Posted in: No Huddle Reviews by Archive Authors on December 31st, 2013
The subject of terrorism is almost impossible to easily analyze. It certainly deserves films that try to understand the complex psychology behind such acts. American Bomber is an interesting take on the subject. It is not a successful film, but it has a sincere desire to get to some hidden truths. The main point that comes out is that many people who become suicide bombers are more interested in suicide than making a political point. Many terrorist acts come from a basic need for revenge because the person feels cheated, neglected or traumatized by life itself.
Posted in: No Huddle Reviews by Archive Authors on December 31st, 2013
One of the easiest ways to shoot a small independent film is to film in your own real life environment. That means you don't have to think about a lot of the details that go into making most films. You already have and know thoroughly the sets and locals of your shoot. It's even easier if you don't have to build sets, since you just use the real locations of your life. It's even easier if you just remove all pretense and you just make the movie about a guy who is making a movie about a guy who happens to be himself. It makes it even easier when the guy is a casting director, because then you have a ready supply of talent at your disposal.
Posted in: Disc Reviews by J C on December 30th, 2013
“Violence is never the answer.”
That statement is said unironically by a character in Sweetwater, but we know better; in the movies, violence is pretty much always the answer. This is especially true when it comes to the revenge genre which, the films of Quentin Tarantino notwithstanding, is largely a man’s game. (Risk-averse Hollywood studios are much less likely to greenlight WoMan on Fire.) This bloody, straightforward Western from twin filmmakers Logan and Noah Miller is not terribly original, but it does try to put its own spin on the hallowed tradition of cinematic payback.
Posted in: No Huddle Reviews by Jeremy Butler on December 30th, 2013
It’s always difficult to watch a stand-up from a guy you know nothing about. No matter how hard you try, you will always have preconceived notions about the guy based solely on what he chooses to title his stand-up. I’ve said it once and I will say it again, titles play a big part in whether or not a person is going to take a chance on something they know nothing about. It is what makes the first impression of a perspective audience, and it is the deciding factor on whether a person picks up and buys or picks up and puts back on the DVD rack.
Posted in: Disc Reviews by Gino Sassani on December 25th, 2013
Futurama was the brainchild of Simpson veterans Matt Groening and David X Cohen. With the growing popularity of their iconic cartoon, it was no surprise that Fox would tap the team to bring another show to the network. When Futurama premiered in 1999, it was a combination of The Jetsons and The Simpsons. That would be ironic for those of us who think the Simpsons theme is a direct knockoff of The Jetsons. It was 1000 years in the future, and the joke was that no matter how much things changed, they hadn’t really changed at all. The space-age series would use many of the writing and art team from The Simpsons.
Posted in: Disc Reviews by J C on December 24th, 2013
“You gotta be grateful for the little things in life, otherwise you’ll never be grateful for nothing.”
I’m not so sure the same fans who made 2007’s The Ultimate Gift a hit on the home video market — and spurred the creation of this sequel — will be very grateful for this tepid follow-up. The Ultimate Life stiffly and earnestly re-iterates the first film’s emphasis on appreciating non-material delights, and sprinkles in a worthwhile message about the importance of leaving a strong legacy behind. Unfortunately, this film’s own legacy places it with the long list of sequels that don’t live up to the original.
Posted in: Disc Reviews by J C on December 23rd, 2013
Cliff Richard’s music stardom predates that of the Beatles. So the fact that I wasn’t at all familiar with the British pop singer’s music before sitting down to review this Blu-ray probably says more about me than it does about him. Lucky for me, this career-spanning concert — which includes music from his time with the Shadows, some solo hits, and even his duet from the movie that partly inspired the creation of the Razzies — also doubles as a lively, CliffsNotes glimpse into Richard’s incredibly prolific and successful career.
Posted in: Disc Reviews by Brent Lorentson on December 22nd, 2013
Unless it’s the Zucker brothers or Mel Brooks, I wouldn’t ever consider myself a fan of parodies. But every once in a while, one will come along that can squeeze a few chuckles out of me. The found footage and reality genre has saturated the market, and it was only a matter of time before a filmmaker decided to lampoon the genre. Ghost Team One takes on the genre, and instead of taking the easy route and simply spoofing what’s already been done, the film makers actually made the effort to mold a decent story and film it in the style the Paranormal Activity films have made popular, only Ghost Team One does so with its tongue planted firmly in its cheek.
Posted in: Disc Reviews by Brent Lorentson on December 19th, 2013
“Think of it as a hall pass, a permission slip to just let go of your fear and embrace the world…”
These are the words of advice a reiki master, played by Allison Janney (The West Wing) says to her patient, Abby (Rosemarie DeWitt) as she is handing her a bag filled with MDNA. Touchy Feely is definitely an offbeat comedy from writer/director Lynn Shelton who may be best known for her indie hit Humpday. At first glance the film may come across to some as some New Age, hippy, nonsense journey about self-discovery, and to a point you’d be right
Posted in: No Huddle Reviews by Gino Sassani on December 18th, 2013
Is it me or is Beacon Hills turning into more like a beacon for the totally bizarre and supernatural?"
Fox has begun releasing the series in half season sets. I can't say I'm a fan of the choice, but I almost understand the logic here. The series has expanded to more episodes, closer to a normal network run number. There is also now a several-month break between the season halves, much like USA network has treated such shows as Monk and Psych. One the one hand it's annoying to have incomplete season sets on my shelf.
