Posted in: No Huddle Reviews by Archive Authors on December 9th, 2013
Women Without Men is a unique film. It is not a perfect one. It is full of divided loyalties between people and cultures. It mixes reality, dreams and magic. It is mundane and beautiful. It is full of resentment, pain and hatred, but it strives for freedom and happiness. The filmmaker Shirin Neshat has been exiled from Iran for many years and has lived in many places including New York City. Neshat left Iran in 1979 when the Islamic revolution overthrew the government of the Shah. As an artist critical of the Iranian government, Neshat has been banned from returning to her homeland since 1996.
The film takes place in 1953 (a few years before Neshat was born) and details a climate of oppression that has existed in Iran for as long as many can remember. The film ends with the epitaph, “dedicated to the memory of those who lost their lives in the struggle for freedom and democracy in Iran from the Constitutional Revolution of 1906 to the Green Movement of 2009”.
Posted in: Disc Reviews by J C on December 5th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
“Who would want to hear the secretary’s story?”
Posted in: Disc Reviews by Gino Sassani on December 4th, 2013
Galactic Adventures from Image Entertainment is a nifty little collection of two Solar System IMAX films both running just under a half hour. The two short documentaries off a 3D ride to both the Sun and Mars. The films were produced in 2007 with 3D Sun opening at The Smithsonian's Air & Space Museum. Both films have made the circuit of science museums throughout the country and come to you now through the modern milestone of home 3D for the first time ever.
3D Sun:
Posted in: No Huddle Reviews by Brent Lorentson on November 29th, 2013
Everyone knows the name Bill Cosby, and if you’re an 80’s kid like me then you most likely know him as one of TV’s most likeable dads, Mr. Huxtable. Cosby has been the comedian who’s managed to succeed for decades by keeping his comedy routine clean and family-friendly. From his animated series Fat Albert and his numerous other television projects and the Jell-O pudding pop ads, we all seemed to just feel this was a guy we all let into our homes through the television where we all felt we knew him as a part of our extended family. But following the tragic death of his son, something changed, and for a while I was starting to think we might never get back the man with the uncanny ability to make people of all ages and ethnicities laugh.
In the new 90-minute comedy special I’m happy to say that Cosby is back to form and delivers a special that not only is filled with laughs but also plenty of advice for young men out there ready to take the plunge into marriage. Cosby takes all his years of marriage and delivers a performance that is honest, effortless and relatable for those who have already been married for some time now. He makes it clear how in the start of all relationships, men feel like they are doing the right thing when they find their perfect woman and make her the “girlfriend”. But Cosby is here to warn us how that all changes once we make a fool of ourselves and ask these girlfriends to spend the rest of their lives with us.
Posted in: Disc Reviews by Archive Authors on November 28th, 2013
What makes a bad movie? What makes a good movie? The standards are getting lost in murky waters, because many of the critics have no interest in film history and the clear record of what is great and what is garbage. That goes for many filmmakers too. Their standards are what works in the last 12 months and how to try out the latest technology. Unfortunately they often forget the tried and true basics like good writing and good acting. Ethan Hawke gets a lot of these small movies. Sometimes it's a fantastic independent film like Before Midnight (part of a series of films for director Richard Linklater including Before Sunrise and Before Sunset) and sometimes it a genre picture that costs nothing that makes a fortune like The Purge or Sinister. Hawke knows what he's doing. He wants to make every kind of picture, because he knows that's the only way to stay viable. Sometimes it doesn't work out.
Getaway is a simple genre picture made to make people happy. The goal of this movie is to have as many car crashes possible in under 90 minutes. Is that so terrible? Not really, but the problem is that it does get monotonous. There are too many crashes. One wouldn't expect that to be a problem, but it is. I've sat through six Fast and Furious movies, and I thought they were all crap except for the last one. Why? Fast and Furious 6 gave up any pretense of being taken seriously and just went all the way to make the movie fun. They spent a ton of money, but they finally just made the movie fun.
Posted in: Disc Reviews by William O'Donnell on November 25th, 2013
This is a film that has become a significant contribution to the very the timeline it depicts, which is that of US President Nixon being forced into resignation after the Watergate scandal. This film is an engrossing depiction of the actual reporters who used anonymous tips to help uncover a scandal so big that it rocked the entire US nation. This film was released only four years after the infamous attempt to bug the Democratic offices in Watergate, which spurred the entire course of events in this film. This was a bit of a passion piece for Robert Redford, as he began production while its main characters Bob Woodward and Carl Bernstein (who would be played by Robert Redford and Dustin Hoffman, respectively) were still reporting on related elements. Redford spent tireless hours, acting officially as the producer and star, researching the stories and the characters in order to deliver a compelling but painfully accurate adaptation.
By making these two reporters the main characters, the film became more of a detective story instead of merely a dramatization for what could easily have been a documentary. By seeing the actual methods these two men apply to uncover the details of Watergate, and “follow the money,” makes the audience all the more engaged in their findings. This, despite the fact that most everyone knows exactly how the film ends well before it begins.
Posted in: Disc Reviews by Archive Authors on November 25th, 2013
It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.
The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
Quality shows only get better with time, and by the time Star Trek: The Next Generation entered its 5th season it was already beating out most network shows in the ratings. First-run syndication was still quite new, and it was almost unheard of to expect to go up against the networks and survive...let alone win. The Next Generation went where no series had gone before, and it was just getting better all the time.
Posted in: No Huddle Reviews by Archive Authors on November 22nd, 2013
Roger William Corman was born on April 5, 1926. If he ever dies, his funeral will be legendary. It is always possible that he will re-enact some scene from one of his Poe classics and emerge from his crypt. The fact is that many famous people in Hollywood owe an enormous debt to Corman. Some of the people I am talking about are Jack Nicholson, Robert DeNiro, Sylvester Stallone, Charles Bronson, Ron Howard, James Cameron, Dennis Hopper, Sandra Bullock, Martin Scorsese, David Carradine, Johnathan Demme, Curtis Hanson, Robert Towne, Francis Ford Coppola, Gale Ann Hurd, Nicolas Roeg, John Sayles, Peter Bogdanovich, Richard Matheson, Peter Fonda, Bruce Dern, William Shatner and others too numerous to mention. It should also be noted that Ingmar Bergman, Federico Fellini, Akira Kurasowa, Francois Truffaut and other greats reached much wider audiences under the guidance of his distribution company, New World. Not everyone has outlived him, but he has never stopped working, so each new generation has their chance to bask in the glow of the great mentor. Corman has produced nearly 400 movies and directed close to 60. His latest directorial effort is in production (Sharktopus Vs Mermantula, one of many SyFy channel epics). He was the youngest director honored by the Cinematheque Francaise and has received honors from many institutions including an honorary Academy Award in 2009.
Roger Corman's Horror Classics Vol. 1 is a collection of three of his better known productions; The Terror, Dementia 13 (directed by Coppola), and Buckets of Blood. This collection is touted as being restored editions, which is good because many versions of these films have appeared on countless discs in shabby condition. Fans have definitely complained about faded copies full of scratches.
