Posted in: Disc Reviews by Gino Sassani on July 28th, 2016
"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."
You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series. The first book had not yet been released when they started filming the series. Series creator Jason Rothenberg had the fortune to preview the book's outline and first few chapters. It dovetailed in with an idea of his own which was quite similar but dealt with the survivors exploring an alien planet for sustainability. I think this is the better idea and certainly has great potential. Now it's all about the planet. Space is no longer a part of the landscape. We've gone away from Lord of the Flies and its do-whatever-you-want slogan. There is organization and unwritten rules now, but there's a certain savagery that is the necessary outcome for the things they’ve seen and done.
Posted in: Disc Reviews by Brent Lorentson on July 27th, 2016
If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough. It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off. The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start. For those who have never seen the show, you are doing yourself a great disservice by not watching the show, and to step in during its fifth and final season, I believe it’s safe to say you’d be more than a little lost. So what does creator Jonathan Nolan have to offer us in these final 13 episodes? To get straight to the point, this might be one of the best final seasons for a show (at least since Justified) that I can recall seeing.
When we last saw John Reese (Jim Caviezel) and Harold Finch (Michael Emerson), they were struggling to compress and protect The Machine that they were able to code into a briefcase and onto several drives. All this is while Samaritan has become fully functional as an artificially intelligent program that seems to be able to track anyone, anywhere with the aid of a secret government task force. Not only does our team have to go underground, but now they are constantly in danger with targets on their back; their only protection is their manufactured identities The Machine created for them. (Still with me?)
Posted in: Disc Reviews by Gino Sassani on June 26th, 2016
American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. All the while he's haunted by a hard hit he delivered that ended the career of a Bills player years earlier. He's still having flashbacks. He's also concerned that he might have suffered head trauma in his years playing football. Finally through the pleas of girlfriend and sports journalist Tracy (Kebbel), he gets himself checked out. It's all in a day's work for Spencer.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."
Just in case you don't know what the heck we're talking about here.
Posted in: No Huddle Reviews by J C on June 20th, 2016
Pop quiz! Which of the following titles belong to Shark Week specials, and which of them are the names of SyFy original movies? Zombie Sharks, Sharkageddon, Monster Hammerhead, Lair of the Mega Shark, and Sharksanity. (I'll give you a few seconds to mull it over...ok, ready to guess?) The answer, of course, is that *all* of those titles belong to Shark Week, Discovery Channel's long-running, wildly popular, and increasingly ludicrous summertime ritual.
The very first Shark Week aired in 1988, and its longevity is a testament to viewers’ enduring fascination with the majestic, sharp-toothed creatures. Of course, the flip side of that longevity is that coming up with new material each year is getting more and more difficult. Jawsome Encounters is a 13-episode DVD set that (mostly) features episode from 2014.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2016
"Roots: The Saga of an American Family literally blazed across this nation's screens."
In 1977 the entire country became Africans for eight consecutive nights. The name Kunta Kinte would become a household name. It was unprecedented on so many levels that even the ABC executives that made the decision to air it believed it was going to be a ratings disaster. The decision to run it on so many consecutive nights was made to avoid the ratings collapse from lasting more than a week. But by the time the final episode aired, Roots had become the most-watched television mini-series of all time. The final episode was the most-watched episode of television of all time. The mini-series record stands 40 years later. The episode record has been broken only twice since then. First it was the "Who shot JR" cliffhanger on Dallas, and eventually the final episode of M*A*S*H would take and continue to retain the record. If only those executives had known, it would have been a sweeps event instead of the usually dead January slot in which it aired. It was one of the first examples of event television. Businesses closed early. Vegas shows were cancelled because everyone was in their hotel room watching Roots. Before it was over 130 million people saw at least part of the mini-series. At the time there were just under 200 million people alive in the country. The only question I have is what were the other 70 million people doing?
Posted in: Disc Reviews by Gino Sassani on June 8th, 2016
"I started at the bottom working every club in New York City. I mopped floors. Swabbed ashtrays. Hauled kegs. You think you work hard? Try scraping Chubby Checker's vomit off the inside of a toilet stall."
Martin Scorsese is a man who has worked very hard over the years. His list of film accomplishments is too big to list here. On television his recent teaming with Terrance Winter produced Boardwalk Empire. It's not much of a surprise the two would team up again for another HBO series. The unlikely partner in this trio is Rolling Stones front-man Mick Jagger. Together these guys have given us another quality HBO series and another compelling anti-hero.
Posted in: Disc Reviews by J C on June 6th, 2016
“All men must die.”
The official tagline for Season 4 of HBO’s Game of Thrones also doubles as a helpful reminder of author George R.R. Martin’s no-character-is-safe philosophy. But even plastering that quote all over posters and promos isn’t likely to prepare you for the most devastating and thrilling season of a show that specializes in “devastating and thrilling.” Those thrills have now been given an extra kick: Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in Martin's saga the same treatment.
Posted in: Disc Reviews by J C on June 6th, 2016
Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the fantasy series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. Those qualities have been brought to thrilling life in each of the show's Blu-ray releases, but HBO still decided to kick it up a notch. Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in George R.R. Martin's saga the same treatment.
“If you think this has a happy ending, you haven’t been paying attention.”
