Posted in: No Huddle Reviews by Brent Lorentson on September 15th, 2014
Writer and director Steven R. Monroe has made a decent career in genre filmmaking and since his remake of I Spit on Your Grave gained some moderate success. Monroe is one of those directors that I feel has a great film in him but the right project just hasn’t crossed his path. Though many of his creative efforts have been on more meager budgets, Monroe still manages to pull together tight little films. Unfortunately with Monika he may have bit off a little more than he should have with his new supernatural revenge film.
Despite the title, Reagan (Jason Wiles) is the “hero” of this revenge fueled romp. Reagan takes off from Los Angeles to a small motel just of the Vegas strip. Reagan isn’t your average everyday fellow, in fact he has a special gift, one that allows him to glimpse into the future. These premonitions that haunt him revolve around a beautiful blonde Monika (Cerina Vincent) that he meets just outside of his friend’s motel room. Rather than wait around for his friend, Reagan sets out for a good time on the town with Monika. Unfortunately when Reagan wakes up the next morning it is only to discover that this heavenly night with this blonde beauty couldn’t have occurred since Monika was murdered the day before.
Posted in: Disc Reviews by Gino Sassani on September 12th, 2014
"There's virtually nothing the Winchesters can't do if they work together."
But that's the rub, isn't it? The tradition has been that each of the last several seasons end up beginning with the brothers separated for one reason or another. Often one of them is trying to escape Hell, purgatory or some fantasy mental land. There are at least two times a year they split up over an argument. But the truth is that they know just as the fans do that when the chips are down and there's an apocalypse around the corner, these guys are going to come together and kick some evil behind. Like that old energizer bunny, they just keep going and going and going. It's been nine years now, and the boys are about to enter a tenth season on the CW. With no end in sight, it's time to look at the ninth season of Supernatural.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2014
"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill
He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later. I can foresee a day when history will once again change its perspective and refer to the entire period as The Great War. It's the tactic that this History mini-series has taken.
Posted in: No Huddle Reviews by J C on September 11th, 2014
Some of the most iconic stand-up comics of all time have famously wrestled with personal demons while simultaneously mining them for material on stage. Few have done so more successfully — and for a longer period of time — than Richard Lewis. His neurotic, self-flagellating act earned Lewis his “Prince of Pain” nickname, but his longevity is just as impressive. The fact is a lot of great comics don't last as long as Lewis because they lose that battle with their demons too soon. So it's great to see that, at age 67, Lewis finally gets his due with a DVD set that covers some of his most seminal work.
The career-spanning Richard Lewis: Bundle of Nerves, now available courtesy of Video Services Corp., offers the full Lewis experience by showing the comedian on stage, on the small screen, headlining a movie, and in his beloved, memorabilia-packed house. Disc One contains 1979's Diary of a Young Comic and his Magical Misery Tour HBO special from 1997. (Both of those titles are making their DVD debuts.) Disc 2 has the 1995 drama Drunks and House of a Lifetime, a Cribs-style documentary created exclusively for this set. Let's break them down in the order in which they are presented on this set.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2014
"It's been a long summer."
And my how things have changed in Mystic Falls. Elena is a vampire, and Katherine is now a human, and doing a pitiful job of that, to be sure. Bonnie is a ghost who only Jeremy can see, and they're trying to keep it all a big secret from everyone so they all think Bonnie is out globe-hopping and having a great time. Stefan is at the bottom of a lake in a safe where everyone else thinks Silas is. He's drowning, dying and then waking up again and again and again. In between he's hallucinating conversations with Damon and Elena. Meanwhile those two are hitting the sheets together again and again and again. All the while big bad from last season Silas is masquerading as Stefan. Turns out that's his true form, and this season is going to make you sick and tired of the whole doppelganger thing. That is, if you weren't already. Yes, it's been quite a long summer, but it's time to head back to Mystic Falls once again.
Posted in: No Huddle Reviews by Gino Sassani on September 9th, 2014
"It's called compartmentalization. No one spills the secrets because no one knows them all."
I was lucky enough to grow up during Marvel's wonderful rebirth of the 1960's and 1970's. Of all of the comics they produced during that time, I was always least impressed with Captain America. I don't think I ever read an issue of any of his mags with the notable exception of The Avengers. So how can it be possible that after dozens of Marvel films, and I'm including the Fox and other-studio-produced stuff, that Captain America: The Winter Soldier can end up being my favorite? Could it be that I've warmed up to the Cap under the compelling performances of Chris Evans. Nah! Could it be I've grown and matured a lot since I was a teenager? Anyone who knows me is certain that can't be the answer. Could it be that maybe, just maybe, this just happens to be their best film yet? No maybe’s or could be's about it. Captain America: The Winter Soldier is even better than The Avengers. It's too early to tell if it'll be my favorite tent-pole film of the summer, but it's starting in the pole position, to be sure.
Posted in: Disc Reviews by J C on September 9th, 2014
“Drag racing is for fast cars. Road racing...that's for fast drivers.”
I imagine that distinction — along with one character scolding another for pulling a “Vin Diesel stunt” — is meant to set this straight-to-DVD racing drama apart from the Fast & Furious franchise. That separation is an interesting choice for a couple of reasons. On one hand, I assume it's been easier to finance any car-centric flick ever since a certain high-octane film series proved there's an audience for the genre. Then again, the increasingly staggering success of the Fast movies seems to be directly proportional to how ludicrous they've become. So by positioning itself as a less outlandish/more grounded alternative, Born to Race: Fast Track seems to be targeting gearheads craving a more realistic racing drama. And, apart from its half-baked cliches and total predictability, it actually kinda succeeds.
Posted in: No Huddle Reviews by Brent Lorentson on September 9th, 2014
Love can have a strange effect on people and cause them to do things that range from the spectacular to the deranged. The loss of a loved one can not only break a person’s spirit but send them to the depths of depression and despair from which they will never be able to recover, though most people tend to avoid the melodrama and just wallow in their heartbreak with a couple of beers or a pint of their favorite ice cream. But what is one supposed to do when the one that they love and cherish is taken from them and they become the number one suspect in the murder of the one they love? What could this do to a person when they know the responsible party is that of an unseen force from another world? This is what The Forbidden Girl attempts to explore, but unfortunately this film is messier than most break-ups.
Toby (Peter Gadiot) is the son of a preacher man, and his father is more than a little overzealous about his disapproval towards Toby dating Katie (Jytte-Merle Bohrnsen). The father is so intent against them seeing each other that Toby has to sneak off to a graveyard to spend time with Katie. It’s during this late-night rendezvous that the couple is attacked by a demon that emerges out of black smoke and whisks Katie away into oblivion. Consequently Toby is locked away in a mental hospital for six years as a suspect responsible for what ever happened to Katie.
Posted in: No Huddle Reviews by Gino Sassani on September 9th, 2014
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason.
Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. Ken's girlfriend is Amy, played by Baywatch's Alexandra Hastings. Amy was a rich girl who had too much time on her hands. It led to her involving herself in Ken's investigations. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases. M*A*S*H's David Ogden Stiers would often play his rival in the prosecutor's office Michael Reston. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this.
Posted in: No Huddle Reviews by Brent Lorentson on September 8th, 2014
Shout Factory has yet another Transformers animated series to unleash upon the legions of fans who must not be able to get enough of their robots in disguise. Beast Machines takes place on Cybertron after the Beast Wars. Beast Wars is yet another series about the Transformers that somehow has gotten past me while reviewing the other series. The fact that Beast Wars precedes the events in Beast Machines caused a brief moment of confusion. Thankfully with the target audience being under the age of ten, catching up wasn’t all too difficult.
This time around, there are no Autobots to be found, but instead we get a new breed of hero in the Maximals. The introduction of Optimus Primal and his friends was a bit jarring considering this series takes place on Cybertron and Optimus is actually a gorilla. In fact when we meet Optimus and his friends, they are all animals without the ability to transform. OK, well, that’s not entirely true, they CAN transform, but in this series it’s not just in the physical sense but also on a metaphysical level. Yes, ladies and gentlemen, these are the Transformers of the modern age, or more appropriately New Age.