Disc Reviews

"Did you ever run away from a scream? You can't. It will follow you through the woods. It will follow you all of your life... courage is never enough."

How many films are lost and forgotten over the years? It would be interesting to know how many films have been made since the advent of the movie industry. It is probably in the millions, and yet most of us would probably have trouble thinking of a thousand.

Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases.

While the name on the collection and each of the television movies might be Perry Mason, Raymond Burr and his iconic character only appear in two of these six films. Burr died in September of 1993, and CBS attempted to continue the series after his death. They never killed off Mason. He was away somewhere as a guest attorney filled in for him. The rest of the cast remained, and the name of the series was given an "A" before Perry Mason Movie. The style would more or less remain the same, but it just didn't have the legs everyone was hoping for after the loss of Burr. Obviously, this is the last of these film collections. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this. You get six films on three discs. The discs appear in a plastic case, and the cases are held by a cardboard slipcase.

When Vikings Season 1 first arrived a couple of years ago, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our shepherd/chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over the History Channel's drama series Vikings. Now season 3 is out on Blu-ray, and it's certainly a season to remember.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

Who would have believed that one of the world's most enduring if not exactly endearing comedians actually got his start in a serious drama? The film was Run Silent Run Deep, and the actor was Don Rickles. For a couple of years the former nightclub funny man would pursue the world of serious acting. That was until his friend Dean Martin made him a staple of his famous television roasts. Rickles became a standout, and his unusual brand of humor took off like a rocket to the stars. It's those very stars that helped make the man a household name that would bear the brunt of his fast and furious barrage of insults and put-downs. Most of them laughed in return, and soon it became a badge of honor to endure an attack from Rickles. The only thing worse than being insulted by Don Rickles was being ignored by Don Rickles. He earned such names as Mr. Warmth and the Merchant of Venom. What he really earned was the respect of several generations of fans. Today kids and adults alike know him as the voice of Mr. Potato Head from the Toy Story films and shorts. At nearly 90 years of age the funnyman has quite a legacy to look back upon. Now Time Life has given us the opportunity to do a little looking back ourselves with the 8-DVD set The Ultimate Don Rickles.

The set begins with the 6-disc complete CPO Sharkey series. The comedy series only ran two years from 1976-1978. In fact Don was never afraid to rib himself about how short his television run was. He blamed it on the fact that there were other shows on at the same time.

It’s the one that fans have been waiting for. The conclusion of the only adaptation series to rival the star power of Twilight in my opinion (Divergent comes close, but the popularity is clearly with this Jennifer Lawrence-led series). Hunger Games Mockingjay Part 2 is the culmination of all the action set up in the first film. It’s time to finally take the fight to President Snow, and this film delivers in every aspect. Action sequences are tier-one as well as being character-driven, all the while staying faithful to the source material. Accomplishing all these tasks is always difficult; however, this film appears to do it with ease. 

I think the number one thing loyal fans of the book were looking for was for the film to maintain the faithfulness to the original material. The series has always done a very good job of this, but I think it was best done here. As someone who has read the trilogy, I was very happy with how closely the two mirrored one another. The setting of certain scenes changed naturally (which was to be expected), but much of the dialog was the original text. I love to see a film maintain that level of commitment, because much of the fan base is made of people who fell in love with the books and wanted to see that same story illuminated on the silver screen. I don’t imagine that anyone will be disappointed in that regard.

Between their stints on Saturday Night Live and their subsequent sitcom hits, Tina Fey and Amy Poehler are two of the most successful comedic voices of the new millennium. (I happen to think Fey’s 30 Rock and Poehler’s Parks and Recreation are both among the five best comedies to debut in the last 10 years.) The longtime friends — dating back to their Chicago improv days in the early ‘90s — have also proven to be funny together, most notably during their well-received gigs hosting the Golden Globes. I'm telling you all of that to tell you this...I can’t believe how bad their new movie is.

Poehler is Maura Ellis, the goody two-shoes daughter of Bucky and Deana (James Brolin, Dianne Wiest). Fey is Kate Ellis, Maura’s older sister and the family’s bawdy black sheep who has just been kicked out of her apartment. Bucky and Deana have sold the girls’ beloved family home — dubbed “Ellis Island” — and they need their daughters to come down to Orlando to pack up their rooms. (They force Maura to tell Kate the news, since the latter doesn’t take bad news well.) Before having turn the house over to the snobbish new owners, the Ellis sisters decide to have one final mega-bash in their childhood home.

"These rebels, they have no fear, or they have so much they are numb to it. They feel as if they have nothing left to lose, and they hate us who do..."

It's all just a matter of perspective, isn't it? As a history teacher I have taught aspects of that event we all recognize as the American Revolutionary War. Did you know that in a British history book I have it is referred to as the Colonial Rebellion? You see, one man's revolution is another man's rebellion. Everybody is talking about who will be the next James Bond. It seems we’ve been fascinated by the spy genre since the early 1960’s. AMC has added a new wrinkle to the spy game with Turn: Washington’s Spies. When we say Washington, we’re not talking about the city. We’re talking General Washington, George Washington that is. It’s a revolutionary show about a real-life spy ring from America’s fight for independence. And yes, this series lets you see the war clearly from both perspectives.

"And then there's Maude."

In football, there's always a lot of talk about coaching trees. You know the idea. Some great mastermind who saw his assistants go on to have success of their own and who passed that lucky charm down to others for, perhaps, generations. All In The Family would be the television equivalent to a coach with a long tree. There were an incredible number of spinoffs that led to other spinoffs. Archie's neighbors The Jeffersons moved on up to the East Side and had their own several years of success. That show saw maid Florence have her spinoff from that show called Checking In. Meanwhile, Archie's daughter had her Gloria series, and after Edith's death, Archie settled into Archie Bunker's Place. Even the Bunker home had a spinoff called 704 Houser Street when a new family moved in.

“How much of an a--hole do you have to be to be successful?”

Over the last couple of years, a grand total of three movies — 2013’s Jobs, along with 2015’s Steve Jobs and now Steve Jobs: The Man in the Machine — have applied that very question to Apple’s late co-founder. Each film has approached the issue from different angles, but this Alex Gibney documentary is easily the most comprehensive, even if it’s not the exactly the most entertaining or satisfying.

I recently reviewed a cinematic production of a different bible story, Noah’s Ark, and I commented on the fact that I have heard that particular story told time and time again since childhood. Now I have been given the opportunity to review another bible story adapted for screen: the story of Moses. I thought that I had heard the story of Noah a lot, but then I began thinking about how many times I have heard the story of Moses. Whether be it through different adaptations of films or the original tale in the Bible, I believe I have experienced a retelling of the tale of Moses more than any other tale from the good book. Fellow cinephiles might recognize a few of these titles: Cecil B. DeMille’s The Ten Commandments (both his 1923 and 1956 versions), the animated feature The Prince of Egypt, or perhaps the more recent Ridley Scott feature, Exodus: Gods and Kings. The one thing that each of these films has in common is the aforementioned source material.

This specific adaptation, titled Moses, places Ben Kingsley in the lead role. It was his presence that drew me to the film in the first place. However, I was quite surprised to see two other veteran actors, Christopher Lee and Frank Langella (occupying the roles of Ramses and Memefta respectively).  It was a little bizarre that these three actors were the only ones that I actually recognized in the production. Every other actor I had never seen before, creating a strange stage on which Kingsley performs. This strange stage is made even more bizarre with the fact that Lee and Langella are actually minor characters in the film: Although the pharaoh and his heir are the main antagonists in the actual story, the amount of screen time they occupy is incredibly insignificant. As a result, Kingsley’s performance as Moses becomes enunciated, which left him little room for error in my expectations regarding his acting. I must say he definitely delivered on all fronts, but I don’t think I’d prefer him to Charlton Heston in 1956’s The Ten Commandments.