Posted in: Disc Reviews by J C on November 23rd, 2018
“Not all heroes wear capes.”
To put things mildly, Warner Bros. still has a bit of ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. One of those small-screen flicks — 2015’s Justice League: Throne of Atlantis — has just been granted a nifty “Commemorative Edition” 4K release before Aquaman splashes onto the big screen next month.
Posted in: No Huddle Reviews by Gino Sassani on November 21st, 2018
"The rest as they say is history... and math... and science."
Saved By The Bell became somewhat of a cult classic and a teen icon of the 1980's. It was likely the most popular out of prime time series on television for its run. What makes the show's story so compelling is indeed its rather unique history. It actually all started as a badly failed NBC prime time situation comedy called Good Morning Miss Bliss. The show had been inspired by the network's president Brandon Tartikoff, who had fond memories of a grade school teacher he once had named Miss Bliss. Yes, this was the famous guy who took NBC from last to first in the 80's by creating the fabled "Must See TV" campaign. The show lasted six episodes and was quickly taken from the network's schedule. NBC was finished, and what happened next truly is television history.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2018
"Loyalty is tricky. It's a moving target."
As the summer wound down from the season's requisite anchor film blockbusters, there was increasing room for a few independent films that will make their way from the festival circuit to fill the newly vacated screens at your local multiplex. For some it was to attain eligibility for the year-end award season. For others it was a short window to turn a profit from what was conceived more as a work of art. For others it was a chance to become a sleeper hit. And for others yet, an opportunity to deliver a social message on the larger soapbox of the big screens. Blindspotting appears to be on the cusp of all of these things. But perhaps it came a little early for any awards consideration, and at a time where it was still competing with the mega-films of the summer. There's no doubt that the film attempts to hit us with a message, but it falls just short of that accomplishment. Blindspotting works best as a character study, and it's in that mode that the film almost approaches compelling.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2018
"Some say that in life, there are no second chances. Experience tells me that this is true. But we can only look forward. We have to be torchbearers, casting the light so we may see our path to lasting peace. We will continue exploring, discovering new worlds, new civilizations. Yes - that is the United Federation of Planets. Yes, that is Starfleet. Yes, that is who we are. And who we will always be."
I should confess from the beginning that I am a very dedicated Star Trek fan. I'm not a Trekkie or a Trekker, I'm a fan. I have often allowed my fan status to cause me to embrace the franchise even when it wasn't necessarily so good. As a young 15-year-old kid I attended the first 10:00 AM showing of Star Trek: The Motion Picture with a handful of friends on the opening day. We stayed through six showings and left sometime after midnight the following day, occupying the front row center and subsisting off of the day's more limited concession offerings. Basically candy, popcorn and soda. Little has changed except for the lack of responsibilities that would allow me to spend 14 hours watching a single film over and over again. I'm still reluctant to dismiss anything Star Trek, but that's nearly what happened as I sat through the first five or six episodes of Star Trek: Discovery.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2018
If you were a child in the 1960's or 1970's, you were around at the golden age of the Christmas television special. We just celebrated the 50th anniversary of A Charlie Brown Christmas, and there were a ton of holiday charms that came and went each year. But there were a handful that became classics and found their way to the airwaves every year in December. Of course, A Charlie Brown Christmas became one of these, and it is indeed among the best. It was not the only special to become beloved by generations of viewers. Now Dreamworks has brought together seven of the most memorable of these classics. This was a wonderful trip down memory lane for me, as it will be for millions of children of all ages who looked forward to these event broadcasts each and every year. Now you can watch them whenever you want. And they might not be just for Christmas anymore.
Rudolph the Red-Nosed Reindeer (1964)
Posted in: Disc Reviews by Michael Durr on November 20th, 2018
Young love is a wonderful concept that I wish could be sold and bought by the ounce, because I would either be rich or horribly addicted. Two people hopelessly absorbed by each other in a raging pool of hormones, bliss, and social media. It is a beautiful sight even if most of the time it is fleeting and gone in the blink of an eye. But what if you could change those decisions that made love lost and make it blossom again? Then you might just have Fireworks, a new Japanese anime from the producer of Your Name. Let's take a look.
We open to a boy and girl who are falling to the bottom of an ocean. The boy is trying to help the girl, who appears to be unconscious and about to drown. He shouts "Nazuna", and then we fade to black.
Posted in: No Huddle Reviews by Jeremy Butler on November 16th, 2018
Nalyce was very excited for this disc. Vampirina is one of her favorite shows to watch on Disney Junior. I will admit that it was not as bad as I figured it would be. Vampirina follows the story of Vampirina "Vee" Hauntley, who becomes a new kid on the block after she and her family move from Transylvania to Pennsylvania to open a local bed and breakfast called the Scare B&B for visiting ghouls and goblins. The Hauntley family have to learn to do things the "Pennsylvania way," especially when Vee is at school. Vee has a group of people helping her to blend in and keep her superpowers in check. At home, there are her parents, as well as Gregoria the gargoyle and Demi the ghost. At school, she is assisted by her two human friends who know her secret, Poppy and Bridget. It is a fish-out-of-water story for the younger generation.
The 30-minute episodes are broken into two halves (with the exception of Home Scream Home), each featuring a different story with a different and age-appropriate them such as the importance of sportsmanship, or the one that was my favorite, Vampire Weekend, where Poppy and Vee temporarily switch lives, with Poppy becoming a vampire and Vee walking a mile in the shoes of a human. What can I say; I’m a sucker for the Freaky Friday subplot. In this case, I feel that it depicts the importance of appreciating what you have in your life, as the grass is not always greener on the other side. However, when you are attempting to make that point to a six-year-old, something gets lost in translation. To her, it would just be cool to be a vampire and have superspeed. I can’t exactly fault her logic on that one.
Posted in: Disc Reviews by Brent Lorentson on November 15th, 2018
Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic. Sure effects have come a long way over the years, and through the Hollywood magic of special effects they can create a more realistic-looking shark, but to be fair many of the film’s more memorable moments don’t even have the shark on screen. When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water. I had known about the film’s struggles to get made for years but hadn’t known that it went back to the 90’s when the rights to the book by Steve Alten had been first purchased. When the studio signed Jon Turteltaub (National Treasure), it was clear they were aiming to produce a summer tent-pole film, and as my excitement grew, I caved and started reading The Meg series that Alten had published, and I was hooked. I’ve been looking forward to this film for a while. Could it possibly live up to my expectations? Well, it came close.
The film opens up with Jonas Taylor (Jason Statham) as he is on a deep-sea rescue mission. While he and the few members of his crew are searching for survivors on a wrecked sub, there seems to be something in the water with them that is attacking the sub. All we know is that it is something massive, and it forces Taylor to have to make a quick decision that results in several casualties. It’s years later when a scientific research team is exploring the Mariana trench and is planning to dive deeper than ever before, past a layer that was believed to be frozen. It’s when the dive team passes beyond this cold layer that we see some beautiful effects as this underwater world we are getting to explore with the team is filled with numerous deep-sea dwellers, though it doesn’t take long before the team is attacked. Apparently Jonas is the only one available who can possibly save the deep-sea crew; as it just so happens one the crew members turns out to be Taylor’s ex-wife Lori (Jessica McNamee). This is also the point where it’s discovered Taylor’s claim that the prehistoric megalodon is haunting the deep sea turns out to be true. Why Taylor would make this jump in reasoning from what we saw in the opening scene is beyond me, but I’ve accepted this is a popcorn ride, not something we’re meant to dwell on.
Posted in: Disc Reviews by J C on November 14th, 2018
Pixar’s animated films have a staggeringly-high approval rating among both fans and critics. Much of that goodwill extends to the short films that play before each theatrical release (or can be found on subsequent Blu-ray versions). The shorts often compress the warmth, humor, and creativity of the Pixar brand into a neat six- or seven-minute package. For the third time, Disney and Pixar have helpfully packaged a group of short films into a collection that will alternately have you laughing out loud and reaching for a box of tissues.
Pixar Short Films Collection — Volume 3 features 11 previously released Pixar shorts and two all-new mini movies. (These go all the way back to 2012’s Partysaurus Rex.) There is no Play All option, so you have to use the “Short Selection” option from the Main Menu to select the film you want to watch each time. Each short includes an optional introduction with the director talking about his or her inspiration for the film you’re about to see. (I highly recommend you watch the intros before each short film.)
Posted in: No Huddle Reviews by Gino Sassani on November 14th, 2018
"This could get worse before it gets better."
That's the perfect story line for the sixth and almost final season of CBS's modern Sherlock Holmes take, Elementary. After the fifth season ended, CBS was one of the first networks to renew a great number of their dramas. They kept more returning shows than any other network last year. And for good reason. The NCIS franchise ranks among the most watched shows in the world. That's not quite the case for Elementary. The fifth season showed declining viewership even though the series contains a very loyal core audience. It was most certainly on the bubble. Finally, the show was brought back for a limited 13-episode run but not at its traditional spot in the fall with all of the other returning major shows. It was held back until April and planned for a quick slot going into the summer. But the show proved to have a little more life than initially thought, and an additional eight episodes were added to bring the total to a pretty routine network show run of 21 episodes. Elementary fans got a lot to get excited about. Not only did they score eight episodes, but the show also earned its way to a seventh season, which will not begin until some time in 2019. For now you get the complete sixth and NOT final season. That's 21 episodes on six discs.
