Disc Reviews

"Art is a lie. Art gives the chaos of the world an order that doesn't exist." 

The X-Files will soon return for a second revival season with 10 episodes that will likely finish the franchise. But if you're a Gillian Anderson fan, you won't have to wait until next year to get your Anderson fix. Acorn has a release that you really have to discover. Gillian Anderson has served three seasons (or series, as the Brits call them) in Belfast for the BBC series The Fall. With the broadcast of that third and final season, Acorn is releasing a nice complete set of all three seasons on both DVD and Blu-ray.

There is a sense of dread that unintentionally comes along with an independent science fiction film. Despite how far technology has come, it seems that for a science fiction film to really be impressive they need a reasonably decent VFX budget or suffer with a look that often times appears cartoonish by comparison of the larger-budget films. The Osiris Child somehow manages to not just create a grounded realistic futuristic world, but even manages to use practical effects to create some nasty-looking monsters and not pull its punches with the scope of its story. In a film that seems to be parts Elysium and parts Pitch Black; this might be the most ambitious effort I’ve seen in the genre that manages to succeed in many ways.

"Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. Searching every star, every world. And just when all hope seemed lost, message of a new discovery drew us to an unknown planet called... Earth."

In this version of Transformers, Earth is caught up in an age-old conflict between two factions of an Autobot society.

“Sounds like you don't have a lot of faith in faith.”

You know how sports teams retire the jerseys of their most beloved, outstanding players so that no one can ever wear their number again? Well, we are well past the point where movies about exorcisms need to be hanging from Hollywood's rafters. Simply put, no one has ever come close to doing it as well as William Friedkin did almost 45(!) years ago with his adaptation of The Exorcist. If anything, The Crucifixion is an even more egregious misfire than other head-spinning stabs at the genre because this movie is actually based on an intriguing, horific real-life case.

The Despicable Me series that includes Minions never seems to get tiring as they extend their comedy one more time with Despicable Me 3, opening this weekend. The key to the filmmaker’s success is the handling of the characters and inserting them into the animated movie with a plan in mind. That plan consists of starting with a little comedy involving the Minions, then working into some intense action that leads to a champion who either succeeds or fails. In the meantime there are multiple stories going on with each one targeting certain audience members.  Sounds complicated? Well, the best comedy adventure is intricate, and Illumination Studios does that very well.

It is difficult to become invested in a group of characters in just six episodes, but I can say in the case of The Good Karma Hospital, by the time we reached the season finale, I was definitely invested. The story of a big city doctor who leaves her life behind in favor of a journey of self-discovery in a foreign locale is not precisely a new tale, but it is unfolded in such a charming way that you will find yourself willing to overlook its sometimes predictable nature. With a backdrop in south India, the show takes place in a public and underfunded hospital unofficially run by a strong-willed and surly matriarchal character. Mix that with our fish-out-of-water junior doctor, and you get a dynamic reminiscent of the relationship between J.D. and Dr. Cox. Extremely charming and unafraid, they tackle serious issues that plague an underfunded hospital. The Good Karma Hospital is a worthwhile watch.

Coming along the heels of Straight Outta Compton, the new HBO documentary series The Defiant Ones takes a more in depth at the life and career of Dr. Dre as well as famed musical producer Jimmy Iovine.  The 4-part series comes out to over four hours of interviews and stock footage that spans over the course of both of their careers, and as a result we get a comprehensive look at the music industry like we’ve never seen before.

“Cauliflower.” 

When Steven Soderbergh announced his retirement from directing films in 2013, it was an announcement that was followed by shock and disappointment for fans and others in the industry.  He was a workhorse who managed to deliver a variety of art house titles (The Girlfriend Experience) and then numerous successful blockbusters (Ocean’s 11, 12 & 13) that seemed to always allow him to make films by his own rules. Soderbergh makes his return to film with a heist film that uses West Virginia as its backdrop and NASCAR as its target. It’s familiar subject matter, but it’s the characters that separate this film from the rest of the pack.

Of the many films based on books by prolific writer Stephen King, Misery ranks near the top. Falling somewhere between the horror and thriller genres, this film about a twisted obsession is frightening because the premise seems very real. Directed by Rob Reiner (A Few Good Men), who first visited King territory with his 1986 film Stand By Me, Misery tells the story of romance writer Paul Sheldon (James Caan, Elf) and the fan who rescues him after a car accident.

Afterimage is the final film of Andrzej Wajda, prior to his death in late 2016. Though I am not familiar with the cinematic stylings of Wajda, I researched enough to know that he typically helms projects that are historical and biographical, and cover very controversial topics taking place in Poland. Specifically, the ways in which occupation affected Poland during WWII. If this film has done anything for me, it has given me a curiosity to seek out more films from Wajda’s oeuvre. Afterimage is very methodic in its narrative and its set designs. Which is necessary given the film’s source material.