Disc Reviews

The notion of having one of comics’ famous costumed detectives face Jack the Ripper is simply one of those ideas I can’t help but smile with geeky joy thinking about.  Batman: Gotham by Gaslight, takes the caped crusader back to the early turn of the 19th century, a time when Gotham City was in its early days, before skyscrapers flooded its landscape.  This unique take does offer up some fun twists on the legend of the character ,but also takes many liberties of historical events that actually took place.  This kind of revisionist history can be fun; take Inglorious Basterds for instance, but how much should you really play with actual history and set character mythology? This is definitely a new playground for the creators to play with, so how does the animated film shake out?

At the start of the film we meet (Poison) Ivy, who has taken a different career path than most may be used to. It is followed by her confrontation with the Ripper, and it doesn’t go so well.  It’s an opening like this that lets the viewer know that the familiar cast of heroes and rogues are not safe in this world, so forget what you think you know, and try to sit back, relax, and try to enjoy the story that unfolds.

There was a guy on TV the other night. Had a theory that nearly a quarter of all so-called fatal accidents were actually murders. That's ridiculous...it's only about 10 percent.”

It's one of the more familiar action/thriller tropes: an apparent suicide or accidental death that actually turns out to be an elaborate murder. Usually that story is told from the perspective of the murder victim's loved one, who will stop at nothing to uncover the truth. What's cool about Accident Man — a stylish and rollicking action romp — is that it gives us an irreverent look at the cold-blooded killers who craftily carry out these cinematic crimes.

Kenji Kamiyama is a fairly known name in the anime world. His auspicious beginnings had him contributing backgrounds to shows like Duck Tales and movies like Akira. He then contributed scripts to a Wild Arms anime show and also did the screenplay for one of my favorite animes, Blood: The Last Vampire. His really big break occurred when he landed the director chair for the Ghost in the Shell: Stand Alone Complex films. After directing the TV show, Eden of the East, he came up with an idea for a new animated film called Ancien and the Magic Tablet. Unfortunately, that name didn't really stick and was renamed Napping Princess. Fast forward to 2018, and I have in my hands the Blu-Ray/DVD Combo set from Shout Factory. Let's check it out.

Once upon a time everybody had the same job. That job was to build machines or in plainer terms, BRAND NEW CARS! The King of Heartland thought this was the key to happiness. If you owned an old motorcycle or last year's model, you would get docked by your manager until you got the newest car right off the line. But there was a voice of hope and reason in the kingdom that belonged to Princess Ancien.

Never forget.”

The sight of Charlie Sheen in an earnest 9/11-themed drama is, to say the least, surprising. The controversial, tiger-blooded star has obviously drawn his share of headlines in recent years for reasons that have nothing to do with his acting. So you may or may not have forgotten that Sheen was also one of the most famous 9/11 truthers. But the most surprising thing about the ill-conceived 9/11 is that Sheen — delivering his first dramatic performance in years — isn't even the most tacky thing about this film.

When coming into this film you need to put aside any expectations of seeing your typical Pixar or Dreamworks animated film.  This is arthouse animation that is filled with originality while attacking the clichés we see in big-budget disaster films.  I didn’t really know what to expect from this film, but with a voice cast that includes Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolf, and Susan Sarandon it was such an odd mix that my curiosity couldn’t resist. So is the trippy animated film a success, or is it a dud destined to sink into obscurity?

The film runs at 77 minutes which leaves the film little time to set up characters and plot, but somehow the film still manages to give us a group of fully-fleshed-out characters; though they are a bit exaggerated, they remain relatable. Dash (Schwartzman) and his best friend Assaf (Watts) are returning to school with hopes of being more accepted and respected than they were the previous year.  The friends work together on the student newspaper where Dash enjoys writing exaggerated pieces while his friend prefers to stick to the facts and not blow the story out of proportion. It’s because of Dash’s flare for exaggeration that it’s difficult to find students to believe him when he discovers the school is in danger of falling into the ocean.

Simon Baker is riding high these days. His hit series The Mentalist was the highest ranked new drama of the year when it first debuted. That accomplishment got the show paired with CSI in that enviable Thursday night time slot. I’m amazed when I hear folks tell me how the actor appeared to come out of nowhere. A few film roles and he’s Mr. Television. Well, count me in with the small group that isn’t so surprised and saw him coming as far away as 2001 with a sleeper CBS series called The Guardian.

Baker played Nick Fallin, a talented young lawyer who just got busted for cocaine. Nick won’t see the inside of prison, however. His father, Burton (Coleman) is the senior partner at one of Pittsburgh’s most influential corporate law firms. Instead of jail, Nick is given five years probation and ordered to serve 1500 hours of community service. His court ordered assignment is Legal Services of Pittsburgh, formally Children’s Legal Services. He’s placed under the charge of Alvin Masterson (Rosenberg), an idealist who set up the law clinic originally to speak for children who have no one else to do so. He’s resentful of Nick’s pampered lifestyle and at first wants to make the gig hard enough on him that he might ask to be assigned elsewhere. Eventually they warm to each other as Nick becomes more vested in the job than he thought he would be. Much of the show’s conflict is derived from Nick juggling these two worlds. He still has a duty as a shark attorney for his father’s firm, yet must find time to help these indigents and children who have come to the clinic for help.

Duckman began life as an underground comic created by Everett Peck. It gathered to itself quite a cult following, and like all such things caught the attention of Hollywood. The USA Network took a chance on the quirky property and cast Seinfeld’s Jason Alexander to voice the crude character. And so Duckman’s wife was killed, and he was forced to rent his own house from his sister-in-law, who was left the estate by Duckman’s wife. His life pretty much sucked. Not only was he renting in his own house, but he was also living with his overbearing sister-in-law and his grandma, who basically just sat around and farted all day long. Duckman considered himself an ace private detective and ran an agency with his partner, Cornfed. Cornfed was voiced by Gregg Berger and was a Jack Webb Sgt. Friday clone. He was the actual brains behind the partnership. Crimes either got solved because Cornfed solved them or Duckman literally stumbled into the answer. His conscience would be found in two talking teddy bears he kept at the office, Fluffy and Uranus. Like Kenny on South Park, the bears would often meet grisly demises, only to return again in the next episode as if nothing at all had happened. Women, particularly damsels in distress, were often depicted as large-breasted and somewhat dimwitted. Most of the humor was decidedly adult. It was not a cartoon intended for children.

The animation was farmed out to Asian companies and was often a hodgepodge of various styles. There was a determined effort to catch some of the 1940’s style in the backgrounds and props for the show. Characters were often a mix of some animal, known or unknown, and humans. Duckman himself was almost a stick figure. He had a pole for a body, a beak and his eyes existed in his glasses which could be moved in almost any way imaginable. The show aired between 1993 and 1997, never gaining a huge audience but keeping a somewhat cult following. Much of the music was provided by Frank Zappa, and the cartoon certainly followed his offbeat satirical bent. Zappa’s daughter Dweezil was a regular on the series. Zappa died before the show really got going, however, so he was never able to fully appreciate the run.

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is? 

What I want to go ahead and get out of the way is, if you’re hoping for spoilers, there will be none, other than to say if you are expecting a big-budget extravaganza filled with monsters destroying cities, this is not that film. You will feel cheated.  Instead, what 10 Cloverfield Lane delivers is something more intimate than I would have expected, and it takes the thriller genre back to its basics.

Ray Donovan (Schreiber) is a Boston native who moved his entire family including his two brothers out to L.A. There he built an empire by being very good at what he does. What he does is fix problems, particularly for big-name celebrities and the lawyers who coddle represent them. His father has spent 20 years in jail for a crime he might not have actually committed. But Ray hates his father enough to have set him up and sent him to jail. A pattern Ray has continued over four years of the show. Ray has a wife, Abby (Malcomson), whom he keeps at arm’s length of his dubious business dealings. He also has a son and daughter who are somewhat conflicted in their feelings for their father. You don't want to start here if you are just experiencing Ray Donovan for the first time. In fact, this year is one of the best in the show's 5-year run to date. You really want to get caught up so you can appreciate some emotional drama as Ray Donovan The Complete Fifth Season comes to DVD. You get all 12 episodes on four discs.

The entire style of storytelling has changed for this season. It's not a spoiler to reveal here that Abby dies of the cancer she discovers in the previous season. Not only isn't it a spoiler, but it becomes the very event that changes how the show is presented. Ray is living two lives now. In one life he is haunted by the memories and ghost of Abby. That story shows us crucial moments in those final months of Abby's life and allows her character to continue through the entire season even though she begins it already dead. Many of these moments are repeated, revealing slightly more of their meaning over the season. They are usually tied to events in the current time and most often associated with Ray's guilt and loneliness.

It might be hard for me to admit, but there are certain instances where having an ultra-high-definition transfer of even a modern film is not necessarily a better thing. The UHD 4K release of Cloverfield is one such instance. There is no question that the transfer is about as sharp and clean as anything I’ve seen on Blu to date. The problem is that it only helps to accent the stylistic flaws inherent in this kind of film. The most noticeable improvement is in the first third of the film. Of course, that part of Cloverfield is about as entertaining as watching paint dry. I still don’t care about these characters and their party ramblings any more now than I did before. The fleeting shots of the creature do look better, but you still better hit the pause button if you want a good look.

The entire film takes place inside the camcorder of a character named Hud (Miller). Hud was given the recorder to document the goings on at a farewell party for Rob (Stahl-David). Rob is about to leave New York for an executive position at a company in, of all places, Japan. I suspect the destination to be one of many Godzilla nods Abrams offers in the film. Hud is doing his duty diligently when the building shakes and half of New York loses power. A television report informs the partiers that an oil tanker has overturned in the harbor near Ellis Island. The people take to the streets, and from here on all of the events are seen only through the lens of Hud’s camcorder. We’re treated to rather fast-paced and too often jarring images of New York crumbling around these people. Buildings collapse in images eerily reminiscent of 9/11. There are explosive fireballs and screaming jets overhead. We hear someone cry that “It’s alive,” and from that moment we get very fleeting glimpses of the large creature causing all of this devastation. It is also shedding smaller parasite creatures that find tasty humans throughout the city. We never really know what this creature is or where it came from. We honestly never get very many good looks at it. Rob wants to go across town and check up on his girl, Beth (Yustman). Wherever our small troop goes, it seems the creature is never far behind.