Posted in: Disc Reviews by Gino Sassani on September 4th, 2013
"When the world goes to Hell How will you survive?"
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
Posted in: Disc Reviews by William O'Donnell on August 25th, 2013
Chicago Law firm Lockhart & Gardner is facing bankruptcy so each attorney works harder to reel in high profile clients so that they can save themselves from being sold, or shut down. Meanwhile Alicia Florrick (played by Juliana Margulies), who is an attorney at this firm, is caught amidst her husbands election campaign for the office of governor, as well as the temptation to become either an Equity partner in her current firm, or leave to be a name partner in a brand new one.
The fight against bankruptcy eats up at least half a season's worth of storytelling. I'll confess that I find it a bit hard to root for people that talk in terms of millions of dollars, and never have to relinquish their luxurious homes or lifestyles at any point during their struggle to lose their debt. Thankfully the trustee appointed to aid them is played by more subdued by still very charming Nathan Lane, and the cases the attorneys take on during their duress get increasingly engrossing. Said cases keep their topics very current with political references like the gun control debates and the actions of Anonymous (the protest group) becoming key issues.
Posted in: Disc Reviews by Gino Sassani on August 23rd, 2013
“It’s been a long time getting from there to here.”
Thirty-five years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: Disc Reviews by Gino Sassani on August 21st, 2013
"Everybody's got guns."
Lately, you might have heard a lot of folks talking about getting home for a little Nucky. Well... it's not what you think. They're talking about Nucky Thompson, played by Steve Buscemi on HBO's latest gangland series, Boardwalk Empire.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2013
"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."
ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series. That time has arrived, and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.
Posted in: No Huddle Reviews by J C on August 20th, 2013
The first season of Revenge was soapy perfection. I’m not saying it belonged alongside the great, ambitious television series of our time. But in terms of sheer entertainment value and ridiculously delicious (or is it deliciously ridiculous?) gotta-see-what-happens-next-week drama, the debut season of Revenge was as good as it gets. Unfortunately, season 2 is, by comparison, a disappointing slog. By the time the smoke from the explosive two-part finale cleared, Revenge had lost its creator/showrunner and become the latest poster child for the sophomore slump on TV. (NBC’s Heroes was more than happy to pass that baton.)
“Tell yourself what you have to, but when will enough be enough?”
Posted in: Disc Reviews by William O'Donnell on August 17th, 2013
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character’s verbal gymnastics, and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).
The formula (for lack of a better term) of each episode maintains in this second half of the final season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry’s uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one’s enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (most often murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
Posted in: Disc Reviews by William O'Donnell on August 17th, 2013
It is very common for Nickelodeon to release these sorts of compilation sets. Previously I had covered their themes of Learning the ABCs as well as their Christmas release (as found here: https://upcomingdiscs.com/?s=nickelodeon). This time we get 6 different Nick Jr. programs focusing on the "Wild West" (aka, country music, cowboys hats and horses).
Bubble Guppies: If I may start this review with a bit of rude frankness, I would sooner gargle thumb tacks than sit through a whole episode again. The story lacked any real imagination. It's the same worn out, condescending slow-talk that many children's shows adopt. The main characters have fins...that's seems the be the lone distinguishing factor. Other shows offer so much more than this one. Don't waste your little one's time with this.
Posted in: Disc Reviews by William O'Donnell on August 17th, 2013
Best known as the launch point for Michael J Fox's career (along with a major booster from the Back to the Future films), Family Ties was a decently delightful series that may now be mostly remembered via the many references placed into Family Guy (creator Seth MacFarlane has noted it as one of his all time favourites). It has been previously covered very well on this site, which can be found at this link: https://upcomingdiscs.com/?s=family+ties
In this, its final season, we see a number of major events occurring inside and outside the Keaton Family. There are many very serious scenerios occuring in this comedy, such as when Steven, the father of the family (played by Michael Gross, whom I best remember from his role in the Tremors series) has a heart attack in a three-part story arc called Heartstrings, or when the Keatons defend their new African-American neighbours after they become the target of racist actions committed by other people in their neighbourhood in a two-parter called All in the Neighbourhood.
The focus of the overlapping narrative is placed onto the exodus of Michael J Fox's character Alex as he receives a lucrative job offer in New York city, a story that runs right to the finale of the show itself. Throughout all seven seasons we saw the comedic conflict between the fiercely Republican Alex and his former hippy parents and the show completes the arc by having Alex follow his capitalist minded ambitions to Wall Street, but not before reaffirming his loving connection to his entire family.
Posted in: Disc Reviews by Gino Sassani on August 14th, 2013
When the show ended in 1966 it was still one of the most popular shows on television. Both Dick Van Dyke and Mary Tyler Moore wanted to do something else. Both were made confident by the huge stardom the show provided them, but neither was ever able to reproduce the magic here. Of course, Mary Tyler Moore found great success with a different kind of show in The Mary Tyler Moore Show. That one would go on to become a classic in its own right. CBS didn't want the show to end and continued to run the reruns for another four years before offering them to syndication where they continue to be a hit. Now that final season of classic episodes is available on high-definition Blu-ray for the very first time.
When one thinks of The Dick Van Dyke Show it's hard not to think of its star Dick Van Dyke. After all, it's his name on the opening credits, and he does play the lead character in this groundbreaking television comedy. There's little question that the show became a wonderful vehicle for his many comedic talents. But the genius behind the show wasn't really Dick Van Dyke at all. It was Carl Reiner (yes, Meathead's father) who was the true brains behind the show.