Disc Reviews

“Oh, he’s better than good…he’s a Crumb!”

Our parents always told us that we shouldn’t have too much Candy. The late comedy legend John Candy spent most of the 1980s either playing a scene-stealing sidekick (Splash, Spaceballs) or sharing top billing with fellow funnymen like Steve Martin (Planes, Trains & Automobiles) and Dan Aykroyd (The Great Outdoors). In 1989, Candy released four films and graduated to solo leading man status. One of those movies was Who’s Harry Crumb? a kooky caper that hasn’t aged very well but still serves as a showcase for Candy’s talents.

Harry Crumb (Candy) is the bumbling black sheep in a long line of private investigators who established a successful agency in Los Angeles. Eliot Draisen (Jeffrey Jones) is the slimy current head of the agency who assigns Harry to a case involving the kidnapping of multi-millionaire P.J. Dowling’s (Barry Corbin) favorite daughter. Why would Eliot assign an inept private eye like Harry to such a high-profile case?

The story is loosely based on a real incident called “The Newton Massacre”, which was basically a brutal shootout that took place in a saloon back in 1871.  Though we do get to see the incident in the film, the story places most of its focus on the events that in theory led up to this violent showdown.  It’s a good idea, and after reading up on the actual shootout, this could have been a tale that would have suited Eastwood, John Ford, or Howard Hawks. Deadman Standing has all the right parts to make a great independent western; unfortunately, by the time you’re ten minutes into the film, you’ll see that this film was a misfire.

The film wastes no time in setting up the political divide that has struck the small boomtown of Hyde Park.  There is an election that is going to take place, and basically it’s a battle over land between the cattlemen and those who work for the railroad. 

"These young men and women are going on a long journey. One that goes around the globe and back to the foundations of our nation. Once you're in the Corps, you're in the Corps all your days on Earth."

Gene Hackman narrates an IMAX look into what it means to be a United States Marine. He's the perfect choice, and not because he has such a distinctive and authoritarian voice, but because he was also once a Marine. There's an element of pride in the narration that just can't be faked.

The film begins with a short history of the Marine Corp that was established in 1775 to act as gunboats to watch over Navy vessels and landing troops. They were instrumental in winning the Revolutionary War and continue to be a crucial part of America's defense.

When Star Trek: Discovery was announced, I was quite happy to hear it. There had been a long gap since Star Trek had been on television, and I figured it was long past time to fly through the galaxy on a starship once again. The show finally aired after some real issues getting off the ground, and before I knew it I was back in a starship having a blast once again. Except it wasn't on Star Trek's Discovery I was having all of this fun. It was aboard Seth MacFarlane's Orville that the true spirit of Gene Roddenberry was exploring space once again. Who would have thunk it? Yes, The Orville is considered a comedy, and there are plenty of silly moments and ideas. But even with all of that spoof atmosphere, MacFarlane manages to capture the real spirit that Trek fans have come to feel for that franchise. Honestly, I'm not sure The Orville would have gotten through its first season if not for Alex Kurtzman destroying yet another beloved franchise. Trek fans turned to this show in droves out of frustration and desperation, and MacFarlane welcomed them aboard with a laugh and some alien adventures. It's a great example of that whole nature-abhors-a-vacuum thing. When Discovery went off the rails The Orville filled the void left behind. If you missed the first season, you can get them now on DVD from Fox.

"There's no such thing as luck, but I sure as hell believe in stupid."

We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script did hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because the first season of Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line.

"My name is Dylan Reinhart. Not long ago, I was an operative in the CIA known as Agent Reinhart. When I left the Agency and started teaching, I became Professor Reinhart. I wrote a book about abnormal behavior and criminals which was so successful a serial killer used it as clues for his murders. That's when the NYPD reached out to me to help catch him, which I did. So they hired me and I became consultant Reinhart. So now I'm working with this woman, Detective Lizzie Needham of the homicide division, catching killers. Looks like I need a new name...Professor Psychopath."

If this is all sounding a little bit familiar, it should be. ABC did the idea with great success in Castle starring Nathan Fillion. This time many of the folks behind The Good Wife have gotten together for their own version of the idea starring Alan Cumming, and the result isn't near as charming, but it has its moments. You'll get a chance to check them out at home, because CBS has released the first 13-episode season on DVD.

The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.

Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues.

"Let me know when the governor gets here."

Well, he's in the house, and I'm going to get a lot of razzing for this review of Last Action Hero. The person who thought I should see a shrink for looking forward to the next Saw film is going to be calling for my outright commitment to an institution dedicated to covering walls with nice padding so we won't hurt ourselves. I know this film is generally considered "bad" by critics and moviegoers alike. It swept the Razzies in 1993 and has since been only the kind of film 10-year-olds would really like to see. Me, I've always simply loved this film. From the first time I saw it at the box office, I was hooked. It was one of the first new laserdiscs I bought back in the day, and I watched the heck out of that disc. I'm not ashamed to admit it. I love this movie.

So, why is this movie so hated? Honestly, I don't think that it is.

Dog Days is your basic ensemble film, with this time the story being dog-centric, as every subplot features a different dog, and some subplots are interconnected via one dog. It is a family-oriented film, so this time you all will not only been treated to a Nalyce stamp of approval, but a Jessica (my wife) stamp of approval as well. The cast is rounded out with a number of familiar faces that includes Nina Dobrev, Tone Bell, Vanessa Hudgens, Eva Longoria, and many, many more. The story tugs on the heartstrings a bit as it addresses several issues plaguing the cast, such as dealing with loss and opening yourself up after heartbreak. Needless to say, the film had the Jessica stamp of approval the second that Chihuahua (which in my opinion is just a bigger member of the rodent family) was found behind the dumpster. And of course, now I find myself fielding requests for a dog just in time for Christmas.

The story is intercut between several characters at different points in their life; Tara is a barista at a local café, recent college graduate trying to figure out her next step, when she finds a dog abandoned behind a dumpster at the café.

“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”

To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.

“God send me an obedient woman.”