Posted in: Disc Reviews by Gino Sassani on January 9th, 2016
"I'm under some medication for a medical condition so I may not be seeing this correctly. But I'm pretty sure I might be seeing some of your students possibly eating Mr. Peterson. Again it could be the medication."
Cooties starts out with the grossest sequence in the entire film. You might not want to start this film if you're eating, particularly if you're eating chicken nuggets. Ben Franklin once warned us that there were two things one should never see made: laws and sausages. He might just as well have been talking chicken nuggets. The opening sequence delivers the nuggets-making process from the clucking chicken through processing right to the plate of a young third-grade girl at Fort Chicken Elementary School. Unfortunately, these nuggets have their own secret recipe, and it's not 11 herbs and spices. But it will make for an interesting day at Fort Chicken Elementary.
Posted in: Disc Reviews by Gino Sassani on January 8th, 2016
"The techniques change, the victims change but it's still a question, "How do these things happen? How are they institutionalized?"
“I was just following orders.” It was the plea heard by too many of the Nazi war criminals during their trials following World War II. It wasn't enough to spare them the consequences of their actions, of course. Six million people were exterminated, experimented on, or tortured. The excuse just didn't hold water. But was it at all valid? Could an otherwise "good" person be turned into something evil just because someone in authority told them to do it? Just how far would an average human being go toward hurting another person whom they have no provocation to hurt just because they are told to do so? These are the questions that Professor Stanley Milgram set out to answer in his controversial study in the 1960's. The debate in the world of psychology and sociology continues to this day. Every psychology class likely includes footage from the study. The methodology and results are required study in most sociology classes. This is the subject of the Magnolia Blu-ray release Experimenter.
Posted in: No Huddle Reviews by Jeremy Butler on January 8th, 2016
Battle for Skyark is a hero’s journey tale without question, as the main character finds himself thrust into the said role of protecting a ragtag group of kids from perceived monsters. Sounds like a lot of responsibility for a kid, if you ask me. The type of thing that sends a person into a dark corner and makes them ball up in the fetal position. You don’t get that, exactly, but you get something similar. Rags witnesses the murders of his father and faces his exile from Skyark, the city created above the Earth following an invasion by an alien race. Upon his arrival on the abandoned planet, he finds himself thrown into the role of savior due to a prophecy which states that the boy who bears thirteen shadows (cuts on the arm sustained during the expulsion process) will lead a group of resistance fighters and take control of Skyark. If that is not enough, he has the more pressing issue of protecting the group from the infestation of parasitic aliens which have turned their human hosts into cannibals.
At first enjoying the attention that comes with being “The Thirteen,” the novelty of the position quickly wears off during the first of attack of the labeled “Monsters.” With no battle experience and never having to defend himself, Rags believes that it is all a mistake and he is not who the group believes him to be. As the obstacles continue and with lives being in his hands, Rags will have to find the strength to be become the person that he is destined to be.
Posted in: No Huddle Reviews by J C on January 8th, 2016
“I just have this sick feeling that something awful is going to happen.”
I pride myself on being able to keep a reasonably open mind when I pick up a new title to review. But sometimes I can’t help but judge a crappy movie book by its cover. That was actually the case with Kill Game, featuring an androgynous Michael Myers-lookalike brandishing a bloody knife on its cover. I was fully prepared to roll my eyes through this movie, which also nods to Saw, I Know What You Did Last Summer, and The Big Chill (a little). Much to my surprise, I found myself kinda-sorta getting into this twisty, nasty, low-budget slasher.
Posted in: No Huddle Reviews by Archive Authors on January 8th, 2016
“Where sin abounded, grace abounded much more.” Romans 5:20
The quote above imparts a spiritual message which I will get back to. First, I want to talk about one of the stars of this movie, David Oyelowo (pronounced “oh-yeh-lo-wo”). Oyelowo is best known for playing Martin Luther King in the film Selma. Oyelowo had previously racked up an impressive number of supporting roles in high-profile films like Jack Reacher, Interstellar, The Butler, The Paperboy, Lincoln, Rise of the Planet of the Apes, The Help, A Raisin in the Sun, and A Most Violent Year. In a short amount of time he has demonstrated that he is one of the most skilled actors working today. He will get more and more starring roles in the future, and like many up-and-coming stars like Chiwetel Ejiofor, Saoirse Ronan, and Mia Wasikowska, he has a name that can be a challenge to pronounce. His co-star, Kate Mara (The Martian, The Fantastic Four), is also on a run of high-profile projects. She has a sister, Rooney, who is also a fast-rising star (nominated for this year’s Golden Globes for Carol). I mention this because the caliber of actor is usually a good sign of the quality of the project. There is another factor here. This film is technically what is considered a faith-based project, and many of those types of films are not highly regarded because they are almost looked upon as propaganda. Captive seems that it is a notch above the more predictable fare in that genre. Captive tries to transcend the niche market of the genre and become something more real and substantive.
Posted in: Disc Reviews by Gino Sassani on January 7th, 2016
"A good family business is not the same as a good family."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight: this Showtime series looked to be something very special... and it has gotten better... perhaps a lot better.
Posted in: Disc Reviews by J C on January 7th, 2016
“Ballet is the ultimate optical illusion. We make effort appear effortless.”
If ballet dancers make the seemingly impossible look graceful and elegant, then Flesh and Bone similarly soars when it doesn’t try quite so hard to conjure drama. The best version of this provocative Starz miniseries explores the psychological toll that ambition, competition, and the (impossible?) quest for creative perfection can take. Unfortunately, the series also introduces way too many subplots and distractions during its 8-episode run.
Posted in: No Huddle Reviews by BABY on January 7th, 2016
Baby here. I'm the German Shepherd/Chow who handles security here at Upcomingdiscs. You know what puts the scowl in my growl? I'll bet you guys all had a lot of fun over the Christmas holidays. There were probably a lot of parties to go to. We had one here at Upcomingdiscs, but don't ask me how it was. That's because they locked me upstairs in a bedroom the whole time. That's right, the chief of security was locked up. Apparently I can't be trusted when people are walking around with a lot of food. They trust me to guard thousands of dollars worth of home video equipment. I keep those Fed Ex/UPS guys in check every day. But a meatball or a potato chip? I don't quite make the grade. At least they seem to trust me enough to continue to review the dog films that make it past those delivery guys. If I can lay enough guilt on these guys, I might even get to go see Star Wars. OK, I made that last part up, but a dog can dream, can't she?
The first thing you need to know is that this movie has nothing to do with next year's animated film Robo-Dog with Ron Perlman. The name is just the same. You humans call a lot of stuff the same thing, don't you? That movie will come out soon, and I hope I get to see it. This film is a direct-to-video title that doesn't quite make the grade.
Posted in: No Huddle Reviews by Archive Authors on January 7th, 2016
I previously reviewed season 4 of The Nanny, and now it’s time to review season 5. If you are interested in the overview on everything about The Nanny and season 4 in particular, then you will have to go back and look for that review. This all about season 5, which I might suggest is the climax of the 6-season series, for whatever that’s worth. The relationship between Fran Fine and Maxwell Sheffield had been on a slow burn for four seasons, but the time was coming for a reckoning. Will Fran’s persistence and patience pay off? I don’t want to make this too dramatic, since The Nanny is probably one of the silliest sitcoms ever made, and that’s taking into consideration that there are hundreds and hundreds of silly sitcoms. But The Nanny also had a heart, hidden, frequently, under a garish exterior. When I say garish exterior, I am describing some of the most startling and colorful outfits ever worn this side of a circus. These outfits were frequently explosions of color. Fran Fine, or actress Fran Drescher, was always very attractive, despite crazy hairdos and a signature foghorn voice. The show was supposed to be about a clash of cultures, with Mr. Sheffield depicting the height of sophistication and Fran representing the brash lower class.
The whole thrust of the entire series was that Fran saw the opportunity to marry up into the upper class. As a nanny, Fran was a surrogate mother figure for Mr. Sheffield’s three children. At one point in season 5, we see the late Mrs. Sheffield (Bess Armstrong) come back to talk to Maxwell about his desire to marry again. She gives her approval, because she wants his happiness. When I say there was a heart to the show, Fran was always a well-intentioned person ultimately, and a positive influence on the children. When the time came to be honest and truthful, she ultimately always was. Like Lucille Ball before her, Fran could be ditzy and somewhat deceptive, but she always showed a good nature and positive character. I say that this season was climactic, and that should already be known to fans of the show. The whole point of this staggered DVD release is for those fans who are nostalgic for the show and want to add it to their collection.
Posted in: Disc Reviews by Gino Sassani on January 6th, 2016
Between 2002 and 2008 Jason Statham made a name for himself playing Frank Miller in three Transporter films. Miller was a former special ops expert who became a high-end black market transportation expert. He used his skills to transport anyone or anything from point A to point B for a hefty fee. He had a few rules that governed his business: the deal never changes once it's made, no names, and he doesn't want to know what he is transporting. The business made for some nice action films that gave Statham a chance to show off that particular skill set. The films brought in a modest box office, averaging around $35 million each. It was barely enough to keep three films going in the franchise. It all ended in 2008, and Statham moved on to bigger and sometimes better things. That should have been the end of the story. It isn't.
Editor-turned-director Camille Delamarre decided to take a run at a reboot, of sorts. Game of Thrones actor Ed Skrein takes over the Frank Miller role, and the film picks up the character already established. It's a grey area on what to call Transporter: Refueled. It's not entirely a reboot. The character is established, as are the rules and general formula. But it is a rather new take on the material. Unfortunately, there's not a lot of heart in this attempt, and the wheels might have gone completely flat on this franchise.
