Genre

Hans Zimmer has composed the music for some of the most iconic films of the last 20 years. That list includes Gladiator, The Dark Knight Trilogy, Crimson Tide, Pirates Of The Caribbean, Dunkirk, and even some of The Lion King. He's the go-to composer for directors like Ridley Scott and Christopher Nolan. His music is on par with household names like John Williams. I own a few scores that I've felt compelled enough to pick up over the years, and one of my favorites has been Gladiator for some time. When I heard that Eagle Rock Entertainment was going to release a Blu-ray containing a tour stop of this incredible music live, I was quick to sign up to review.

When it comes to Victorian era serial killers, Jack the Ripper is pretty much a household name. Whether you know much about the terror he caused in White Chapel, all these years later you still know the name and what he did. With The Limehouse Golem, the filmmakers create a more sinister serial killer and deliver a Hammer-esque murder mystery.  I’m all for a dark murder mystery, and when a film is channeling other successful films like Seven and From Hell, you’d imagine that you’d be witnessing a terrifying gory spectacle. The result, however, left me frustrated, as the film seems to pull from other films but never quite presents an engaging story to go along with the quirky mix of characters.

"I'm about to commit a moving violation."

When I go to a Pixar film, I always find myself in a situation where I'm predisposed to love the movie. There have been so many greats like Toy Story and Monsters Inc and so few horrible examples like Ratatouille. So I never really expect a Pixar film to be bad, and Cars 3 certainly wasn't bad. There are more than a few things to love about the latest collaboration between Disney and their Pixar division. The animation company also continues to push the boundaries of digital animation technology.

Have you ever questioned the nature of your reality.”

As things in our world become exponentially more chaotic and inexplicable by the day, the theory that we're all living in a computer simulation becomes a little harder to completely dismiss. The idea that our reality is an illusion dates back to the 17th century but most recently gained traction thanks to a 2003 paper published by Oxford philosopher Nick Bostrom. It's also been a popular theme in classic sci-fi works like Blade Runner, Total Recall, and The Matrix. To that list, we can now add HBO's Westworld, a slick and star-studded sci-fi/Western mash-up that features the requisite shoot-em-ups and pay cable sexcapades, but is actually most interested in exploring the nature of humanity.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

One thing that you can probably surmise about me fairly quickly is that I am a product of the 80's. I still wear Converse shoes when I'm not working. I watch a regular dose of Transformers (first generation, 1984) and my favorite movie is Escape from New York (1981). My wife was even born in the eighties. Probably not the same thing, huh? Anyway, I usually jump at the chance to review an 80's movie and today is no different. The movie is called Into the Night with Jeff Goldblum and Michelle Pfeiffer from 1985. Never heard of it? Surprisingly, me neither. Let's take a look.

“Here’s how it is: the Earth got used up, so we moved out and terraformed a whole new galaxy of Earths, some rich and flush with the new technologies…some not so much. The Central Planets, thems formed the Alliance…waged war to bring everyone under their rule. A few idiots tried to fight it, among them myself.”

Sound familiar? A crew of scrappy underdogs skirting the edge of the galaxy to avoid an oppressive interplanetary alliance. Exactly 40 years ago, Star Wars used that formula to capture moviegoers’ imaginations, and it is currently being replicated by the uber-popular Guardians of the Galaxy series. But in between those two behemoths there was a little show called Firefly.

Ever since Birdman was released, it seems many filmmakers have been attempting to pull off the continuous take and outdo all the others.  It was impressive when we all saw it the first time, but since then everything just seems like a bad knockoff.  The newest film to follow this trend is Bushwick.  While the camera work in the film does allow for an immersive experience, honestly it felt like I was in a first-person shooter video game, which was cool, but it seemed like the camera work was a distraction from the story.  This is a frustrating film. On the technical side there is a lot to appreciate, but the moment you start looking at the story, the film seems to simply fall apart.

"All of human history has led to this moment. The irony is we created you. And nature has been punishing us ever since. This is our last stand. And if we lose... it will be a Planet of Apes."

I was always a fan of the original Planet Of The Apes series of films. While they often flirted with a camp style, I was impressed with John Chambers' makeup effects and the performances of Roddy McDowall as both Cornelius and Caesar. Then came the television show, and I was just as enchanted, and that was helped along by McDowall's appearance as a third ape, Galen. The show didn't last a season, and before long the Apes franchise was left in some kind of limbo.

For a gritty historical epic to get the green light these days, it has to have some sort of easy-to-understand hook. (“Hey, it's sexy King Arthur!”) And it seems like enough people complained about the prevalence of PG-13 action movies that it led to the current boom of R-rated sensations — like Deadpool and the John Wick flicks — that gleefully go to extremes. There is absolutely nothing gleeful about Pilgrimage, and the movie doesn't seem all that interested in hooking the masses (significant portions of the film are in French, Irish, and Latin). In other words, the most striking and impressive thing about Pilgrimage is also what can make it feel like somewhat of a slog: this movie is dead serious.