Disc Reviews

There is so much to enjoy when it comes to Mercury Plains. It is the first time I have seen Scott Eastwood in a starring role, Nick Chinlund provides a brilliant performance as the philosophical Captain, and each of the characters are engaging. To be clear, Scott Eastwood is the main character of the film, but his comrades have very interesting character arcs that make them unique. In fact, I think that is what I enjoyed the most from this film: the details that are not spoken directly to the audience. There are so many instances where the details in the character arcs (even Eastwood’s) are so minute, you could very well miss them.

Mercury Plains tells the story of Mitch (Eastwood), a young man who has just been released from a prison in southern Texas. Rather than begin working for his family, he finds himself confronted with a lucrative “opportunity” after a night spent drinking across the border in Mexico. A man known as the Captain (Chinlund) is prepared to offer Mitch five thousand dollars to join his crew of mercenaries, taking out the drug cartels before police have a chance to. Soon, Mitch realizes this crew is comprised of troubled teenagers, housed in a military-like camp. As the Captain begins to send the young men on new missions, Mitch realizes his objectives are becoming more dangerous, and more criminal.

Scott Adkins is one of those actors that I’m surprised hasn’t quite hit the mainstream success he deserves.  In the late 80’s and 90’s this is a guy who would have been an action superstar who would have crushed such icons as Jean-Claude Van Damme and Dolph Lundgren.  It seems that somehow Adkins has been lost amongst the glut of superhero films; he’s one of the true great tough guys who even does most of his own stunts, which is surprising, since some actors these days can’t function on set without their own personal chef and have stand-ins when their face is not on screen.  Close Range is the new release for Adkins that once again shows off his martial arts skills while leaving a high body count in his wake.

Close Range kicks things off in high-action fashion as Colton Macready (Adkins) goes on a one-man rescue mission to save his niece from the clutches of some Mexican drug dealers.  In the process of rescuing Hailey (Madison Lawlor), Colton accidently pockets a flash drive that contains some highly sensitive information for the drug cartel.  The theft of this drive causes the head drug lord Fernando Garcia (Tony Perez) to send out all his top men to retrieve the drive by any means necessary.

Over the years it’s become a bit of a trend to read headlines discussing a pit-bull attack. Sure, it’s been known to be an aggressive breed, but I tend to be in the camp that believes it’s the owner who truly reflects a dog’s behavior.  Another unsettling trend that has been in the news lately is the abuse inflicted upon these animals, whether it is to “toughen” the dog up for fighting or simply that the dog was an unfortunate object that a person decided to unleash their cruelty upon.  I note this not to attempt to make any social commentary, but instead to set up this film that tackles both sides of the coin when it comes to pit bulls, and it just so happens to be based upon a true story. 

Donna (Emmanuelle Vaugier) and Roy (Burgess Jenkins) Lawrence are a happy married couple with a newborn on the way.  Life couldn’t get better for the Lawrence family as they are preparing the bedroom for what is expected to be their first child.  In the neighborhood there is a dog that is barking, so Donna and her neighbor go to investigate; they find a pit bull that has been tied to a tree with no food and water and owners that are unaccounted for.  In an act of kindness, Donna goes to feed the dog the next day and is viciously attacked.   Not only does she lose the baby, but complications make it impossible for Donna to ever have children again.  The recovery alone is enough drama to fill a movie as Donna struggles with depression and Roy is overcome with anger issues of his own.

"Let's be careful out there!"

The final season of Hill Street Blues arrives from Shout Factory. I think it's likely you already have the full series collection. If not, this isn't really the place to start. Over the course of seven years you really get a chance to get to know these characters. You see them evolve both as actors and characters. Yes, it all comes together with one of the better season finale episodes in television history. You just can't deny yourself a chance to see it all. Last year I took that journey once again and binged the entire seven seasons, and I'm up for it again. In case you missed what there was to say about the show...read on.

It is not very often that I am able to say that a film revolving around an extramarital affair keeps me engaged. While the writing in Adulterers became rather unfavorable towards the end, the strength of the conflict and the pacing of the editing and cinematography combine to make a significant force. That being said, I was pleasantly surprised by the intensity of the drama that unfolds among the disturbed trio, but there were many moments that distracted me from that pleasure. Through this review, I aim to be as fair and as spoiler-free as possible. I believe this film is definitely worth the watch, regardless of what does not “work” for me.

Adulterers tells the story of Samuel Deuprey (Sean Ferris), a hardworking man, who comes home to find his wife (Danielle Savre) in bed with her lover (Mehcad Brooks). The events and scenes that follow are rooted in humiliation, depravity, and violence, as Samuel decides to resolve the situation in his own way. The way in which Adulterers heightens the tension is through adding details such as: the events transpire on the couple’s anniversary, Samuel works long hours to provide for his wife, money may or may not be involved, etc. While each of the details introduced into the film’s story may be cliché for dramatic films about affairs, they are absolutely necessary in order to understand Samuel’s rage and mania.