Television

“You need to promise…something goes wrong, you need to drop a bomb on this whole mess.”

The biggest literal bang on Homeland came courtesy of the explosion that wiped out CIA headquarters in the season 2 finale. However, many fans and critics would argue the subsequent third season was an even bigger bomb. (I thought season 3 at least finished strong following that dismal start.) Nevertheless, season 4 of Showtime’s cracked, crackerjack spy drama represents a soft reboot for the show. It’s also a return to its Emmy-winning season 1 form.

Gotham City. You know the name just as you know the names of Metropolis and Smallville. These are important places in the DC comics universe that have existed as part of modern American mythology since the 1930's. Warner Brothers has decided to tackle Gotham in much the way it spent 10 years bringing us to Smallville. But there is a decided difference to be found here. Smallville was indeed the origin story of Superman, and while the obvious answer might be that Gotham serves the same role for Batman, I found that to be a bit of an oversimplification. This is not the origin story for Batman, and while many of the future major villains from that universe take their first baby steps here, this is not their origin story either. This is an origin story for the city of Gotham itself. Unlike many heroes, Batman was a product of his environment. This is the story of how one city devolved so badly that a hero like Batman was necessary. What we see taking shape here is a place where a certain Dark Knight can thrive and spread his wings.

That means the city itself is the most important character of the show. To make that effective over a season of stories, the city must be created with a kind of style and atmosphere that would set it apart. While there are certain aspects of this Gotham City that owe to Tim Burton's style that set the mood for the first four films, there are also aspects of Nolan's gritty city here as well. It's at once familiar, but this is also unlike any city you've seen on television before. It exists out of place or time. There are cell phones, but not really computers. Detectives look through old newspaper stories on microfilm projectors. Some of us remember the days you had to do that at your local library. The cars are mostly from the 1970's, while the building decor and costumes appear more at home in the 1940's. It's an industrial city, but one where whatever industry once thrived here has long gone away. For something conceived in the original four-color world of comic books, this is a dark and colorless place for the most part. The only thing that's missing is the "abandon hope all ye who enter" sign at the city limits.

"My name is Walter O'Brien. I have the fourth highest IQ ever recorded: 197. Einstein's was 160. When I was 11 the FBI arrested me for hacking into NASA to get their blueprints for my bedroom wall. Now I run a team of geniuses, tackling worldwide threats only we can solve..."

By now you are used to the geeky technical expert that is a requisite part of many television crime-solving teams. It's become such a stereotype that it's more formula than character by this point. So what if you had an entire team of these super-intellects, and there was only one normal person in the line-up. What would that look like? You don't have to ask yourself that question any more. If you're curious about the outcome, you might find this new procedural drama from CBS of interest.

"He is a confused and tortured young man...”

The “he” in this case is Peter Snowden, a chatty, charismatic, and deeply troubled war veteran. “He” also happens to be the only character who appears on screen in Nightingale, a potentially-fascinating HBO Films experiment that doesn’t quite reach its potential. At least, “he” is played by Selma star David Oyelowo in what is a thoroughly mesmerizing performance.

For most of our characters, the season begins pretty much in real time from the season 5 finale. There is a spell keeping magic out of the city limits of Mystic Falls, and that means no vampires or supernatural beings can cross into town. Elena is taking pre-med courses at college, mostly because it gives her access to the hospital's blood bank. Stefan is supposed to be out looking for a witch powerful enough to bring back Bonnie and Damon after they were trapped destroying "the other side". It's an act that brought some others over from the dead, including now-vampire Alaric and Enzo. In reality, however, Stefan has given up and is working as an auto mechanic for 200 bucks a week. Jeremy is hitting the bottle because Bonnie told him she was going to die over the phone. Tyler is trying hard tot to reignite his curse that will once again make him a werewolf. It's been a busy summer in Mystic Falls and its outskirts. And that's just the beginning.

What is Mystic Falls? Who the heck are Damon and Elena, you ask? Bonnie? You've got questions. We've got answers, but not here. You've heard me say this before, and it's become more and more true of television shows these days. If you don't know what I'm talking about, you're just not ready for season 6 of The Vampire Diaries. But you are in luck. You can check out my reviews for the four previous seasons here: Vampire Diaries Reviews. Then you can pick them up and start a mega-marathon session. Once you're up to speed, join us back here for the next thrilling installment.

The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. It was actually 10 years ago that the first Lego Star Wars short premiered and applied the toy company’s irreverent, spoofy brand of humor to deconstructing Lucas’ “Empire” brick by brick.

The latest offering, Lego Star Wars: The New Yoda Chronicles, didn’t quite premiere a long time ago. In fact, the four installments included here — labeled “Episodes IV-VII” — initially aired on the Disney Channel last year and comprise the entire “second season” of the Yoda Chronicles. They also follow the three episodes that aired on Cartoon Network in 2013, which is considered the show’s first season.

The Star Wars universe is famously vast, and that's before the Force even Awakens this Christmas and kicks off a new series of feature films. (And let's not even go down the Expanded Universe rabbit hole.) My point is that it's been almost 40 years since Star Wars premiered, and the army of artists who have taken on George Lucas' iconic creations haven't even come close to running out of material to explore. Disney XD's Star Wars Rebels is an engaging, thoroughly zippy entry that is likely to entertain its intended young target audience along with those who have been obsessed with the Force since a long time ago.

The Emperor has foreseen a new threat rising against him. The children of the Force...they must not become Jedi.”

"1836, Republic of Texas. The Mexican territory is home to thousands of US settlers. Tensions rise as Comanche and Kawakawa fight to keep their lands. Outlaws roam free, and slaves are caught in the crossfire. Mexican General Santa Anna battles to reclaim the land. US President Andrew Jackson is hesitant to intervene, and Texas has no choice but to declare itself an independent nation... The Alamo in ashes, pioneers, Tejanos, Indians and soldiers have no choice: fight or die."

Houston, we have a problem. No, I'm not talking about an ill-fated and ill-numbered Apollo craft hobbled between the Earth and the Moon.
But that was the call that went out to General Sam Houston in 1836 as General Santa Anna massacred the residents of The Alamo and continued his bloody march through the newly-formed Republic of Texas. Only one man could lead an army against him, and he appeared inclined to do nothing at all. But it was all part of a skillful strategy that would turn the course of a war and North American history itself. He's the man the city was named for. This is how he lived up to that name. The story starts here.

"Once upon a time, there was a majestic king, who lived with his noble brother in a colorful kingdom where music and art were celebrated. The king did not foresee having a child, but he lived in an enchanted land where all things were possible. In time, he was blessed with a beautiful baby daughter for whom he wished only peace and happiness. Still, the king had demons who pursued him."

If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.

So what will you be doing when the zombie apocalypse finally hits? Will you be fighting endlessly to survive? Will you be hoarding food and supplies? Will you be seeking out other survivors and band together? Maybe you'll just hole up somewhere and try and wait it out. Me? I'm going to find a solid generator, a high-definition television, an Oppo Blu-ray player, and all of The Walking Dead season sets I can get my hands on. You could consider it survival training, but I'm going to binge-watch one of the most unique shows in television history. Come to think about it, that's not all that different from what I'm doing now. I'm not going to let a little thing like the end of civilization keep me from catching the latest episodes. Now that's what I call must-see TV.

The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.