Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
"Thanos Is Coming..."
Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standardbearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
In September there is going to be a new film in The Predator franchise called The Predator. It's directed by Shane Black, who actually starred in the 1987 original film and soon after went on to develop the Lethal Weapon series and make a bit of a name for himself in the buddy-cop genre. It's no surprise that Fox wants to capitalize on the release by giving us UHD/4K releases for the other three films in the franchise. Let's try to forget those Alien vs. Predator disasters and focus on the three films of this particular franchise.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."
Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe.
Posted in: Disc Reviews by Gino Sassani on August 9th, 2018
"You know me, always saving the day."
After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death Of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of The Man Of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off", the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours.
Posted in: Disc Reviews by Jeremy Butler on August 8th, 2018
This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments, and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.
Posted in: Disc Reviews by J C on August 8th, 2018
“My knee shall bow to none but to the king.”
In 1996, Aussie filmmaker Baz Luhrmann unleashed a star-studded, outrageously modernized version of “Romeo and Juliet” that retained William Shakespeare's original language while replacing the story's swords with gleeful gunplay. But five years earlier, Derek Jarman — an English director who left his mark on both stage and screen — beat Luhrmann to the Elizabethan punch with an even more provocative update of “Edward II,” a play written by Shakespeare contemporary Christopher Marlowe.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2018
"30 years ago during the Cold War, there was an experiment... Something went wrong. They opened up a passage directly beneath us. When you go through this door, you come out the other side, you're in another world, identical to ours. Same experiment... When this door opened our paths began to branch off more and more over time."
That setup describes the premise behind the new original science fiction series on Starz, created by Justin Marks, a writer who most recently delivered the script for Disney's live-action Jungle Book film. This is his first attempt at building a series from the ground up, and it's absolutely a winner.
Posted in: Disc Reviews by Gino Sassani on July 31st, 2018
"Every bridge, every building grows from an engineers imagination."
Dream Big: Engineering Our World is the second of Shout Factory's latest collection of IMAX films to be brought into the capable arms of the UHD/4K format. And while this film doesn't take us so much into the natural beauty of some picturesque place on our planet or deep into the darkness of space, it does deliver a rather grand look at some of the wonders of the man-made world. Both films were directed by Greg MacGillivray, which binds them together in a somewhat nice little bow.
Posted in: Disc Reviews by Gino Sassani on July 27th, 2018
"Wildlife and its habitat cannot speak, so we must, and we will" - Teddy Roosevelt.
Actually they do speak for themselves, and Shout Factory's UHD/4K release of National Parks Adventure gives that wildlife plenty of grand opportunities to speak to us through the grandeur of the American National Park system. Last year Shout Factory showed us what the UHD/4K format could really deliver by releasing a series of IMAX films in the new format. It was a bold move that has really paid off. IMAX cameras utilize 65 and 70mm film, which offers source material that is actually much higher resolution than 4K.
Posted in: Disc Reviews by Brent Lorentson on July 26th, 2018
Like so many others, when I read the book Ready Player One by Ernest Cline I simply fell in love with the nostalgic ride through the 80’s, all thanks to a virtual reality world called The Oasis. From start to finish it was a book filled with pop culture references that would make film and video game geeks squeal with delight, and it was no surprise that the book was a hit and would be turned into a film. There were only two names I could think of that could ever come close to making this film a reality: Robert Zemeckis and Steven Spielberg.
