Posted in: No Huddle Reviews by Jeremy Butler on July 27th, 2018
It goes without saying this film is not suitable for children. Swung is a film in the vein of the 50 Shades of Grey franchise; however, where those films focused on BDSM, this film is centralized along swinging, or engaging with multiple partners. Brace yourself, because you will definitely see more than you think you will in this unrated movie. Granted, it is not just all about sex. The primary focus is the relationship between our two lead characters and the strain and struggles that they are encountering. In this regard, Swung was relatable, as it addresses intimacy, custody matters, and the difficulties of unemployment. Starring Elena Anaya and Owen McDaniel as the couple, they serve as our eyes into this dark world that will possibly change their relationship forever.
Alice and David are very much in love and committed to one another, but the spark has gone out in their sex life. Being without employment and unable to meet his child support requirements, coupled with only being able to see his child on rare occasions have diminished David’s ability to satisfy Alice. Alice does her best to be supportive, but after discovering a particular kind of voyeuristic content on David’s laptop, begins to wonder if the issue is her. Determined to make the relationship work, Alice attempts to take part in this activity with David. After a chance encounter with another couple, things suddenly change, and the spark is instantly relit.
Posted in: Disc Reviews by Brent Lorentson on July 26th, 2018
Like so many others, when I read the book Ready Player One by Ernest Cline I simply fell in love with the nostalgic ride through the 80’s, all thanks to a virtual reality world called The Oasis. From start to finish it was a book filled with pop culture references that would make film and video game geeks squeal with delight, and it was no surprise that the book was a hit and would be turned into a film. There were only two names I could think of that could ever come close to making this film a reality: Robert Zemeckis and Steven Spielberg. With Spielberg involved, he was the only person I could imagine who had the clout to get all the licensing rights needed to pull this adaption, but still the biggest question I had was, does Spielberg still have it in him? I’m not questioning the man’s talent, but instead it’s the magic and wonder he would bring to his films, from Close Encounters of the Third Kind, ET, to Jurassic Park, where he could get us to believe the fantastic and impossible was real while we sat in a dark auditorium watching his film.
The Oasis is an open virtual reality world like nothing we have ever seen before, but with how our technology is developing it is quickly becoming a possibility for things to come. There are worlds and planets within The Oasis where you can be in constant battles to win coins, or go to exotic places for a vacation. It’s a world where you can be whatever you want and experience just about anything you want. Basically think about Westworld, but on steroids. The creator of this world is Halliday (Mark Rylance) who before dying announced to all of The Oasis that he created an Easter Egg hidden somewhere in The Oasis, and whoever was to find it would gain sole control of The Oasis and all of Halliday’s fortune.
Posted in: Disc Reviews by J C on July 25th, 2018
“The charm of this little escapade is rapidly wearing thin.”
Who doesn’t love a good heist comedy? The genre comes ready-made with stylish characters trading clever quips while trying to out-smart one another (and the audience). And with its surprisingly starry cast, The Con is On looked to be an especially promising entry into the heist comedy canon. So how did it go so wrong? Well for starters, the con artists here are just as (if not more) unlikable than the screwy suckers they are targeting.
Posted in: Disc Reviews by John Delia on July 23rd, 2018
"At the end of the bloody dog wars the vanquished mongrels became powerless house pets: tamed, mastered, scorned. But they survived and multiplied..."
Offbeat, heavy-handed characters, bleak outcast situations, and moody; it’s a marvelous adventure for those who like Wes Anderson movies. This one, however, shows his range with an animated film that’s worthy of most Japanese greats. From the opening drum introduction of Isle of Dogs to the heartfelt finale, Anderson captures a cold, disturbing environment from which his characters can rise up. If you like offbeat stories produced in stop-motion animation in the vein of Tim Burton’s Corpse Bride and Frankenweenie, then this film should not be missed.
Posted in: Disc Reviews by Brent Lorentson on July 21st, 2018
I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time. Sure, I know many will disagree with me, and that’s fine. Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe. There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen. The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends, and when I hear that someone has managed to go all these years without experiencing the film, it’s something I feel the need to remedy immediately. It’s more than just a simple stoner comedy, and rumblings about a sequel have been going on for years, but things seemed to always fall apart. Now after all these years, it’s finally happened.
In case you were wondering, just because the film releases on 4/20, this isn’t a movie that requires you to smoke the green dragon to enjoy. The Broken Lizard gang just knows their audience and simply wanted to be part of the joke. For those who saw the first film and couldn’t stand it, well, there’s no sense in even bothering to check out this entry. As for those who have managed to miss the first one, please check out the first before going in so you can enjoy the film for everything it has to offer.
Posted in: No Huddle Reviews by J C on July 20th, 2018
“I would say I outdid myself, but I'm always this good...so I simply did myself.”
Season 1 of NBC's The Good Place received top marks from me for its inventive, good-hearted, and hilarious approach to comedy. But what really put the show over the top was a game-changing finale twist that rivaled anything we've seen on the big screen in terms of shock value. (There's no way to avoid discussing this swerve going forward, so if you've never seen the show, go binge the first season real quick.) Blowing up everything we thought we knew about an already Good great show was a risky move, but I'm delighted to report that season 2 maintains (and builds upon) the show's excellence.
Posted in: Disc Reviews by John Delia on July 18th, 2018
by Ian Delia
Another one of Dwayne “the Rock” Johnson’s movies is now raising the bar. This new motion picture is filled with intense action. There isn't only shooting and fighting, but there are also new, but unusual, animals. From smaller, slightly lethal, animals into giants of terror with their mission is to take over the world to please their master. All the power of endless destruction is controlled by Claire Wyden, who is played by Malin Akerman.
Posted in: No Huddle Reviews by J C on July 18th, 2018
“Don't be jealous of a ghost.”
In Ismael's Ghosts, a French filmmaker's wife strolls back into his life 21 years after her sudden disappearance...much to the chagrin of the director and his current girlfriend. The tension created by the long-lost wife's return — combined with the question of where she's been and why she returned — is intriguing enough to carry this film. Unfortunately, Ismael's Ghosts is filled with way too many silly, half-baked tangents and ends up being as messy and frustrating as its main character.
Posted in: Disc Reviews by J C on July 13th, 2018
“This may very well be our last mission, Ethan…make it count.”
You wouldn’t know it from looking at him, but Tom Cruise was 53 years old when he did this film. So it’s only natural to wonder how many more Missions the indomitable superstar has left in him. Well, if Rogue Nation is any indication, the above quote is meant to be more winking than prophetic. Just like its tireless star, the fifth installment of the 19-year-old Mission: Impossible film franchise is spryer, tighter, and more energetic than its age might suggest with the sixth just about to drop at the box office.
Posted in: No Huddle Reviews by Jeremy Butler on July 13th, 2018
No adults? Well, that must be every kid’s and teenager’s dream. No one to tell them what they can and can’t do, what to wear, or how late to stay out. Then again, I suppose if all the adults were transformed into mindless, violent zombies, that might put a damper on the festivities. I know it did for the group from Don’t Grow Up. For this group of juvenile delinquents, they are the last to know that the world as they know it has changed. One minute they are living it up, and the next they are fighting for their lives. Granted, production value is not of the highest caliber. The film more than makes up for it in an engaging story and not shying away from gore in this post-apocalyptic tale.
A group of kids housed in a youth detention center awake one day to find that they are no longer under adult supervision. In fact, they are the only people in the entire facility. It doesn’t take long for them to find trouble; ransacking the administration office, pilfering booze stashed away in a detention officer’s drawer. Things couldn’t be better until they make that fatal (and I do mean fatal mistake): they leave the detention center. Granted, they had little choice given that they ran out of food, but it is then that they learn the reason for their utopia, and there is no going back.
