Posted in: Disc Reviews by Gino Sassani on January 2nd, 2016
"His imperfections were unsettling. But Frank Sinatra was a genuine artist, and his work will endure as long as men and women can hear and ponder and feel. In the end, that's all that really matters."
He was The Beatles before The Beatles were The Beatles. His voice would make women swoon and men want to be him. He romanced some of the most beautiful women in Hollywood history, and he sat at tables with kings, princesses and presidents. He was The Voice. The Chairman Of The Board. He was Old Blue Eyes. His name was Francis Albert Sinatra, but we all called him Frank.
Posted in: Disc Reviews by Jeremy Butler on January 1st, 2016
America’s most dysfunctional family is back for a fifth season. Showtime dramedy series Shameless, based on the popular UK series of the same name, continues with the same level of comedy and drama that has made it one of the network’s all-time popular shows. The Gallagher clan is always full of surprises, and this season is no different, especially when comes to the family matriarch, Fiona, who probably comes through the largest arc this season as always. Usually when a show reaches this point, it begins to show signs of tedium or signals that it is close to its end; however, that is not the case here, as the season 6 is expected to begin in January.
When we last looked in on the Gallaghers, Fiona was just released from jail and is now on probation. Mickey was worried about Ian, who was beginning to exhibit symptoms of his bipolar disorder. When Fiona wishes to hospitalize him, Mickey fights back and asserts that he will look after Ian. Frank the Plank awakens from his liver transplant to discover his marriage to Shelia. Told that the side effects of his transplant won’t be pleasant and he must refrain from drinking, Frank takes off with Carl and shares a drink with his way-underage son. The final scene was probably the most shocking, as a familiar face showed up outside the Gallagher house.
Posted in: Disc Reviews by J C on December 31st, 2015
“We're in hell.”
The Blu-ray cover for Bone Tomahawk features a grizzled Kurt Russell donning a cowboy hat. That image immediately indicated to me that I would be in steady, exceedingly capable hands for the forthcoming Western adventure. What I didn't necessarily expect was for Bone Tomahawk to also deliver one of the more frightening, engrossing, and pulse-pounding movie-watching experiences of the year.
Posted in: No Huddle Reviews by Archive Authors on December 30th, 2015
Does anyone remember Full House? Of course you do. It was recently given a kind of reboot which is supposed to debut on Netflix in 2016. That’s pretty good for a show that debuted in 1987. It ended in 1995 with 192 episodes. That is a very successful run, and it launched the Olson twins as mega-moguls. The twins apparently no longer act, so they will not be in the reboot. I hear they are very, very rich ($300,000,000?). I also hear that Ashley might have Lyme disease, which is a long term ordeal and difficult to overcome. Apparently The Unauthorized Full House came about because Lifetime had success with The Unauthorized Saved by the Bell Story. I will say that I expected juicy dirt about the various cast members. It isn’t particularly juicy, but it is full of embarrassing details on just about everyone. It is also full of a fair amount of inaccuracies, some due to legal constraints (such as not being able to use sets, theme songs, catch phrases, etc.). It’s more of a behind-the-scenes look at the struggles of producing a network television show. There have been a few alleged scandals, but they did not make the cut of this somewhat friendly look at the show. The original cast included John Stamos, Lori Loughlin, Bob Saget, Dave Coulier, Jodie Sweetin, Candace Cameron, Mary-Kate and Ashley Olson. The actors portraying them are almost entirely unknown faces. The only cast member who I even remotely recognized was Peter Deluise, who plays Stamos’s father. Stamos goes to the pizzeria that his father owns looking for advice about his faltering career. That all changes when he gets the show. We get to see all the cast members as they fret about their futures, but once the show takes hold, we focus on some personal tragedies like both Saget and Coulier suffering the deaths of their sisters. The show’s creator, Jeff Franklin, is depicted as a somewhat stressed out killjoy, constantly having to watch that Saget won’t say bad words in front of the kids. The show’s run is dutifully handled year by year even going to the effort of hiring new actors for the child actors as they grow. I may be giving the impression that I don’t know why they bothered.
The entire effort seems so lackluster and generic that it might have seemed more in place if had been broadcast back in 1987 instead of 2015. Whatever chemistry the original cast may have had is certainly not translated into this version. As a tribute, it seems well-intentioned but substandard. I would say if you are a huge fan of the original series, you might want to see this. If you are a fan of television, in general, you might find some behind-the-scenes information somewhat useful. But if you have any interest in a quality program that stands on its own, it is completely and totally useless. It is boring, dull, and sleep-inducing. The original Full House was probably something of a retread of routine sitcom situations, so this movie is a retread of a retread.
Posted in: Disc Reviews by Archive Authors on December 25th, 2015
Pan is a very big and expensive movie, so when you buy your ticket you are getting a lot for your money. Most movies are not for everyone, but it is safe to say that an expensive movie will offer more entertainment value than an inexpensive or cheap movie. Pan was also put together by an award-winning team of respected filmmakers who have been very successful in the past. That is also a good bet when you are buying a ticket. Pan is an expansion of the story of a beloved children’s classic, Peter Pan. Again, you can’t go wrong there. In fact, it is mostly new material that serves as a prequel to the existing story where Captain Hook is basically a nice guy, and there is a whole new villain instead. The new villain, Blackbeard, is played with tremendous gusto by Hugh Jackman. Again, this is a good thing. Rooney Mara (nominated this year for numerous awards for the film Carol this year) is Tiger Lilly. Garrett Hedlund is the young Hook. Amanda Seyfried is Mary, the mother of Peter. Promising young actor Levi Miller is Peter Pan. Peter starts out in a cruel London orphanage but is kidnapped by the evil Blackbeard and his pirates in his giant floating pirate ship and taken to a place beyond space and time which you probably know as Neverland. Peter is eventually rescued by the young Hook, but the story beyond that gets difficult to summarize. The movie is an amazing visual experience and well worth watching.
Now the bad news. The film was not well received by most critics. The reason is because the film has some issues that might distract from the complete enjoyment that the $150 million budget might lead you to expect. One problem is that the original Peter Pan is perceived as having racist elements, especially with a character like Tiger Lilly. The producers tried to avoid that by hiring Mara, a white actress. Then there was a petition circulated that Hollywood didn’t hire enough actors of color. It seems like a no-win situation to me. You can’t have it both ways, people.
Posted in: Disc Reviews by J C on December 25th, 2015
With their impossibly beefy frames, larger-than-life personas, and familiarity with staged combat (sorry, buddy), pro wrestlers fit the old-school action star mold perfectly. Unfortunately for them, Hollywood isn’t nearly as interested in action flicks that don’t have superheroes, dinosaurs, or Liam Neeson. And while interconnected cinematic universes are all the rage at the moment, Lionsgate and World Wrestling Entertainment have a pretty interesting partnership themselves. Their latest offering is the dopey, compulsively watchable 12 Rounds 3: Lockdown, which is considerably more entertaining than it has any right to be.
You may have guessed by now that 12 Rounds 3 (even the title is wonderfully ridiculous) is the third film in the saga. However, it’s also the second film in the “Action Six-Pack” series, a recent pact between Lionsgate and the WWE to make a sextet of action flicks starring the latter company’s wrestlers. (The first film in the “Six Pack” was Vendetta.) Even before this partnership, the WWE had found a measure of straight-to-DVD success by plugging its superstars into action vehicles that are only vaguely related to each other. (See, The Marine series.)
Posted in: Disc Reviews by Jeremy Butler on December 25th, 2015
Whenever I read the caption that says the story is inspired by true events, the first thing I wonder is how much of film is actually truth and how much is poetic license. Am I the only one who wonders that? I’m guessing I’m not. In the case of Dragon Blade, I’m thinking that the opening featuring Jackie Chan’s trademark clumsy marital arts style is likely the latter, a tale that falls short of war epic status due to sentimental tendency. Held my attention in the beginning; however, I felt my interest wane in the middle, and by the conclusion it had lost me completely. Sad, because I was excited for this film when I originally heard about it.
Dragon Blade takes place in 50 BC, and Jackie Chan is Huo An, captain of the Silk Road Protection Squad. As the group’s leader, Huo An with a small coalition does his best to keep the peace in Silk Road, a task that is very difficult given the constantly warring factions. Despite these obstacles, Huo An holds steadfast to his code, refusing to resort to violence without attempting peaceful negotiations first. An honorable man, his life is shortly turned upside down when he and his group are accused of smuggling gold and sentenced to a prison camp.
Posted in: No Huddle Reviews by Dan Holland on December 23rd, 2015
Once again I have the pleasure of reviewing a Blu-ray double feature distributed by Shout Factory. This time out, I have been graced with two sci-fi adventure films from the mid 1980’s: The Dungeonmaster and Eliminators. Although the two films play well as a double feature, the cheesy (yet oh, so beautiful) aesthetics and special effects are not these films’ only connection. Peter Manoogian sits in the director’s chair for Eliminators and also one of the segments of The Dungeonmaster. Manoogian came onto my radar with his 1992 video feature Demonic Toys, so I was really excited to experience his earlier (and arguably better) work.
Starting with The Dungeonmaster: this film is absolutely crazy. If you do not have a clear grasp of the film’s concept, it may be a tough pill of 80’s sci-fi to swallow. The film follows Paul Bradford (Jeffrey Byron) as he journeys into his own computer system to save his girlfriend from the evil wizard Mestema (Richard Moll). While that story seems simple enough, the film is broken into several segments. Each segment is a different challenge set forth by Mestema that Paul must overcome. However, what makes this concept unique is that each segment has a different director. That being said, although each segment is directly tied to the story; with each new challenge, the film changes tone right before your eyes. If you are not aware of that fact going in, I will admit the film might be a little overbearing.
Posted in: No Huddle Reviews by BABY on December 15th, 2015
Baby here again. Yeah, I'm the Shepherd/Chow that runs the whole operation here at Upcomingdiscs. I give the orders and everyone jumps. OK, I made that last part up. You know who does jump? It's those UPS and Fed Ex guys who keep trying to deliver stuff here. They're getting a little too cocky, if you ask me. The problem is that no one around here asks me anything. The only time I get asked for something is when a dog film comes into the house. Then Gino puts on the charm. Me, I think it's racial profiling, and I'm not standing for it any more. Besides, lying down just feels a lot better anyway. The movie is called A Christmas Tail. It's a kind of play on words. You humans think you're so clever. But if it weren't for those thumbs ...
The movie actually starts out with the pretty solid idea that dogs make great Christmas presents. At least that's what Jack (Cupo) thinks when he gets his daughter a dog they name Bear for an early Christmas present. Of course, she loves Bear even if he isn't a Shepherd/Chow mix, and it looks like happily ever after, right? One of the neighbors takes exception to Bear digging in his front yard. So he calls the dog police and has him sent to a shelter where Maggie (West) is also looking for a dog for her son for Christmas. Hey, I'm a dog, and already I knew where this was going. So while Jack is looking for Bear, Maggie and her son now have a new dog named Paisley Of course, it's the same dog. When they finally meet, they decide to share the dog but keep the name Bear. He dodged a big one there. I guess Baby was already taken.
Posted in: Disc Reviews by J C on December 14th, 2015
“This may very well be our last mission, Ethan...make it count.”
You wouldn't know it from looking at him, but Tom Cruise is now 53 years old. So it's only natural to wonder how many more Missions the indomitable superstar has left in him. Well if Rogue Nation is any indication, the above quote is meant to be more winking than prophetic. Just like its tireless star, the fifth installment of the 19-year-old Mission: Impossible film franchise is sprier, tighter, and more energetic than its age might suggest.
