Posted in: No Huddle Reviews by Brent Lorentson on September 5th, 2014
What would you do if you had access to a computer that was capable of giving you information that could prevent a crime from happening? One step further, what if this machine could locate any person with only a few keystrokes? This “God” like machine is the basis for what Person of Interest revolves around. For two seasons we’ve watched as Harold Finch (Michael Emerson) and ex-CIA agent John Reese (Jim Caviezel) used the machine to protect those whom the machine feels are in danger. But along the way, the lives of Finch and Reese have grown more complicated as their actions have intertwined them with HR (a mafia-like group run by dirty cops), the Russian mob, and numerous government agencies that would like to obtain the machine for their own personal agendas.
Helping out Finch and Reese are NYPD officers Det. Fusco (Kevin Chapman) and Det. Carter (Taraji P. Henson). In the previous seasons we’ve watched as Fusco has struggled to clear his name after working as a dirty cop in league with HR; Fusco has been one of those characters we’ve seen change the most over the seasons while we see his genuine struggle of keeping his past behind him and showing that he is no longer a dirty cop. But in season three (well, the first half of the season) the attention is mainly on the struggle Detective Carter has in her attempt to take down HR to avenge her boyfriend’s death in the previous season and clear his name.
Posted in: No Huddle Reviews by J C on September 5th, 2014
There are movies that can be described as slow burns, and then there's Night Moves. Director Kelly Reichardt frames much of her 112-minute thriller in a way that invites you to pay an inordinate amount of attention to the lush greenery, winding trails, and tranquil water the film's three protagonists go to dangerous lengths to preserve. The extended, quiet sequences and exceedingly simple plot also encourage viewers to fill in spaces in the story that seem to have been intentionally left blank. This deliberate approach will undoubtedly infuriate and bore some people, but I personally found it absorbing enough to recommend as an unconventionally tense drama.
Night Moves is about three environmentalists who plot to blow up a hydroelectric dam. (See? I told you the plot was exceedingly simple.) Given that the movie's synopsis can be neatly wrapped up in a single sentence, the real pleasures in Night Moves are derived from trying to figure out precisely how they're going to pull it off and how the characters relate to one another.
Posted in: Disc Reviews by J C on September 4th, 2014
The list of bad videogame movie adaptations is as ridiculously long as the titular weapon in this animated offering. In fact, the film that has best captured the spirit of gaming wasn't even based on an actual videogame. The bottom line is it's hard to translate the highly-interactive thrills of videogames into a satisfying, relatively passive moviegoing experience. So maybe the answer lies in targeting inherently cinematic games like Heavenly Sword.
“Prophecies speak of a savior, a deity born of man whose fate is to wield the Heavenly Sword.”
Posted in: Disc Reviews by Brent Lorentson on September 3rd, 2014
Right now in the martial arts world I don’t believe there is a bigger star than Donnie Yen. From his work in Iron Monkey to his modern classic Ip Man, Yen shows he is nearly an unstoppable force in the martial arts world, and when his name is involved with a project, you should be ready for a spectacle. His fight choreography is stunning to say the least, and despite the genre of film, he’s able to keep his fight scenes grounded in reality. Now teamed with director Daniel Lee who brought us Black Mask, 14 Blades is on first glance the kind of movie martial arts fans should get excited about.
I’m not too sure about the historical accuracy of this film, but during the Ming Dynasty the Emperor created his own special security team by finding orphaned kids and training them to be his personal guards. These special guards were called Jinyiwei; basically think about the President’s Secret Service agents, only extremely skilled in martial arts. The one who would oversee the Jinyiwei would be the most skilled of the group and called Qinglong. What made this Qinglong even more threatening is this special box he would carry with him, and inside are an array of bladed instruments, the 14 blades.
Posted in: No Huddle Reviews by Gino Sassani on September 3rd, 2014
Three-time widower Ben Cartwright (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s, westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen. Years later in syndication the series re-emerged as Ponderosa, and a handful of TV movies continued the tale into the 90’s.We never have grown tired of the genre that gave us such heroes as John Wayne and Clint Eastwood.
Unlike many of the 1960's Western television shows, Bonanza was all about the characters. You rarely saw a gunfight. There was often a bit of fisticuffs, but usually it ended with a lesson that violence never pays. The show prided itself on using the Western genre to deliver a family kind of show, and it's no surprise that series star Michael Landon would use many of the same kinds of stories and lessons on his own Little House On The Prairie. The Cartwrights are always helping widows, the wrongly accused, and the local Indian population. That help often lands them in hot water.
Posted in: Disc Reviews by J C on September 3rd, 2014
“It’s kind of a corny, romantic comedy-type story.”
Even those of us who actually enjoy a good romantic comedy have rolled our eyes or groaned about some overused cliche in the genre. Well David Wain and Michael Showalter — who last teamed up to satirize summer camp movies in 2001's Wet Hot American Summer — have gathered many of their famous, funny friends to make They Came Together, an alternately hilarious and uneven spoof that lovingly skewers rom-com tropes.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2014
"My siblings and I are the first vampires in all of history. The Original Family. Three centuries ago, we helped build a town called New Orleans. Now a plot by witches has lured me back, hoping that I will defeat a tyrant, a vampire I created. My brother hopes I will find redemption through the power of family, a miracle child, part werewolf, part vampire, a hybrid. My sister is doubtful; she thinks I am beyond redemption. Despite my brother's best efforts, I have a plan of my own. I will take back my home and reclaim what was mine. I will be king."
If you're a fan of The Vampire Diaries, you need no introduction to Klaus Mikaelson and his family of original vampires. They were cursed by a powerful witch, their mother, to live forever as vampires. Klaus was her bastard son and also a werewolf. His cruelty and brutality are a millennium-long Grand Guignol of the most graphic kind. Can you build a spinoff show around a creature who has pretty much been the vicious villain of the mother show? That was my biggest question going in. The answer was a very resounding yes.
Posted in: Disc Reviews by Brent Lorentson on September 1st, 2014
The backwoods flesh-eating disease film Cabin Fever was writer/ director Eli Roth’s first dip into horror and helped establish Roth as one of the “it” guys of the industry despite having a limited film catalog. The film’s cringe-worthy deaths, not to mention the memorable bathtub sequence, made the film an overnight sensation, and when talk of a potential sequel came out, I was more than a little excited. Picking up the reins for Roth would be another young rising star of the horror genre, Ti West. The film made a valiant attempt at capitalizing on the fame of the original, but it just never made the connection with audiences. Now we have the third entry in the Cabin Fever saga, Cabin Fever: Patient Zero. This time the film trades in its familiar backwoods local on a tropical paradise in the Caribbean.
When you see the title Patient Zero, you go into this with the hopes that this would be the film to have the big reveal as to how the virus managed to make its way to a lake in the middle of the woods in the outskirts of a small mountain town. Or you would be like me and have your fingers crossed for more fun from the party guy himself, Deputy Winston. Unfortunately, we get no familiar faces, but instead two separate storylines that we know inevitably will cross over.
Posted in: No Huddle Reviews by Archive Authors on September 1st, 2014
by Normandy D. Piccolo
What happens when you mix the movies Stand By Me and Star Wars? You end up with a family-friendly flick called The Stream that benefits the Boys & Girls Club of America. In addition to watching a great movie, you are supporting a great cause too. I dig that. The Stream was created by Estlin Feigley and written by Colin Costello. It stars Mario Lopez (Saved By The Bell, Nip/Tuck), Christopher Gorham (Covert Affairs, Ugly Betty), Kelly Rutherford (Gossip Girl, Melrose Place), Rainn Wilson (The Office, Six Feet Under) and a cast of upcoming child actors; Jacob M Williams, Michael Capperella, Noura Jost, CJ Diehl and Sabrina D. Carter.
Posted in: No Huddle Reviews by Gino Sassani on September 1st, 2014
75 Years Of WWII is a collection of episodes from A&E/History's various war programs that have aired on the networks and have already been released in full sets of their own. It's intended to be somewhat of a greatest-hits DVD collection. If you're not inclined to pick up any of the full sets, this might make a nice addition to your collection, but I believe the full sets are far more worth your time.
Disc one contains a three hour two-part excerpt from WWII In HD on D-Day.
