Disc Reviews

In the 1970's Pat Morita was pretty much a staple of the American television landscape. It's fair to say he often got work in a less politically correct era as a token Asian on situation comedies. He landed iconic recurring roles as Arnold, who owned the burger hangout in Happy Days, and Ah Chew, the target of Redd Foxx's bigoted antics on Sanford And Son. His is a long career in the annals of 70's television. While he did appear in a few feature films, none of these appearances had the lasting fame or adoration that he experienced as Mr. Miyagi in the Karate Kid franchise. The role would define him for the remainder of his days. When Karate Kid appeared in 1984, it delivered a modest return at the box office but found some enduring returns in the young home video market. It was enough to score a sequel in 1986 that would become the best moneymaker of the franchise's original collection of four films. It pulled in enough scratch to warrant a third film, and that's pretty much where it all went downhill faster than a speeding bullet which might have mercifully ended the movies on a high note.

Any time you make a low-budget film that for a majority of the film takes place in a single location, it can be a bit of a risk.  Factor in shooting a film on a small budget, small cast, then you have to hope that the idea can hook an audience, and it’s a script that will keep an audience hooked for the duration of the film.  The problem After Darkness has from the get-go is it doesn’t have the budget to match its ambition, nor does it have the script to help the actors carry the burden of this film.  Even with Kyra Sedgwick and Natalia Dyer (Stranger Things), this film was a struggle to get through. For those brave souls who want to know more, it’s time to hunker down, ‘cause this one was a doozy.

Ever have trouble finding two matching socks when trying to get ready in the morning? Ever had to go to school or work with mismatched socks? It is an uncanny phenomenon; all over the world people are losing socks, for them never to return. Well, according to this animated film, we now know who is the cause for the predicament. Apparently living among the human race are little creatures that feed off our socks for sustenance, but they adhere to a strict motto of never eating the full set. OK, obviously that is ridiculous, but it made for an intriguing story for The OddSockEaters, an animated movie based off a popular foreign book series. Looks like another great movie to get the Nalyce stamp of approval on.

"Our Milky Way Galaxy is just one among billions of galaxies in the universe. In every way an ordinary galaxy. It's 100,000 light years across. There are hundreds of billions of stars here. Lost inside this huge swarm is one average-sized star. As stars go, it's quite unremarkable. Nevertheless, it's the most special place in all the cosmos. Orbiting this star is the only place we know in all the universe to harbor life."

Of course, that place is Earth, and while we can't say for certain, it is truly unlikely to be the only place in this vast universe or even this galaxy to contain life. We might one day have to rethink exactly what that term means one day. But for now, Earth is the only place we know that supports life.

"I always knew he'd come back. In this town, Michael Myers is a myth. He's the Boogeyman. A ghost story to scare kids. But this Boogeyman is real. An evil like his never stops; it just grows older. Darker. More determined. Forty years ago, he came to my home to kill. He killed my friends, and now he's back to finish what he started, with me. The one person who's ready to stop him."

I was 17 years old when John Carpenter released The Shape, aka Michael Myers, on the world in 1978. It was a milestone film. Of course we didn't know we were watching something that would become so culturally huge. We were the target audience. Teens who were looking for some extra thrill in our films. These so-called slasher films became great escapes of fantasy to bring a date along. For a late-teen, there's no better way to spend an evening with a date than a film that might have her jump right into your lap. Great times. But the reason Halloween stands out from the crowded genre is because John Carpenter knew something about anticipation. He knew how to build towards a scare. And he understood how to use music, shadow, and pacing to truly immerse his audience into a film. I didn't watch Halloween in 1978. I experienced Halloween in 1978.

John Travolta is one of those guys I like, but it seems like it has been ages since he’s done a great film.  Sure, he was great in The People vs. OJ Simpson where he played attorney Robert Shapiro, but apart from that role, it’s been a while since we’ve seen Travolta really make a splash at the box office. Personally I love seeing the guy on screen. Blow Out, Get Shorty and Pulp Fiction are just a few of my favorite films that he has been in, and I keep hoping his career will bounce back, but unfortunately it doesn’t look like it’ll be happening any time soon. Speed Kills is a film that has a story that is oozing with so much potential that if it were put in the hands of Brian De Palma or Michael Mann you could almost guarantee this film would be destined for greatness.  Unfortunately the result is a frustrating mess that manages to make boat racing and drug smuggling in the age of the “cocaine cowboys” seem boring.

These days when the studios are cutting together trailers to promote their upcoming films, I feel one of the number one complaints people have is that the trailer gives too much away, so why bother shelling out the cash to see it on the big screen?  When it comes to the trailer for Bad times at the El Royale, it gives you a glimpse at what is to come, but the result is something clever and ambitious. Unfortunately, it feels a bit too familiar.  This is the second feature film from writer and director Drew Goddard, who first made a splash onto the screen with his hit film Cabin in the Woods.  While I enjoyed his first romp that played with many of horror’s stereotypes, I still felt the film fell a bit flat.  Unfortunately, though I enjoyed this fun little noir film he’s put together, I feel it too falls a bit flat, but mostly this is due to its 140-minute runtime.

“You know, the first time we met, I really didn’t like you that much.”

I didn’t become acquainted with When Harry Met Sally… until well after the Billy Crystal/Meg Ryan flick had established itself as a bona fide romantic comedy classic. (I was 7 when the film came out in 1989.) So when I finally got around to watching it in my late teens, the “I’ll have what she’s having”  punchlines and general set-up involving an unlikely romantic pairing felt overly familiar. I enjoyed it just fine, I definitely appreciated it, but I wouldn’t quite call what we had love. Shout Select, an imprint of Shout! Factory, has released a 30th anniversary Blu-ray of When Harry Met Sally… And after revisiting this film years later, I’m asking myself the same question that Harry and Sally ponder after being friendly for years: is this love?

Pick of the Litter indeed. I never quite understood that phrase until I saw this documentary which follows the 18-month training period from the birth of a service dog to their placement with blind people to act as guides. I also didn’t realize how extensive a process that it was to train a guide dog, but when you think about it that makes sense given the importance these animals will play as people’s eyes. According to statistics, out of 800 dogs born to be service dogs, only 300 make it through the training process. So that means that 500 dogs don’t become guides. That’s surreal, but after watching the documentary, and seeing how in-depth the training is and the importance for the dogs to have the right temperament; I am glad to see how seriously the trainers take this task.

"The list is an absolute good. The list is life."

It had been nearly 20 years since I had seen Schindler's List. I believe this was only the second time I've watched it since seeing it in the theaters back in 1993. It's one of those films that doesn't lend itself to repeated viewings. It clocks in at over three hours, and the material is emotionally draining. That doesn't mean the film shouldn't be on everyone's shelf. It should. It should, because it tells a brutal story that civilization must never forget. It's clear that while the event remains in our collective memories, the reality of the Holocaust has been lost on too many people. Watch this film, and you will be completely amazed that anyone could throw words like Hitler or Nazi to describe anything that could be happening in American politics today. I'm convinced that the people who use those descriptions need to sit down for three hours and watch Schindler's List, maybe for the first time. It belittles this horrific moment in history to throw it about as a political hit or hate speech.