Posted in: Disc Reviews by Brent Lorentson on September 29th, 2017
With a title like 2:22 it’s more than a little on-the-nose to point out something major is going to occur at this time. For a film about premonitions, it’s a shame the film opens up as it does, because it leaves no mystery to the audience and simply tells us what is going to happen, or at least something close enough in the film’s final act. I hate films that are done in flashback just as much as I hate it when it doesn’t put in the effort to conceal how things are going to unfold. In a lot of ways the film is like Groundhog Day, only instead of the same day replaying over and over, it is the same events occurring over and over for our protagonist to figure out.
Dylan (Michael Huisman) is an air traffic controller who is good at his job; he claims it’s his ability to see patterns that helps him do his job as well as he does, though after a freak accident in the control center nearly causes two planes to collide, he is put on a temporary suspension. It just so happens that Dylan meets Sarah (Teresa Palmer), who was on one of the flights that almost collided, and the two seem to fall for one another at first sight.
Posted in: Disc Reviews by John Delia on September 28th, 2017
Taking a few ideas from superhero films, the animated adventure Captain Underpants: The First Epic Movie flies onto DVD, Blu-ray and Digital HD for home viewing. The comical kids’ movie has some great characters and a cool plot that will keep tots to tweens laughing and talking about the fun film. The movie comes with over 30 minutes of fascinating extras, mostly for the youngsters. The movie opens with fifth-grade-schoolers George Beard and Harold Hutchins showing off the comic book they created about a world called “Underpanty” where people only wear underwear. Much like the beginning of Superman, there hero gets catapulted to Earth from a distant planet about to blow up. Landing on Earth, the child starts to save cities from the likes of Egg Salad Sandwich Man.
Switch to reality and we find George and Harold in the school yard being surprised by their Principal, Mr. Krump. He thinks that George and Harold spend too much time thinking up and drawing comic book characters instead of schoolwork. The boys are remanded to Krump’s office where he goes over many of the pranks the two have played and warns them if he ever gets proof, they’ll be sorry.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2017
"In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then came the dark empire of Acheron, where cruel Necromancers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened its wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should possess."
The character started as a pulp fiction serial by Robert E. Howard in the 1930's. But Howard killed himself in 1936, and the character stood still for a time. There were several attempts to revive him, but it was likely Marvel Comics that gave Conan his greatest popularity in the 1970's. By 1982 the character was huge enough to justify a major feature film. That movie would start the movie career of a bodybuilder named Arnold Schwarzenegger. Arnie would return to the character a couple of years later for Conan the Destroyer. The franchise was doing well, but a third film fell into development hell, and nothing much happened for a while. Rights would move around, and finally the property was rebooted in 2011 with Jason Momoa in the lead role. He appeared perfectly cast. He was a somewhat barbarous alien in Stargate: Atlantis and was a hit in HBO's Game of Thrones. Conan appeared to be a good fit for the action actor, and it was. Momoa is quite good in the part, helping return the character more to his Howard origins. But that's about all that went right with the reboot.
Posted in: Disc Reviews by J C on September 27th, 2017
“Ma'am, you need to understand that the president doesn't actually want you to do anything other than continue to be a woman — which you're doing a pretty okay job at.”
While Selina Meyer has done a passable job as a woman throughout the first five seasons of Veep, the vice president-turned-(temporary)president and her staggeringly incompetent staff have failed at pretty much everything else. The good news is Veep itself still does far more than an okay job of poking profane fun at the absurdity of Washington, D.C. and its swollen egos, even though season 6 finds Selina's squad more scattered than ever.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2017
"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."
Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first three seasons. It'll be worth the effort, and I can get you started with those reviews found Here.
Posted in: Disc Reviews by J C on September 25th, 2017
“You have been my greatest love. Be careful, Diana…they do not deserve you.”
Ever since Richard Donner made us believe that a man can fly with 1978’s Superman — considered by many to be the first modern superhero film — we’ve gotten three different Men of Steel, along with five different versions of Batman (if you don’t count Will Arnett’s voiceover work). Heck, in the last 15 years alone we’ve had three Spider-Men and (incredibly) gone through three Hulks! Yet in all that time, a movie starring Wonder Woman — a superhero just as iconic as all the ones I just mentioned — could never get off the ground…until now. I’m happy to report it was worth the wait.
Posted in: No Huddle Reviews by Brent Lorentson on September 24th, 2017
When it comes to shows that simply sneak up on you and manage to suck you in, This Is Us would be a show I never saw coming nor expected to simply fall in love with. As a show that is on network television, it stands toe to toe with the best that cable has to offer. But what is most surprising is that what sets this show apart from the rest of the pack isn’t a complex antihero or dragons; instead it is as simple as being a show that feels as anything I’ve seen on television in some time. As the title would suggest This Is Us is simply about a family and the struggles and successes that come day to day, though as many of you can understand and relate, there is nothing simple about life and the constant hurdles that are thrown at us on a day to day basis. When I would listen to people talk about the show, it seemed every episode managed to make them cry or at least evoke some strong emotion. I’ll admit I was a bit skeptical about a show being so well made that it could easily prey upon the viewer’s emotions, but after only one episode I was hooked, and I was reaching for the tissues.
The first episode of a television show is generally called a pilot; it’s an episode that is made to introduce the studios and hopefully larger audiences to the show. One of my favorite pilots was for The X-Files; another great first episode would be for The Walking Dead. I mention these to hopefully give a little context for the statement I’m about to make, the first episode of This Is Us is perhaps one of the greatest first episodes for a TV show; easily I’d put this in the top five.
Posted in: No Huddle Reviews by Brent Lorentson on September 24th, 2017
To attempt to film in a single unbroken take is an ambitious move. Alfred Hitchock did this with his film Rope, and though it’s an impressive achievement, it’s not one of his great films. What works against the film from the start is that it has to entertain its audience from start to finish, and that’s a difficult enough task for films that have well over 1000 different shots. It’s a bold move, and it is what writer/director and camera operator Justin McConnell delivers us with his feature film Broken Mile. Just for a moment think about what he’s attempting: 80 minutes of filming hoping his actors deliver their lines and hit their marks, he has to hit his marks with the camera, and then while filming in the real world and not a stage, hope no one jumps in and ruins the shot. This is far from being a safe film to shoot, but it’s an attempt I can admire, and when I sat down with the film, believe me I was rooting for it.
When Shaun (Francesco Filice) wakes up, he’s face down in a tub of his own vomit. He’s a drug addict, and when he comes to he discovers his “girlfriend” is dead from what looks like an overdose. We stick with him as he panics and calls the police, but afraid of what can happen to him, he hangs up and calls his ex-girlfriend, Amy (Caleigh Le Grand). Things get complicated when we discover that the dead girl isn’t Shaun’s girlfriend, but instead the girlfriend of his best friend Kenny (Patrick McFadden). Sean bolts before Kenny can discover what has happened to his girlfriend, and this is what kicks off the film.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2017
Mixing science with comedy appears to not only be funny; it also has some serious staying power. It's been 10 years since Big Bang Theory first exploded on our television screens. The show continues to be one of the highest-rated comedy shows on television and seems to be going strong. The show takes the time and money to employ actual science consultants, so you might even learn something along the way. The secret to the show's success is that it's a situation comedy that really manages to be about the characters. All of that geek and science talk is background music to the main theme, which continues to be the characters and their relationships. Watching the 10th season I found myself a little amazed at how little story movement often occurs over a single 20 minutes. I was also amazed how little most of that mattered. But there is a formula here that delivers predictable laughs and has found quite a comfort zone with fans.
If there is a theme at all to the 10th season, it's certainly that of family. You can't miss the point from the very first episode of the season where Leonard (Galecki) and Penny (Cuoco) perform a second wedding ceremony so that their out of town family members can be a part of it. We already met Leonard's mom as the somewhat snarky psychologist Dr. Beverly Hofstadter, played by Christine Baranski from The Good Wife's (and its new spin-off The Good Fight. We had just met Leonard's father, Dr. Alfred Hofstadter, played by Judd Hirsch, at the end of last season. Hirsch might be best known from the 1970's classic Taxi, but he's been a constant force on television and films ever since. Of course, these two don't get along, and to the horror of both Leonard and Sheldon (Parsons) it seems as though he might be hitting it off a little too well with Sheldon’s mother, reprised by Laurie Metcalf.
Posted in: Disc Reviews by J C on September 22nd, 2017
“I don't want to be just guys in a house.”
Since its debut, Silicon Valley has brilliantly lampooned the tech industry by showing us both the proverbial “guys in a garage” and the self-important, aggressively eccentric billionaires obsessed with staying ahead of the curve. The show's central tension (and cruel joke) is that the ultimate endgame for the scrappy underdogs is to become...self-important, aggressively eccentric billionaires obsessed with staying ahead of the curve. Season 4 pushes the limit of the immoral behavior our alleged heroes will justify while continuing to deliver the best mix of brainy and bawdy laughs on television.
