Posted in: Disc Reviews by J C on August 24th, 2016
“There is another story. One that comes long before…happily ever after.”
An unseen narrator — an uncredited Liam Neeson, wisely choosing not to show his face in this film — intones these words at the start of The Huntsman: Winter’s War. He’s talking about the saga involving a certain magic mirror and Ravenna (a still-captivating Charlize Theron), the wicked antagonist from 2012’s Snow White and The Huntsman. But as this flat, uninspired prequel/sequel hybrid unfolds, it becomes clear that this “other story” is essentially an unimaginative mish-mash of Disney (shades of Frozen and Brave are added to the Snow White framework) and Tolkien.
Posted in: Disc Reviews by Gino Sassani on August 22nd, 2016
"We've been on the sidelines too long, missed too many adventures. Now it's embarrassing. How do you think it feels when everyone asks you how the adventure was, and you gotta say that no one asked you to go along?"
Well, you're invited, now gather up your Disney Fastpass and get in line for more television adventures in Storybrooke. Ah, but before you get on the boat for this year's ride you might want to be sure you're all caught up on the adventures of these characters. This is not the place to start. The mythology of Once Upon A Time gets quite complicated over the previous seasons. This is not the place to start if you want to watch the show. Check out our previous reviews of the first four seasons of Once Upon A Time. Bang it here to get caught up: Once Upon A Time Reviews.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2016
"When people see that red cape, they expect to see a certain someone. Someone they know. But this isn't his story. It's mine."
Of course, that "someone" they know is Superman. This is the story of Supergirl. We've seen her story on both the big and small screen, as well. Helen Slater put on the tights and skirt in the Richard Donner film made during the Christopher Reeves Superman years and meant to tie into that filmactic universe. When television told the story of a young Clark Kent in Smallville, it was only natural that his famous cuz would show up there. This time it was Laura Vandervoort who played the Kryptonian. It's nice to see that the new version of Supergirl pays homage to both previous incarnations of the character. Both Slater and Vandervoort have roles in the series that rise a bit above the cameo level.
Posted in: Disc Reviews by Brent Lorentson on August 12th, 2016
What if you were given the chance to step back in time; would you take this opportunity to change the world, even if it meant having to kill someone for the “greater good”? This is the question that kicks off the story that is 11.22.63, from the novel written by Stephen King. Sure, merely mention Stephen King and many automatically people think of the man as the master of contemporary horror. Yet some of his prolific works that have made their way to the big screen and have gone on to be classic pieces of cinema are less about horror and more about friendship and the deepest bonds we can share with another. Stand By Me, The Shawshank Redemption, and The Green Mile are just a couple examples of King’s more profound works, and for a moment 11.22.63 could have stood right alongside these titles.
Hulu is the streaming company that set out to adapt 11.22.63 as their way to take their streaming service to the next level and begin to stream original content. When I first heard there was going to be adaptation of the book, I was far from excited; after all, most of the mini-series that had come before just turned out to be lackluster executions of the stories I loved. (Yes, even IT I felt missed the mark in several ways that had me hoping this next attempt will be better.) What gave me a little hope, though, was hearing about the involvement J.J. Abrams would have with the project, how his name alone would elevate this past Mick Garris mini-series we got throughout the 90’s. With eight episodes, would Hulu and Abrams be able to step up to the plate and deliver?
Posted in: Disc Reviews by Gino Sassani on July 28th, 2016
"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."
You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series. The first book had not yet been released when they started filming the series. Series creator Jason Rothenberg had the fortune to preview the book's outline and first few chapters. It dovetailed in with an idea of his own which was quite similar but dealt with the survivors exploring an alien planet for sustainability. I think this is the better idea and certainly has great potential. Now it's all about the planet. Space is no longer a part of the landscape. We've gone away from Lord of the Flies and its do-whatever-you-want slogan. There is organization and unwritten rules now, but there's a certain savagery that is the necessary outcome for the things they’ve seen and done.
Posted in: Disc Reviews by Jeremy Butler on July 28th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham."
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?
Posted in: Disc Reviews by Brent Lorentson on July 27th, 2016
If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough. It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off. The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start. For those who have never seen the show, you are doing yourself a great disservice by not watching the show, and to step in during its fifth and final season, I believe it’s safe to say you’d be more than a little lost. So what does creator Jonathan Nolan have to offer us in these final 13 episodes? To get straight to the point, this might be one of the best final seasons for a show (at least since Justified) that I can recall seeing.
When we last saw John Reese (Jim Caviezel) and Harold Finch (Michael Emerson), they were struggling to compress and protect The Machine that they were able to code into a briefcase and onto several drives. All this is while Samaritan has become fully functional as an artificially intelligent program that seems to be able to track anyone, anywhere with the aid of a secret government task force. Not only does our team have to go underground, but now they are constantly in danger with targets on their back; their only protection is their manufactured identities The Machine created for them. (Still with me?)
Posted in: Disc Reviews by Jeremy Butler on July 19th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham"
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?
Posted in: Disc Reviews by J C on July 6th, 2016
“Hello boys…I’m baaaaaack!”
You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — dropped a sequel last month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray and UHD release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
