Posted in: No Huddle Reviews by Gino Sassani on December 13th, 2018
In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. Both of these guys walk and talk like champs. There's a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. But what happens when both find themselves in deep trouble? That's the question as Billions heads into Season 3, where you'll get all 12 episodes on four discs with very minimal extras.
The strength of two very strong performances immerses us in each of these worlds to a point that we discover something none of these players know, or at least would be willing to admit. They are very much the same, and the culture of their careers is more alike than not. Both are willing to bend a rule for "the common good", and both believe themselves to be the heroes of their own stories.
Posted in: No Huddle Reviews by Brent Lorentson on December 13th, 2018
When it comes to Christmas horror films, it’s been a while since there has been a hit that has tackled the holiday and succeeded. For me you’d have to go back to 2010 with Rare Exports: A Christmas Tale, or more recently Krampus in 2015. But despite the few hits this time of year, there tend to be several attempts for a horror film to come out and make a name for itself. This year we get the low-budget offering All The Creatures Were Stirring, an anthology film which on paper seemed to show plenty of promise, but the execution resulted in one of the most tedious films I’ve seen this year. The film opens up with friends Max (Graham Skipper) and Jenna (Ashley Clements) getting together for the holiday since neither has anyone to spend the holiday with, so rather than be alone they go on a bizarre date. Max decides to take his date to an independent stage performance that is mostly silently performed. Each act that the performers put on is a story that we see over the course of the film. Though this may be a unique way to present the separate stories, it definitely lacks in execution.
The first story -- usually when it comes to anthologies this is the one that tends to be the best or at least should be a major hook.
Posted in: No Huddle Reviews by Jeremy Butler on December 13th, 2018
The things we do for our children. That was all I could think of while watching Fancy Nancy, another Disney Junior series. Nancy is a girly girl with a love of all things glittery and French. Funny, I can think of another little girl who fits that description. It goes without saying that Nalyce was immediately on board for this disc, going as far as to remind me every day that we need to review this show. When we finally set down to watch it, she was all business, turning off all the lights and basically becoming a zombie staring at the screen. I mean, I've never seen her so dedicated to anything. I have to admit a certain level of pride. Sadly, I was not as enamored with the show as she was.
The series is laid out in the typical format for a Disney series: two episodes per thirty-minute format. Each episode imparts an important lesson that every child should screen to function as a productive member of society, such as the importance of sharing and accepting people for who they are.
Posted in: Disc Reviews by J C on December 7th, 2018
“They destroyed the man I was, but then I was reborn. And this time I came out breathing fire.”
Season 1 of Westworld — HBO’s mega-budget adaptation of Michael Crichton’s 1973 film of the same name — spent a lot of time exploring the nature of reality and humanity through a high-tech theme park’s robotic hosts. And while the show still has plenty of time for those themes, the second season can be tidily summed up with a phrase that nods to another Part II of an iconic sci-fi franchise: The Hosts Strike Back.
“I used to see the beauty in this world…but now I see the truth.”
If you’re not familiar with Westworld, both the 1973 movie and the show center around an adult-themed amusement park that allows its guests’ most perverse and violent instincts to run amok.
Posted in: Disc Reviews by Brent Lorentson on December 6th, 2018
As a fan of The Conjuring films, I keep hoping that these spinoff films will manage to step up and be on par with The Conjuring, but instead they just keep letting me down. But that doesn’t stop the hordes of fans from still seeing these films; after all, the pair of Annabelle films were box office hits, and The Nun had a nice theatrical run as well, earning over $110 million. The Nun is a bit of a departure, as it takes us back to 1952 and is set in Romania to deliver a gothic horror story that seems as though it’s a bit of a nod to the old Hammer films from the 1950’s on into the 1970’s. Does the film deserve its box office success? Well, thankfully I didn’t have to take a vow of silence, and I can tell you all about it.
The film wastes no time in setting the tone and delivering the terror as we see a pair of nuns walk through the bowels of an abbey in Romania as they open a big, scary door that has the inscription “God Ends Here”.
Posted in: Disc Reviews by Jeremy Butler on December 6th, 2018
“Sometimes when you trust your impulses, incredible things can happen.”
I doubt this is what Jesse Usher’s character had in mind when he used it as a pickup line for Bella Thorne’s character. However, Ride does feature what turns out to be an extraordinary night for these two characters as they find themselves at the mercy of a demented individual with a .44 Magnum. This movie has been on my radar for a while, and it was a movie that I jumped at the chance to review. I’m fortunate to say that I was not disappointed, although I did find the ending to be a bit anticlimactic. When I saw the runtime for this film, a mere 77 minutes, I anticipated that the thrills would be over fairly quickly, but the story managed to pack quite a bit into this brief period.
James is a struggling actor by day, and a rideshare driver by night.
Posted in: Disc Reviews by Michael Durr on December 3rd, 2018
This year, I have gravitated more towards watching movie courtroom dramas. I watched Anatomy of a Murder for the first time. The same could be said for the Verdict with Paul Newman. I re-visited A Few Good Men in glorious 4k with pleasing results. Then I got an opportunity to review The Third Murder, a courtroom drama that takes a look at the Japanese court system when one lawyer decides to seek the truth. Even though I was about to go on review hiatus for the holiday season, I eagerly wanted to take a look, and I am glad I did.
Posted in: Disc Reviews by Jeremy Butler on December 3rd, 2018
So this was not one of Nalyce’s favorite films to watch, but she was a trooper and watched it till the end. Benji Off the Leash is a digitally remastered telling of the 2004 film. To its credit, the story surprising holds up. Even more to its credit, my daughter was actually able to follow the story. I mean, I had to explain certain parts, like who was Benji? And explain the profession of dog breeding, a profession she automatically decided was a bad job given that to her eyes it broke up puppy families. However, once we cleared that hurdle, we were able to continue the movie. Full disclosure, my knowledge of Benji beforehand was nonexistent. I mean, I knew the name, but not the significance. Fortunately for me, there is a decent opener so that I could catch up.
Posted in: Disc Reviews by J C on November 29th, 2018
“I get it. You’re taking me back in time to show me my mother and father, and I’m supposed to get all goosey and blubbery. Well, forget it, pal…you got the wrong guy!”
Bill Murray was the absolute best at being a jerk on screen during the 1980s, which made him the right guy to step into the role of a modern-day Scrooge. Charles Dickens’ “A Christmas Carol” had been adapted countless times before Scrooged and there have been dozens of versions since the movie’s 1988 release. But while this sarcastic, intentionally gaudy update isn’t exactly the most faithful version of Dickens’ classic tale, it remains a personal childhood favorite.
Posted in: No Huddle Reviews by J C on November 29th, 2018
“It’s handled, baby.”
Scandal, which followed the exploits of elite Washington D.C. fixer Olivia Pope and her torrid on-again/off-again relationship with the president of the United States, was never the Best Drama on television. But if the Emmys handed out a prize for “Most Drama,” this Shonda Rhimes-created soap opera would’ve been a shoo-in each of its seven seasons. So the fact that ABC released the final two seasons of Scandal in a handy bundle means there are almost too many twists and turns to count.
If you’ve never been Scandal-ized before, here’s a quick primer: Olivia Pope (Kerry Washington, who earned a pair of Emmy nominations for her work on the show) and her crisis management team of “gladiators” — which over the years included violently loyal techie Huck (Guillermo Diaz), the intense and enigmatic Quinn Perkins (Katie Lowes) and her former assassin boyfriend Charlie (George Newbern), along with the focused and capable Abby Whelan (Darby Stanchfield) — find themselves entangled with Washington D.C. power players, including President Fitzgerald “Fitz” Grant III (Tony Goldwyn) and his wife-turned-presidential hopeful Mellie Grant (Bellamy Young), who later vies for the Oval Office against Fitz’s Machiavellian former chief of staff Cyrus Beene (Jeff Perry).