Disc Reviews

"Dogs have been used by the military since World War I. Over 3000 dogs have served in Iraq and Afghanistan. 26 dogs and 25 handlers have been killed in the service of their country since 2003. This story is dedicated to their memory."

Baby here. Usually this is where I tell you that I'm the Shepherd/Chow mix who runs security here at Upcomingdiscs. Looks like I really did make that part up. No, I'm still in charge of security. Just ask AJ from Fed Ex. It's the Shepherd/Chow part. I took a test the other day and Gino didn't give me any time to bone up on it.

"We're here."

I must start this review by admitting that I did not see 2008's The Haunting of Molly Hartley. In spite of the fact that very few people did actually see that film, I was surprised to find that a sequel would show up seven years later just in time for the Halloween private shock-fests and schlock nights. If you happen to be a fan of the original film, that doesn't mean you should get too excited by the sequel. There is little to tie these films together.

The Horror Network Vol. 1 is an anthology of five short horror films, compiled by Douglas Conner and Brian Dorton. I absolutely love short films: I have created a few of my own, and I have been part of the selection committee for a short film festival. This anthology is fantastic in that it combines my love of short films and my love of the genre of horror. Although most films in this anthology could most certainly be cut for time (as is the case with most independent short films), they do a fantastic job capturing the elements of horror that make your hair stand on end.

“She’s quite a common girl, very common indeed.”

Of course, we don’t need 50 years of hindsight — or more than 100 years, if you want to go all the way back to the original 1913 staging of George Bernard Shaw’s “Pygmalion” — to know that there’s nothing common about cockney flower girl Eliza Doolittle. And there's nothing ordinary about 1964's My Fair Lady, the beloved Oscar-winning musical that now gets an uncommonly (but appropriately) lavish 50th anniversary Blu-ray update courtesy of Paramount.

Un, deux, trois! Cohen Media Group has given us an engrossing triple dose of French director Benoit Jacquot. The films —The Disenchanted, A Single Girl, and Keep It Quiet — span a decade and coincide with the moment when the post-New Wave filmmaker started gaining international acclaim. Each of the titles makes its HD debut with this release, and they all offer an intriguing look at Parisian life. The movies also feature some enchanting performances from their leading ladies.

"Dark forces are rising. The frequency of possession is increasing all over the world."

Must be Global Warming...check that ,Climate Change. It seems the whole warming thing wasn't exactly working out for these guys. So like a business with a bad reputation you change the name and pretend that's what it's been like all along. There is an alarming increase in the frequency of movie possessions all over the world. But it's not Global Warming or Climate Change that's to blame. Hell, it isn't even Bush's fault. It's got to do with the color green.

Between Judgment Day, zombie apocalypses, and various other doomsday scenarios, we've gotten a pretty good look at what the end of the world is supposed to look like. One of the most striking things about Z for Zachariah — an otherwise straightforward and deliberate drama that takes its story from a 1974 novel of the same name by Robert C. O'Brien — is that, for the most part, the end of the world looks an awful lot like paradise.

Dustin P. Anderson

As far as a synopsis for this movie goes, there isn’t too much to it. We are given a brief look inside the mind of a real-life serial killer. A psychopath has been given a conditional release from jail and is only interested in satiating his lust for killing. After some failed murder attempts, the killer finds an empty house and waits for the occupants to come home.  This movie has a lot to say, while being easy to summarize. The story is basic, but there is so much more to it than just the events that take place. It does a great job at making the killer seem more human when we see how clumsy he is at killing people. During the killer’s beginning inner monologue, he states, “this time he won’t get caught,” which, I thought meant he had some grand scheme in place to kill a bunch of people and never see the inside of a jail cell again.

"Looks like the crazy is starting."

Actually, it started three seasons ago. The creator of Dawson’s Creek and The Vampire Diaries, Kevin Williams, delivers a thriller that is a bold new entry in the crime drama for television. The Following was 15 episodes of nail-biting bliss that kept the viewer guessing and riveted long after its gut-wrenching cliffhanger season after season. For a while I was beginning to wonder if Williamson had lost his touch with the Scream series, but what you’ll discover here is that Williamson may just be the king of creating and penning one of the darkest serial killers on the small screen. 

“If I didn’t have movies, life would be pretty boring.”

That statement obviously applies to those of us who spend an inordinate amount of time watching and thinking about movies. (If you’re reading this, chances are you visit this site with some regularity, so I feel good about including you in that group.) However, the notion that movies serve as a source of escape — in every sense of the word — is remarkably expressed in the captivating, stranger-than-fiction tale of the Angulo family. Unfortunately, it’s pretty apparent that The Wolfpack — a vague, shapeless documentary — doesn’t give us the full story.