Disc Reviews

We have to be ready. You, me, the others… there’s an attack coming from far away.”

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman v Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn’t quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it’s not a bad film, either. Superman actually smiles and has begun to return to the “golly” innocence of his best comic years. This film may not be everything we fans of both brands were hoping for, but it’s actually a good start.

Girlfriends was a sitcom that ran from 2000 to 2008 back when The CW was known as UPN. It will also probably surprise people to learn that the series was executive produced by Kelsey Grammar, as the show is quite different from Frasier. Girlfriends was not the best comedy around, but it was a very important one for several reasons; every so often it tackled real world issues such as HIV, mental illness, miscarriages, and same-sex relationships. The series, as the title suggests, also featured a predominantly female-oriented cast.

The show followed the perspective of Joan (Tracee Ellis Ross), the den mother of the group and a successful lawyer working to find love. Rounding out the cast was Maya (Golden Brooks), the only one of the group who was married; unlike the others she is more working class, serving as Joan’s assistant at the law firm. That’s something that often causes her to clash with Toni (Jill Marie Jones), Joan’s childhood friend who comes from humble beginnings but is determined to marry into financial security. Lynn (Persia White) is the more carefree one of the group, though it is easy to be carefree when you rely on others for food and shelter. At the beginning of the series, she is forced to finally stop prolonging her education and begin her life. The central male figure for the series is the girls’ only guy friend, William Dent (Reginald C. Hayes), a fellow lawyer at Joan’s firm who brings a dry wit and interjects when the ladies begin to rant against the opposite sex. But he is also quick to lend a hand or protect them in any way that he can.

I’ve been a fan of The Walking Dead ever since the first episode aired on AMC. I’m a sucker for zombie films and the original Dawn of the Dead remains as one of my all-time favorite horror films. I mention this because when the idea came along to do a spin-off of The Walking Dead, I was stoked. But when Fear the Walking Dead first aired, I have to admit there was something about it that just didn’t hook me. So I gave up after a couple episodes. I wish I had held out just a little bit longer. Before jumping into season 3 of the show, I decided to revisit the series and start with a fresh set of eyes from the first season to catch up...and what a fun ride it has been!

For those that are unfamiliar with the show, Fear the Walking Dead starts in Los Angeles when the zombie outbreak has only just begun. If you are worried it’s nothing more than a West Coast version of the same story, let me set your mind at ease by saying, though it has similar themes and circumstances, Fear the Walking Dead is a darker and more intimate tale.

In a SEAL platoon, then as in now, you’re there for your mates. That’s what the men fight for on the ground. They don’t fight for their country’s objective. They don’t fight for their higher headquarters. They fight for the guys left and right of their patrol order.”

Though I'm not a SEAL nor a member of this branch of service, I am still able to attest to the truthfulness of the statement. Normally, the foot soldier is not privy to the bigger picture. Without that knowledge, you must find your own reasons to fight. That signal purpose that you will end up holding onto and reminding yourself of on a day-to-day basis in order to survive the difficulties that you will face. Loyalty to a guy going through the exact thing is usually one of the popular tethers. I know it was for me. It's a powerful thing that bonds a unit. A Bond Unbroken, a documentary focused on the Vietnam War, takes it a step further, showing that very loyalty can be extended to people that aren’t even in your unit or branch service.

"Well, I tried to start a revolution, but didn't print enough pamphlets, so hardly anyone turned up. Except for my mum and her boyfriend, who I hate. As punishment, I was forced to be in here and become a gladiator. Bit of a promotional disaster that one, but I'm actually organizing another revolution. I don't know if you'd be interested in something like that? Do you reckon you'd be interested?"

DC has finally gotten a recent comic superhero movie right with Wonder Woman. We'll know in just a few days if they can bring the streak to two films when Justice League hits the box office this month. Marvel, on the other hand, has a streak going that dates back to 2008 and reached a truly astonishing 16 films leading up to the third Thor film, Thor: Ragnarok. With three more films on tap for next year, that run could reach 20 films very soon. Not all of these efforts have been great by any means. I found the last Thor film to be one of the franchise's weaker moments. But all of these movies do have one thing in common. With even the least of these films, they have all been entertaining. And that's exactly where Thor: Ragnarok fits the mold perfectly. I wouldn't call this Marvel's finest moment. I would call it one hell of an entertaining ride through the Marvel Universe. Fasten your safety harness. Remember to keep hands and feet inside your seat at all times. No flash photography. You are encouraged to have food and drink; however, there is a choking hazard, as some of this movie is so funny there could be fountains of popcorn and sugary syrup substances ejected toward the rider in front of you.

Sometimes I think I'm cursed.”

Up until recently, Pixar Animation Studios had a pretty spotless reputation. (At least when it came to the quality of their films.) But while the studio's last three efforts (Cars 3Finding DoryThe Good Dinosaur) have been financially successful, Disney's own in-house animation studio (MoanaZootopiaBig Hero 6) has been out Pixar-ing Pixar in terms of delivering creative, crowd-pleasing blockbusters for all ages. (I didn't even mention a little movie called Frozen.) That's why I'm pleased to report that Coco — Pixar's moving, colorful and exhilarating take on Mexico's Day of the Dead holiday — is a thrilling and touching return to form.

What exactly is the purpose of an art museum? Oftentimes, people travel from all over the world to visit Da Vinci’s “Mona Lisa” at The Louvre or Seurat’s “A Sunday Afternoon on the Island of La Grande Jatte,” spending upwards of $50 on admission only to stand in line for a chance to see. That is just one of many issues covered in #artoffline, a documentary created for the sole purpose of exploring the philosophical questions that arise when thinking of art (physical media) in the digital age.

Drawing upon the expertise of contemporary curators, artists, and philosophers, #artoffline uncovers the anxious questions about art that no one is asking. More importantly, however, is that these questions are being uncovered in an accessible way: the philosophies are explained succinctly at the level of an “every man,” which is very inviting to spectators. What’s more, these ideologies are actually delivered in a way that generates intrigue. You are just sort of thrown into this world of experts, who are very inviting. Artists want you to know about the challenges they are currently facing in the digital age, and this documentary delivers on all fronts.

Keeping the country safe is big business now. It's getting bigger.”

Much of this sixth season of Homeland is spent exploring the notion that the CIA's cloak-and-dagger activities in the Middle East might have outlived their usefulness and a new course of action is required. But considering that Showtime's previously white-hot spy drama — a Best Drama series Emmy winner for its stellar first season — is six seasons in and a lot less buzzy these days, it's hard not to extend that central question to the show itself: Is Homeland obsolete? Well judging by this twisty and thrilling collection of episodes, the answer is a resounding, “No!”

It was just two years after the release of the first Tomb Raider film that the second one reached the big screens. The film came with a ton of expectations not only from fans of the first one but fans of the video game who either loved the first movie or were disappointed and had hopes that their particular quirks would be addressed. To be sure, some of them were. Without the need to establish character and settings, Cradle Of Life wastes no time getting to the action at the heart of the video game experience. Gone were the rather laughable inflatable breasts as new director Jan de Bont wanted a more natural look for the character, abandoning the prominent look of the video game. But if it was more action both groups of fans wanted, this was the film to deliver on that demand. But whatever it really was that fans demanded, they stayed away from this sequel, which delivered less than half of the box office of the first. Whatever you might think of the movie itself, it pretty much spelled the end for the cinematic life of Lara Croft... until now. With a reboot just around the corner, expectations are high again, indeed. Until then Paramount has decided to whet your appetite with the original films in a 4K upgrade on UHD.

Cradle Of Life begins with the discovery of an underwater temple once built by Alexander himself. An earthquake nearby has shifted the tides and revealed to Lara Croft (Jolie) where the long-hidden treasure is located. It is within this find that Croft expects to uncover an orb that leads to either great treasure or great disaster. It's the key to the location of the Cradle of Life and Pandora's Box. Unfortunately, Croft isn't the only one alerted to the find. A Chinese organization called the Shay Ling have also discovered the site and take the box from our heroine. It's a rather nicely constructed scene as the temple begins to self-destruct as a fight for the orb plays amid the crumbing ruins.

"It's begun."

It's been nearly 15 years since the last Tomb Raider movie was released. The franchise continues to be a popular video game series, and another film was inevitable. 2018 finally sees the release of a reboot of the title with a new actress playing the iconic Lara Croft. There's a lot of anticipation and box office potential here. What better time for Paramount to shake the dust off of their own relics and see if a UHD release in 4K could both create some new interest and ride along a little on the coattails of the big-budget reboot. It's good timing, and these are certainly two films that might benefit from the 4K upgrade. So now you have a little excuse to look backwards before you buy your ticket for the next chapter in the Tomb Raider franchise.