Disc Reviews

Dr. Temperance Brennan, or Bones, (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship and eventually a marriage with a young daughter. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor), who has become a bit of a guiding mother to the team.

Daniel Tosh is known for his no-holds-barred approach to stand-up comedy. His latest special, People Pleaser, is no exception: He even admits that he makes a living out of saying outrageous things in the middle of this act. Although he is often criticized for delivering racist and misogynistic humor to the young, white male demographic, Tosh gracefully disagrees through this persuasive performance. Having already seen two of his prior specials, I must admit he hit a beautiful stride in his fourth special that I really wasn’t expecting. There is an impressive retention of attitude and abrasiveness, but he added a large amount of metacognition to his act that forces the audience to really think about his performance.

Due to the explicit sexual nature of the following National Lampoon Radio Hour, it's featured as adult entertainment and not recommended for children's ears without parental supervision.”

Even if you had no idea it originated as a magazine, the name “National Lampoon” instantly conjures images of raunchy, subversive, anti-establishment humor. That's how strongly the iconic comedy brand managed to embed itself into pop culture. (In addition to the magazine, there were stage and radio shows along with at least two classic movies.) This dynamic, uproarious, and aptly-titled documentary does a very good job of illustrating how that happened.

"Two can keep a secret as long as one of them is dead."

When it comes to Pretty Little Liars, it seems making the fans crazy is what they do best. The fifth season of the show is out on DVD, and this is no place for beginners. If you don't know who Aria, Spencer, Emily, Hannah, and Alison are, it's time for you to head back to the beginning and catch up. You can find our reviews from those seasons here. For the rest of you, let's talk Pretty Little Liars, shall we?

I am by no means an expert on the Bible. That is why I am always anxious to see filmed representations of the stories, since most of my knowledge comes from other people. It’s always an interesting topic, and so many people have their own interpretations. I think that is the point. I think discussion of the Bible allows people to express their own inner thoughts about their relationship to God. But I long ago gave up on the idea of ever getting a clear picture of the meanings of the stories. There will be plenty of people who will tell you they know all the answers, but I sincerely doubt anyone has any such thing. I previously reviewed Abraham from this series, which was an earlier story in the history of the Jewish and Christian faiths.

America was once a primitive expanse where only very small groups of hardy hopefuls ever tried to venture across. It was a vast and endless wilderness that was mostly a mystery. This was the land of roving Indian tribes and undiscovered species of animals. This was a land of all kinds of danger. Life was one long hunt and endless battle against every kind of predator and natural enemy. There are so many remarkable moments in The Revenant that I will start with the bear attack. It is an unbelievably harrowing event that cannot be described in words that will in any way convey what you see on the screen. That one sequence alone is worth the price of admission

Billionaires are people too.”

HBO’s Silicon Valley, which takes merciless aim at the tech capital of the U.S., was impressive right out of the gate. The series struck comedy gold in its debut season by making fun of both self-important, aggressively eccentric billionaires and the bumbling “guys in a garage” who are trying to get to their level. Season 2 is both nerdier and more confident in its skewering of corporate soullessness and the scrappy underdogs who often can't get out of their own way. (I'm not sure there's another show on TV that would use a SWOT analysis to decide whether a douche-y stuntman lives or dies.) The result is a very funny sitcom that has gotten even better.

In the late 1960's three musicians came together with an idea. It was a somewhat unconventional idea. Roy Wood and Bev Bevan were part of the band The Move when they met up with Jeff Lynne from The Idle Race. The three hit it off almost instantly. So much so that before long Lynne would also become a member of The Move so that he could work with Wood and Bevan. But that wasn't going to be the ultimate goal. The unconventional idea that the three had involved combining rock and roll with classical music. Of course, other bands had done orchestral arrangements, most notably the Beatles.

David Crane struck television gold after creating not just one of the biggest comedies of the 90’s but one of the biggest shows of all time when he created Friends.  Love it or hate it, Friends was a series you just couldn’t escape while it dominated the ratings through its 10-season run.  Well over a decade since the show has gone off the air; it’s a show that continues to thrive in syndication.  And that is where Episodes picks up, the show from Friends creator David Crane and starring Matt LeBlanc, who plays himself in a show that parodies the life of a fading celebrity who is struggling to find his next big hit.

Am I irrelevant? I refuse to be irrelevant.”

Outside of The Golden Girls, there haven't been too many TV shows where the entire main cast is eligible for social security. Then again, chasing the 18-49 demo that advertisers covet isn't much of a concern for a subscription-based service like Netflix, which debuted Grace and Frankie last year. Naturally, the series — whose four main actors are each 75 and older — has its share of geriatric humor. (Although the broken hip doesn't occur till Ep. 5/“The Fall”.) More importantly, it also has some genuinely funny things to say about companionship and reinvention.