Posted in: Disc Reviews by J C on February 28th, 2018
I have to start by talking about the mustache. You’ve probably already seen the outrageous facial hair Kenneth Branagh rocks as Hercules Poirot, the brilliant Belgian detective who appeared in 33 Agatha Christie novels (including 1934’s Murder on the Orient Express). But it is truly a sight to behold on the big screen! Up close, it looks like a fake, ridiculously twirly mustache has been layered on top of an even longer fake, ridiculously twirly mustache. I bring this up because the two things that truly separate this sumptuous, all-star take on Poirot’s most famous case from previous (and superior) adaptations are the film’s eye-popping production values and…well, Branagh’s mustache.
“My name is Hercule Poirot, and I am probably the greatest detective in the world.”
Posted in: Disc Reviews by Brent Lorentson on February 24th, 2018
With the success of The Revenant, it shouldn’t be a surprise that other survival films would follow in its wake. At first glance when I came across Walking Out, I didn’t expect much and figured it would be nothing more than a halfhearted attempt to capitalize on the success of The Revenant. I couldn’t have been more wrong. What Walking Out brings to the table is a heartfelt tale of survival for a father and son, yet instead of focusing on the bleak conditions in the mountains of Montana, the focus is rather on the bond the two are attempting to develop. With a beautiful landscape as the backdrop of the film, it’s easy to see how Cal (Matt Bomer) could fall in love with his home and want to share it with his son. David (Josh Wiggins) lives in Texas and is only able to make the trip out to see his father once a year, and it’s when David is fourteen that Cal has a special hunting trip planned out. From the start it’s obvious the two don’t share much of a bond, though Cal is trying the best he can to show his son that there is more to life than his cell phone. Cal has fond memories of going out hunting with his father (Bill Pullman), and we see many of these memories in flashbacks.
The relationship between Cal and David is touching, and for some I can see where this film can possibly hit close to home as we begin to see that Cal’s fear and frustration is that his son really doesn’t know him. And just as we are seeing a bond growing between the two, this is when disaster strikes, and David is put into the position of having to save himself and his father. As an audience member we go from not thinking much of this teenager to rooting for him to manage to pull off the impossible and get the two to safety.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2018
"Maybe we could use a dad's night out."
Let me begin this review by stating that I did not see the first Daddy's Home film. There are pros and cons to that situation. I'm not really in a good position to judge the film's value or quality as a sequel, and I wasn't familiar with any of these characters when I started to watch the film. It does, however put me in a good place to evaluate this film on its own merits. Is it the kind of sequel that functions as a standalone film, or will you be lost from the start with no chance to catch up? I'm happy to say that I never felt like I was at a disadvantage. Yeah, there were moments where I felt like I wasn't part of the inside joke, but those moments are actually quite rare. I was able to enjoy this one just fine. The relationships were a bit confusing when it came to which kid really belonged to which parents, and some of that I never completely sorted out. The performances allowed me to get at what kind of characters the leads were from the beginning. I might have been the new "in-law" invited to this family's holidays for the first time, but that doesn't mean I didn't manage to have a lot of fun along the way.
Posted in: Disc Reviews by Brent Lorentson on February 22nd, 2018
The days of drive-in cinema and grindhouse pictures are all part of a bygone era, where the films were fearless and took chances with their subject matter. Now films seemed to be made so carefully as to not offend anyone. When it comes to Macon County Line, as much as it is a staple of its time, it’s hard to imagine this film being made today. It’s a film that’s a blend of two genres. It’s a road film, but because of the location and characters, it’s also a good ol’ boy picture. So how does this drive-in classic fare on Blu-ray? Despite having a runtime of 88 minutes, the story doesn’t rush into anything but instead lets us get to know the two brothers Chris (Alan Vint) and Wayne Dixon (Jesse Vint) who are on a quick joyride before they enlist in the military. Whether they are hooking up with married women or doing a quick dine-and-dash for breakfast, the boys seem to always be on the run from something, whether it’s an angry husband or the police. The Dixon brothers are far from your hardened criminals, but instead just a pair of guys enjoying their last days as civilians in 1954 Louisiana. Along the way they pick up Jenny (Cheryl Waters) a beautiful young hitchhiker the boys vie for affection over, but it never gets all that serious, because they know they don’t have much time left before they enlist.
The chemistry between the brothers is easy to see since they are brothers in real life, but the fun doesn’t last for long once Sheriff Reed Morgan (Max Baer) crosses their path.
Posted in: No Huddle Reviews by Dan Holland on February 22nd, 2018
I always have a significant degree of excitement when watching a film that takes place in Florida, especially when it is filmed in a place I either live or have lived. The Punisher (2004) was filmed in downtown Tampa, and Miami Connection (1987) in downtown Orlando and the University of Central Florida’s campus. To further explain this excitement, I even waited till 3 AM on a busy street in Seminole Heights, Tampa, hoping to get a chance to see a part of The Infiltrator (2016) when they began filming here. Inoperable does indeed take place in the Tampa area of Florida, but you really only come to understand that through the dialog. For all the audience knows, we could just be being told that we are in Florida, and we would be none-the-wiser. While that doesn’t take away my enjoyment from the film, it certainly would have helped if it actually looked like Tampa.
The film takes place in a hospital while a large hurricane is happening outside (so realistically, the one thing that lets us know it is Florida is the impending threat of inclement weather). While in the hospital, Amy (Danielle Harris) is plagued by a series of nurses and doctors assaulting her, the sight of grotesque surgical experiments, and of course a time loop so that her experiences are repeated, adding to the nightmare. So, imagine Groundhog Day, but with less Bill Murray and more gory scenes. While trapped in this time loop, she meets Ryan and Jen, who learn they are trapped in the loop as well. Together, the group discover clues that might help them escape.
Posted in: No Huddle Reviews by Dan Holland on February 22nd, 2018
Neo-Liberalism is a concept that was introduced to me in 2014 while I was in graduate school. In an effort not to bore the reader and save my own amateur understanding from ridicule, I will not discuss the philosophical musings at length. However, I will briefly offer what I take to be the “important things to know” for reading this review. Essentially, Neo-Liberalism began as an economic ideology favoring policies that allow private businesses to function while uninhibited by the government. Then, from about the 1970’s onward, Western scholars brought popularity back to the term, allowing it to take on the characteristics of a catch-all term that ranges from economic structure, to economic philosophy, to academic discourse.
Much more can be said about the concept, but I will leave the learning up to you. David Harvey’s A Brief History of Neoliberalism is an excellent starting point, and that is where I dove in about four years ago. However, this text is a film review, leaving me the responsibility to deliver a fair, evaluative assessment of the documentaries Encirclement and Oncle Bernard. So the question becomes: how can you make a documentary about such a complex philosophy whose very meaning has evolved over time? The short answer is, through extensive interviews with notable interdisciplinary academics about the expansive topic. Plus, the topic is still unable to be covered to completion within the two hours and forty minutes it was cut into.
Posted in: Disc Reviews by J C on February 21st, 2018
If The Wire isn't the greatest television show of all time, it's certainly in the conversation. That landmark HBO series was created by David Simon, who took a journalistic and novelistic approach in telling the story of a decaying city (Baltimore) and its various institutions. Now, Simon has teamed up with crime novelist George Pelecanos for The Deuce, which takes a similarly 360-degree approach in examining Times Square in the early 1970s and the evolution of the porn industry. Capturing every facet of that time and place doesn't just mean that The Deuce depicts the lives of pimps, prostitutes, and police officers. It also means the show is alternately thought-provoking, tragic and darkly funny.
“You got some pimp in you.”
Posted in: No Huddle Reviews by Gino Sassani on February 15th, 2018
Meet the most dysfunctional crime family since The Sopranos. Not quite at the same level either on-screen or in quality, but once again we're drawn toward another dangerous clan with criminal intent. I guess we could call them The Baritones. Actually, Animal Kingdom is an apt description for television's latest baddies. They've now wrapped up their second season of mayhem on TNT where the series was the network's top ratings winner. Now that second season is out from Warner Brothers, and it's another crazy ride, of that you can be certain. It's based, rather loosely by now, on an Aussie film starring Guy Pearce.
Meet Josh Cody (Cole) His mother was a junkie who died of a heroin overdose. Josh called his estranged grandmother, who goes by the name Smurf, and is played by Ellen Barkin. Smurf takes him into her home, but it's not the Waltons. Smurf is a regular Ma Barker. She organizes criminal jobs that are carried out by her four sons. She collects the money and doles it out on an allowance basis. Her right hand is adopted son Barry, who goes by Baz (Speedman). He helps plan the jobs and is the only one with a family of his own. His girlfriend has mysteriously left him alone with a young daughter. If you saw the first season, you know what happened to her, and that secret is about to come out. Brother Pope (Hatosy) has just returned home from over three years in prison. He took the fall for the entire family, but he's off his meds and is quite crazy. He's by far the quietest brother, and the most dangerous. Brothers Darren (Weary) and Craig (Robson) are pretty much interchangeable bookends. They end up doing the heavy lifting, but they also are the hardest partiers in the family. From coke to jumping out of planes, these two do everything fast and furious. His uncles are not quick to trust Josh, and he has to find a balance with very little time to breathe.
Posted in: No Huddle Reviews by J C on February 15th, 2018
Stop me if you’ve heard this one before: single gal pals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. The queens kweens of Comedy Central's Broad City have given that timeless story hook a funny, druggy and tremendously weird spin for the past four seasons. That includes this most recent batch of episodes, which is lighter on comedy than usual as it explores the origin of NYC besties Abbi and Ilana's relationship...and the way even the closest friends can inevitably drift apart.
Broad City chronicles the (mis)adventures of Abbi and Ilana (co-creators Abbi Jacobson and Ilana Glazer), a pair of uncommonly attached best friends living and playing in New York City. Season 4 begins with a long-overdue flashback episode (“Sliding Doors”) that reveals how Abbi and Ilana met...along with a darker, alternative outcome for their friendship. (Abbi is saddled with the most unfortunate wig I've seen in a very long time.) The rest of the season still contains the bizarre flights of fancy that have become the show's signature. The most polarizing example is the half-animated Ep. 4/“Mushrooms,” which will feel like an especially bad trip if you're not on Abbi and Ilana's wavelength.
Posted in: Disc Reviews by Michael Durr on February 14th, 2018
New cartoon series these days are a hard watch for me. Gone are the days of classic shows like X-Men, Batman: The Animated Series and even newer favorites like Regular Show which ended about a year ago. Now we get shows where it seems like it is one cheap joke after another including Teen Titans Go and that show about some kid named Steven. So, I wasn't too thrilled to get the newest incarnation of Ben 10 on my review desk a couple of weeks ago. That's when I decided to employ the talents of my 2 year old son, Keaton and see if he can offer some insight.
"Thomas"...no son, we can't watch Thomas (The Train) right now. We have to review Ben 10, there are twenty episodes on this thing, see if you like it or not. "BeNNN." Yep, I hand my son the dvd case. He breaks open the stark white case and gives me the disc. "Thomas" Used to this exchange, I go ahead and put the dvd in the player and it brings up the menu. I select English subtitles, and then go to play the first episode. My son blinks at the opening and decides to sit down on the couch with his thumb in his mouth. He points, "Elmo?", he asks inquiringly. "No, BeNNN." He doesn't say anything else at this point and keeps sucking his thumb while looking at the screen.
