Genre

“We take a look back at the films that helped shape, change, and innovate the world of documentary.”

Between the rise of streaming services like Netflix and the growing number of nonfiction films making noise at the box office, documentaries have never been hotter…or more accessible. At the very least, they certainly don’t feel like the cinematic equivalent of eating your vegetables anymore. As a result, this feels the perfect time for Mill Creek to release the first two seasons of IFC’s obsessively hilarious comedy series Documentary Now!

"Some of you may know he history of The Section. Rumors of operatives going rogue, the Whitehall assassination. None of that matters now. What matters is that Section 20 stood for something. They were the soldiers who kept going when others fell, who saw the odds and didn't blink, who got the job done, even when it meant paying the ultimate price." 

Two years ago I wrote a review for the fourth and final season of the Cinemax series Strike Back. Now here I am telling you about the fifth season. So what's up with that?

“Nothing...no one...will ever separate us. We are one.”

Four young siblings take this vow shortly after arriving in America from Great Britain, having just experienced their latest tragedy. Unfortunately for them, these words are spoken less than 10 minutes into Marrowbone, so you just know their vow is bound to be severely tested. But while the movie looks and sounds like a typical horror flick on the surface — and is even largely set in what seems like a classic haunted house — Marrowbone is much more of a soulful, spooky family drama than it is a bloody good time.

"Thanos Is Coming..."

Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standardbearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film. It ends with huge elements left up in the air, but at least we'll only have to wait a year for its resolution. After watching how Anthony and Joe Russo have handled this nearly impossible task, I think the bar has now shifted. In Empire Strikes Back lexicon, let's just say the Russos just pulled out a huge chunk of carbonite, and future filmmakers will be using this as an example of how to pull of that herculean task in the future. The Avengers: Infinity War is finally here, and it pretty much lives up to all of my expectations. Now my expectations are going to need a bigger boat.

In September there is going to be a new film in The Predator franchise called The Predator. It's directed by Shane Black, who actually starred in the 1987 original film and soon after went on to develop the Lethal Weapon series and make a bit of a name for himself in the buddy-cop genre. It's no surprise that Fox wants to capitalize on the release by giving us UHD/4K releases for the other three films in the franchise. Let's try to forget those Alien vs. Predator disasters and focus on the three films of this particular franchise. I don't yet know what to expect from the upcoming film. I was glad to take a journey back in time with the other films, and this 4K release is just the ticket for you to upgrade those nasty DNR crapfests that were the original Blu-ray releases and see these films once again as they were originally meant to be seen.

This was the film that brought together two tough guys who both made it into acting after having big careers in athletics. The two would also share a bit of an odd future, as both would eventually serve as governors in the real world. Of course, I'm talking about Arnold Schwarzenegger and Jesse Ventura. No one knew about their political futures then, but the reality puts Predator in a lost of historically significant films as well as the beginning of a new franchise.

"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."

Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first five seasons. It'll be worth the effort, and I can get you started with those reviews found here. This review will not contain spoilers from the sixth season but very well must contain some from the previous year. So if you're not caught up, do that first.

"You know me, always saving the day."

After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death Of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of The Man Of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off", the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film but this animated feature goes back to its comic roots and more faithfully brings that comic series to life.

This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments, and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.

Deanna Miles is a woman who has her world rock as her husband tells her he wants a divorce right after they drop their daughter off for her final year of college. Having dropped out of college in her last year due to becoming pregnant, Deanna is not left with any prospects for how she will support herself. Upon self-reflection about her regret of never finishing college, she decides to enroll at her daughter’s college, to her child’s chagrin.

My knee shall bow to none but to the king.”

In 1996, Aussie filmmaker Baz Luhrmann unleashed a star-studded, outrageously modernized version of “Romeo and Juliet” that retained William Shakespeare's original language while replacing the story's swords with gleeful gunplay. But five years earlier, Derek Jarman — an English director who left his mark on both stage and screen — beat Luhrmann to the Elizabethan punch with an even more provocative update of “Edward II,” a play written by Shakespeare contemporary Christopher Marlowe.

"30 years ago during the Cold War, there was an experiment... Something went wrong. They opened up a passage directly beneath us. When you go through this door, you come out the other side, you're in another world, identical to ours. Same experiment... When this door opened our paths began to branch off more and more over time."

That setup describes the premise behind the new original science fiction series on Starz, created by Justin Marks, a writer who most recently delivered the script for Disney's live-action Jungle Book film. This is his first attempt at building a series from the ground up, and it's absolutely a winner.