the Bleeding Edge title card. (Yes, everything I've just described happens in the first 15 minutes!)
Posted in: Disc Reviews by Gino Sassani on August 23rd, 2018
"This is not just about Gotham. This is all about Bruce Wayne."
It really is about Gotham. And it's about Jim Gordon. It's also very much about Bruce Wayne. The third season ended with Bruce finally starting to embrace his vigilante role, but it was crude and very much only a shadow of the hero he will become. There's a reason why all of the episodes of this season are subtitled The Dark Knight. Bruce is becoming more and more like Batman. Bruce even confronts his future alter-ego in a vision state. He's being propelled to that future because of Gotham and because he's also being manipulated toward his destiny by none other than Ra's Al Ghul himself, played by Star Trek: Deep Space Nine's awkward Doctor Alexander Siddig. He's taking center stage this season, and he knows Wayne's future and sees himself as the guiding force to make sure he gets there.
