Genre

Ever since Birdman was released, it seems many filmmakers have been attempting to pull off the continuous take and outdo all the others.  It was impressive when we all saw it the first time, but since then everything just seems like a bad knockoff.  The newest film to follow this trend is Bushwick.  While the camera work in the film does allow for an immersive experience, honestly it felt like I was in a first-person shooter video game, which was cool, but it seemed like the camera work was a distraction from the story.  This is a frustrating film. On the technical side there is a lot to appreciate, but the moment you start looking at the story, the film seems to simply fall apart.

"All of human history has led to this moment. The irony is we created you. And nature has been punishing us ever since. This is our last stand. And if we lose... it will be a Planet of Apes."

I was always a fan of the original Planet Of The Apes series of films. While they often flirted with a camp style, I was impressed with John Chambers' makeup effects and the performances of Roddy McDowall as both Cornelius and Caesar. Then came the television show, and I was just as enchanted, and that was helped along by McDowall's appearance as a third ape, Galen. The show didn't last a season, and before long the Apes franchise was left in some kind of limbo.

For a gritty historical epic to get the green light these days, it has to have some sort of easy-to-understand hook. (“Hey, it's sexy King Arthur!”) And it seems like enough people complained about the prevalence of PG-13 action movies that it led to the current boom of R-rated sensations — like Deadpool and the John Wick flicks — that gleefully go to extremes. There is absolutely nothing gleeful about Pilgrimage, and the movie doesn't seem all that interested in hooking the masses (significant portions of the film are in French, Irish, and Latin). In other words, the most striking and impressive thing about Pilgrimage is also what can make it feel like somewhat of a slog: this movie is dead serious.

“Welcome! Everything is fine.”

One of my favorite bits from the dearly departed Inside the Actors Studio involved host James Lipton administering a questionnaire that concluded with "If heaven exists, what would you like to hear God say when you arrive at the pearly gates?" It's a momentous question that often drew a humorous response. The Good Place opens with its main character waking up in the afterlife and being greeted with bright green lettering that says "Welcome! Everything is fine." It's a reassuring sentiment to be sure, but let's be clear: there is nothing just "fine" about The Good Place. This sharp, hilarious, and goodhearted fantasy/comedy is spectacular!

When it comes to hearing the name Loch Ness, just about everyone will think about the giant lake where “Nessie” the mythical monster inhabits. Whether you are a believer or not thousands converge to the Scottish Highlands location in hopes to be one of the lucky ones to catch a peak of the elusive beast. But the Loch Ness I am talking about is a beast of a whole other ilk. Thought the TV series does take place in a small tourist town that thrives on the legend that haunts the cold water, the series instead is about a serial killer that has been unleashed upon the town and given its residents something more to fear other than a giant monster that roams the lake.

“How many more people will you sacrifice?”

When it premiered in 2013, Reign was an effective bit of counterprogramming for the CW, which continues to be ruled by superheroes, vampires, and other Supernatural beings. Even as Reign appalled historians, the series quickly established itself as a campy and compulsively watchable take on the saga of Mary, Queen of Scots. Unfortunately as the show progressed through Mary’s tragic life, Reign inevitably lost some key players. The result is a show that got more convoluted and less interesting as it limped toward its fourth and final season.

It’s hard to believe it was way back in 1992 when Buffy the Vampire Slayer was first introduced to audiences. It was a title I had missed in the theaters, but I remember picking it up at our local mom-and-pop video store.  With the title being what it was, to go in expecting more than a cheesy horror comedy filled with stakes, fangs, and witty dialog would be on the viewer.  I wasn’t a huge fan of the film when I first saw it. I sort of felt like it was a film that was trying to be Fright Night, but let’s face it, there are very few vampire films that are as cool.  It’s been over two decades since I last visited the film; how does it hold up?  Well, to be honest, it’s grown on me quite a bit.

- “You know what they say...the house always wins.”

- “What if we were the house?”

The House, a funny and oddly violent comedy starring Saturday Night Live alums Will Ferrell and Amy Poehler, has a great premise. Whereas most movies road trip their way to Sin City in order to cut loose, The House is about what happens when you import the glitz and glamor (and seediness) of Vegas into suburbia. The bad news is the filmmakers here don’t do much to develop their killer concept. The good news is The House is chock full of talented improvisers eager to pick up the slack.  

For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver.  Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced.

At first glance you would not expect 50 year old cartoon television specials to be this high on the UHD 4K list. Honestly, I was a bit surprised myself. But when you really think about the staying power of these cartoons you realize they've made an emotional connection to generations of children of all ages. I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable.