Disc Reviews

Flying into home entertainment, the animated comedy adventure Planes: Fire & Rescue delivers a fun film for the whole family.  The film features some of the characters from the original and a whole lot of new ones.  Brightly animated, having fine direction and with a new storyline, the film has several good values including heroism and friendship. In this episode we find Dusty Crophopper returning from his around-the-world racing tour and about to participate in annual Corn Festival.

“We don't have the trust of the public anymore.”

- “Get it back!”

The Newsroom took a pretty decent beating during its first season. Sure, plenty of people praised the show's exceptional acting and ambition, but too much of the conversation seemed to revolve around its flaws and its polarizing creator. In this Blu-ray set's bonus material, Aaron Sorkin cops to being “overly earnest” and “aggressively uncool” in his work.

"There are dark spirits, old and full of hate...The world is in great danger."

A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.

Does it always have to end up in a big giant dance battle?”

If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.

This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen.  There have been countless adaptions of Leonard’s work on the big screen as well as television.  Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned.  I was a teenager when I first discovered Elmore Leonard

“WARNING: The following program contains scenes of graphic stupidity among four friends who compete to embarrass each other…”

They’re back!!! Tru TV’s smash hit Impractical Jokers is back with a season two that continues to show you that no one embarrasses you quite like your closest friends.  The gang is all back; Q, Murr, Joe, and Sal, as they take their pranks to the next level. The stakes are the same: one infiltrates a prospective business such as dental office, movie theater, etc. and must do whatever the others order to push them out of their comfort zone; failure to comply results being subject to the consequences at the end of the episode.

"Let us tell an old story anew, and we will see how well you know it."

If Christopher Nolan’s take on The Joker isn’t the very best example of modern cinematic villainy, then it’s near the top of the list. Obviously, a tremendous amount of credit goes to Heath Ledger’s Oscar-winning performance in The Dark Knight, but I’d argue the real thrill comes from the character’s arbitrary, inexplicable approach to evil.

"1968, I was twelve years old. A lot happened that year. Dennis McLain won 31 games, The Mod Squad hit the air, and I graduated from Hillcrest Elementary and entered junior high school...but we'll get to that. There's no pretty way to put this: I grew up in the suburbs. I guess most people think of the suburb as a place with all the disadvantages of the city, and none of the advantages of the country, and vice versa. But, in a way, those really were the wonder years for us there in the suburbs. It was kind of a golden age for kids."

With all of the television I've watched over the decades, it's more than a little surprising to me that I missed out on The Wonder Years.

"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."

AnchorBay and Scream Factory have tapped into that pure evil. It's the collection we've waited years to see.