Posted in: Disc Reviews by Archive Authors on January 10th, 2016
Popular opinion and so-called critical opinion often seem to careen off cliffs like lemmings in increasingly unpredictable ways guided by whims and subtle shifts in the proverbial winds. I find myself shocked by things praised and things condemned. Sometimes I feel like a little boy who sees a naked emperor while everyone else is shrieking how much they love the new elegant ensemble. In this case, I'm seeing a lovely presentation while there are many who are whining. Part of the problem is that Season 2 of True Detective is considerably distinct from Season 1.
Posted in: Disc Reviews by Gino Sassani on January 7th, 2016
"A good family business is not the same as a good family."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight: this Showtime series looked to be something very special... and it has gotten better... perhaps a lot better.
Posted in: Disc Reviews by J C on November 16th, 2015
The geriatric care wing of a hospital — where the employees are undermanned and overworked, and many of the patients are in a near-catatonic state — is not the most obvious sitcom setting. That's partly the reason it took me a while to warm up to the first season of HBO's Getting On, an adaptation of the British series of the same name. The biggest drawback, however, was that those initial episodes didn't seem very interested in shaking the grim specter of the original show. But what a difference a year makes!
Posted in: No Huddle Reviews by J C on November 9th, 2015
“Why, this is getting more farcical by the moment!”
It's easy to point at the 1960s Batman TV series and laugh. For Dark Knight loyalists who insist their hero be gritty and tortured, the show is (at best) a campy amusement. At worst, it's an embarrassing atrocity. The two most important things to note are 1.) the show is very much a product of the Swinging Sixties time period in which it was made, and 2.) the series is *supposed* to be funny. (Batman picked up an Outstanding Comedy Series Emmy nomination during its run.) Keeping those two factors in mind is crucial to enjoying this entertaining, monumentally bizarre run of episodes.
Posted in: Disc Reviews by Jeremy Butler on November 6th, 2015
For me Haven has always been a quiet-storm series. It was a show that I had heard nothing about when I first started watching, but when I got started, I found it compelling. It’s a mystery series (or at least it used to be) based off a novella from Stephen King. In the beginning, one question was paramount to the series’ lead character: who is the Colorado King? That question took many seasons to answer, but now that the show’s time is limited due to Syfy announcing its decision to cancel the series, with the final episodes to air later this year, another question has arisen as the paramount question: who is Audrey Parker?
Posted in: Disc Reviews by J C on October 20th, 2015
“This is the beginning of something, not the end.”
There weren’t any Lost-style mysteries to be resolved here. And unlike The Sopranos or Breaking Bad, this particular series never really hinged on whether the lead character lived or died. (Although a moment in Ep. 5/“Lost Horizon” seems to nod toward fan speculation that Don Draper would take a tumble similar to the silhouette from the show’s iconic opening credits.) Instead, the final season of Mad Men — more than any other all-time great show I can remember — is directly about the end of things.
Posted in: Disc Reviews by J C on October 17th, 2015
Oh Hell No! is the cheeky subtitle for the latest entry in SyFy's made-for-TV Twitter Sharknado franchise. Coincidentally, “Oh hell no!” was also the response the creators of the first film got from everyone they approached about starring in it a few years ago. Flash forward to 2015, and things have changed dramatically. Now Sharknado auteur Anthony C. Ferrante needs a stick to beat away the washed-up actors, reality stars, and politicians(?!) angling to serve as chum for some comically unconvincing sharks.
Posted in: Disc Reviews by J C on October 15th, 2015
It wasn’t until I settled in to watch Spike TV’s three-part/six-hour miniseries based on the (relatively short) life of King Tut that I realized we hadn’t really seen his story depicted on screen before. I mean, it’s probably a bad sign that the most famous on-screen portrayal of the ancient Egyptian monarch comes courtesy of…Steve Martin. Given the liberties this miniseries takes with casting and storytelling, I reckon some historians would’ve preferred Martin as the famous pharaoh here. However, I still found this to be a suitably entertaining and attractive (if somewhat overstuffed) melodrama.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2015
I grew up on the horror comics of the 1970's. Eerie and Creepy were two of my favorites. My father would buy them and pass them down to me when he finished reading them. They were black and white so that they could take advantage of a loophole in the Comics Code and often featured lurid and gory stories of horror and depravity. Probably not the most appropriate reading for a young boy, but I ate them up. Before those comics there were the EC horror comics from Bill Gaines in the 1950's. Titles like Tales From The Crypt and The Vault Of Horror called out to readers with gory and hideous covers. But it didn't really start there.
Posted in: No Huddle Reviews by J C on October 12th, 2015
“It is upon us now...an old and faceless foe.”
In the second season of Reign, that foreboding statement refers to the plague and ensuing famine that lay siege to the court of King Francis II, Mary Queen of Scots, and their subjects. But in real-life terms, the most dangerous “old and faceless foe” for a promising series entering its second season is the “sophomore slump.” That's why I'm pleased to report the CW's sumptuous period drama was able to maintain the shamelessly soapy momentum from its guilty pleasure first season.
