Posted in: Disc Reviews by Brent Lorentson on October 13th, 2017
When a film like The Survivalist comes along, you somewhat have an idea what to expect when it’s being marketed as a “dystopian thriller”. I like these kinds of films, but for the most part many of them are just not very good and are just a carbon copy of previous dystopian films that came out prior to it. For years I’ d say the Mad Max series was the gold standard on what you should want to be. Waterworld at least attempted to be Mad Max, but rather than a desert wasteland it went the direction of the high seas. The Survivalist goes another direction; rather than a barren wasteland, or the ocean, it instead plunges deep into the wilderness after society has apparently collapsed and food has become scarce.
The film follows a man who is simply credited as the survivor (Martin McCann), and we see him dragging a body away and dumping it into a shallow grave. It’s an ominous opening that has the viewer questioning if this is a guy we should root for or not, but following this scene we go on to see his daily routine in his boring isolated life. Apparently one of his routines is having a little private time with himself, and the camera has no problem shying away from this. This goes up there as one of the most pointless gratuitous nude scenes I’ve seen at least since the opening sequence of Nocturnal Animals. I’m far from a prude, but I’m a believer that everything we see on the screen should have some meaning to drive the story forward. This instead just became a distraction.
Posted in: Disc Reviews by Brent Lorentson on October 12th, 2017
In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market. I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film. The danger always felt real, and to a point it was a convincing film. It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed. Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.
It’s unfortunate for this film that 47 Meters Down also happens to come out the same year. (You can check out my review of that film on the site as well). With a bigger budget, polished cinematography, and a recognizable cast, it’s no wonder that 47 Meters Down was the one to score at the box office while Open Water 3 managed to sink with barely a whimper. This isn’t the first time films with similar plots have released at the same time, but most often the case there is one that stands out; this isn’t the film to do that.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2017
"C'mon, you apes, you wanna live forever? I have only one rule. Everybody fights, no one quits. The bugs have breached Mars, and the Federation's fleet is too far to help. It's up to us to save the planet. On the bounce, Troopers! The only good bug is a dead bug! Oorah!"
Robert Heinlein wrote the Starship Troopers novel in 1959. Since that time it has taken on many forms from pulp fiction to comic books. It was finally translated on film in 1997 by director Paul Verhoeven and scripted by Edward Neumeier. The film wasn't greatly received at the time but became a bit of a cult classic thanks in no small part to home video. There were attempts at live-action sequels, but none of them enjoyed any real success at all. One of the problems with the franchise on film is the inability to really showcase some of the iconic equipment described in the original novel. And while Verhoeven's film actually did a pretty good job with the alien bug race, the film wasn't able to feature the amazing suit technology that was the core of the Federation military's fighting force. So the suits just never became a part of the cinematic universe of Starship Troopers. That all changes with Starship Troopers: Traitor Of Mars.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2017
Things are about to change in big ways for the Disney series Once Upon A Time. The sixth season is now out on Blu-ray, and the seventh season has just begun its run on ABC. If you try to go back and forth between these seasons, you might be puzzled more than usual. The show goes into a serious reboot this year. The economics of the show have been pulling it towards either cancellation or pulling in the purse strings. While the ratings aren't exactly blockbuster, it's been a clever way for the Mouse House to keep their properties buzzing as they continue to remake many of their fairy tales in live action these days. So there's a value beyond merely ratings and advertisement revenue to be gained here. The best solution was obviously to rework the show, and that meant most of the cast are not returning. Only Regina (Parrilla), Hook (O'Donoghue), and of course Rumple/Gold (Carlyle) are returning as regulars in Season 7. So if you want to see the show's swan-song (pun intended), pick up Season 6 on Blu-ray.
Well, you're invited; now gather up your Disney Fastpass and get in line for more television adventures in Storybrooke. Ah, but before you get on the boat for this year's ride, you might want to be sure you're all caught up on the adventures of these characters. This is not the place to start. The mythology of Once Upon A Time gets quite complicated over the previous seasons. This is not the place to start if you want to watch the show. Check out our previous reviews of the first four seasons of Once Upon A Time. Bang it here to get caught up: Once Upon A Time Reviews.
Posted in: Disc Reviews by J C on October 11th, 2017
“You know, there comes a time when even the greatest leader has gone as far as he can go.”
Winston Churchill was once voted the Greatest Briton Ever, beating out the likes of Princess Diana and William Shakespeare. Although Churchill had a staggering number of accomplishments throughout his long life, he is most closely associated with being Great Britain’s prime minister during World War II. That’s why the notion that Churchill vehemently opposed the D-Day invasion at Normandy in the days leading up to the pivotal battle is a provocative premise for this well-crafted, well-acted movie. The only problem is that it remains unclear whether that was actually true.
Posted in: Disc Reviews by Gino Sassani on October 10th, 2017
I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townshend and Roger Daltrey.
The decision to do a live version of Tommy 50 years after the album's release is tied to a worthy pet project that Daltrey has been running since 2000. He has recognized that teens have been a big part of the band getting its start back in the 1960's and worked to create Teenage Cancer Trust, which helps teens deal with cancer not only on the medical side but by providing them with unique experiences and activities. The Tommy performance in April of 2017 was the 100th performance from musicians all over the world in support of the cause. One of the parts of this show that I wish we'd seen is only talked about in the Behind the Scenes extra. Kids were provided with instruments and access to the Royal Albert Hall where they were encouraged to write songs inspired by The Who. After the concert they took the stage and got to present them to the band. That must have been a moving event.
Posted in: No Huddle Reviews by J C on October 8th, 2017
“Try to call for help…there’s no one for miles.”
The horror stories I tend to enjoy make me empathize with the ill-fated characters on screen instead of making me yell at them for their stupidity. In other words, “What would I do in this situation?” is a much more compelling question than, “Are you a freakin’ idiot?!” We don’t need to get into whether or not I’ve ever found myself handcuffed to a bed. But suffice it to say that Gerald’s Game — Netflix’s brutal and thrillingly taxing adaptation of Stephen King’s 1992 novel — kept me absolutely riveted from start to finish.
Posted in: Disc Reviews by J C on October 6th, 2017
“In our conversation, he seemed relaxed, unfailingly candid, earnest, and trustworthy. That is his talent and his curse.”
You probably know the name Bernie Madoff, the notorious fraudster who used a Ponzi scheme to steal almost $65 billion dollars from his victims. (Yes, that's “billion” with a B!) But if you were hoping to gain some insight into the man and his methods, this HBO film isn't really the place to look. The Wizard of Lies features a fantastic cast, some effective directorial touches, but is too often guilty of telling rather than showing.
Posted in: Disc Reviews by J C on October 5th, 2017
“This is a corpse infected with the plague. It is uncaring, unfeeling.”
When it comes to the overwhelming majority of zombie fiction, it’s all about brains (or rather, BRAAAINS!!!) It’s what the undead hunger for, and a well-placed headshot is usually the only way to kill them (again). And that doesn’t even cover the popular device of using the walking dead as an allegory for an increasingly mindless society. Warm Bodies stands out because it’s more concerned with an entirely different bodily organ. Based on Isaac Marion’s popular novel of the same name, the zombie romantic comedy deals directly with matters of the heart.
Posted in: Disc Reviews by J C on October 4th, 2017
“This may seem a peculiar request...but could someone explain why I'm here?”
That question is posed slurred by Jack Sparrow, Johnny Depp's perpetually sloshed swashbuckler, during his very first appearance in Pirates of the Caribbean: Dead Men Tell No Tales. Given that this is the fifth film in a faded franchise — and that Depp probably needs the money — the answer for why any of this is happening appears to be painfully obvious. Which is why I was delighted (and frankly a little shocked) by how much fun I had watching this latest entry, which manages to entertain while openly plundering the original movie's winning formula.
