Posted in: No Huddle Reviews by Gino Sassani on September 16th, 2013
"Spartacus' mongrel horde has swelled with each passing victory since Glaber's defeat at Vesuvius. They added thousands to rank liberating the mines of Lucania. Slaves across the Republic, humble and grateful to their masters for so many years, have broken to treachery in the wake of ever expanding legend of Spartacus."
Starz has had a pretty good run with their Spartacus series. Coming off the style of blood and violence that was popularized with Zach Snyder's 300, Spartacus brought that comic book/graphic novel intensity to television. The presentation was both original and effective for a television series. Instead of presenting a typical ongoing story, Starz used a serialization method that made each season a separate collection of shows while maintaining the continuity that fans could appreciate and follow.
Posted in: No Huddle Reviews by Brent Lorentson on September 16th, 2013
In the caverns beneath the planet’s surface there exists a place like no other, a place where duels are settled not with bullets but with slugs. But these are not the kind of slugs that ooze their way across your driveway; instead they each have their own personalities and skills that are to be used in battle. In the land of Slugterra, El is the quickest slugslinger out there, but there are a lot of baddies out there looking to take control over Slugterra, and thankfully he has the Shane gang (Trixie, Kord, Pronto and Burpy) to help him out.
This somewhat comes off as a slight knockoff of the Pokemon series, but really the kids that’ll be watching this I doubt will care, considering there is plenty of action to keep them entertained. Though the characters are somewhat generic: Trixie, the witty smart and tough girl of the bunch, Kord, the big guy that’s also a bit of a softy, then Pronto, the goofy clumsy one of the bunch; what makes it all tolerable is the writers don’t go too far with the cheesy factor and maintain a somewhat serious tone (for kids’ cartoon standards).
Posted in: Disc Reviews by William O'Donnell on September 16th, 2013
Half of this story deals with a group of teenage faeries, who are smitten with some cute boys from a neighbouring magical kingdom, trying to connect with said boys. The other half deals with this same group of faeries and boys fighting against a trio of evil witches trying to steal all of the world's “positive magic.” In both halves there is a lot of girlish giggling, butterfly fluttering and sparkly colours....the enemy of any diabetic epileptic.
The plot wavers between flighty (pun sort of intended) teen romance, where the faeries focus their magical powers on obtaining cute-boys and cute-animal companions, and a action-fantasy filled with large scale battles with nightmarish monsters, complete with mass destruction of buildings, swordplay and vicious exchanges of energy blasts.
Posted in: Disc Reviews by J C on September 16th, 2013
I have a prediction about reality shows: with a new one seemingly sprouting up like a weed every few minutes, the number of people on television will eventually be greater than the number of people watching at home. Granted, some of these shows are amusing, educational and even inspirational. But too many of them reward negative, repulsive behavior with fleeting fame. Speaking of rewarding negative, repulsive behavior with fleeting fame, The Morton Downey Jr. Show was on the air for less than two years, yet that was long enough to earn its host the title of “Father of Trash Television.”
Evocateur chronicles the meteoric rise and spectacular fall of Downey’s controversial, wildly successful talk show in the late 1980s. Documentary filmmakers Seth Kramer, Daniel A. Miller and Jeremy Newberger frame their subject’s life story as an outrageous psychological drama. As a result, the film also delves into Downey’s past, including his childhood as the son of neglectful showbiz legend Morton Downey and an alcoholic mother, as well as his surprising ties to the Kennedy family in the 1960s. In fact, the film dedicates so much time to the past, the final act of Evocateur — and the final act of Downey's life — feels rushed. (He died of lung cancer in 2001.)
Posted in: Disc Reviews by William O'Donnell on September 12th, 2013
Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).
Jonny Lee Miller's portrayal of Holmes makes me want to start drawing comparisons to the title character in the medical drama House. Both shows surround an eccentric, drug-addict savant who blazes beyond socially acceptable behavior to a series of “aha!” moments. Granted, said “aha!” moments are much less contrived and formulaic than they are in House. It takes a little while for the show to get it's legs, but it does. The creators are clearly hoping the eccentric charm of Holmes can shoulder the burden of maintaining audience interest. Said eccentricity can come off a bit aimless at first. Sherlock has the ability examine people almost perfectly, yet the writers do not seem to have the character fully figured out, and there are too many moments where Holmes' odd behavior seems a bit tacked on, such as when he hypnotizes himself to get through an addiction support group meeting.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2013
Mystery Science Theatre 3000 is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly riffing on them. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The series started as a public access show in Minnesota and was picked up by Comedy Central, where the access quality remained as part of the show's charm. This is a show you could have produced for the cost of a lunch at McDonald's and remain on the value meal menu. What would happen if they got Hollywood money and a chance to go big?
The idea started actually while the show was quite young and still just a local phenom. It was the early Joel years, and ideas for a feature film were always flying among the writers. One of the early ideas had robot Crowe reproducing Steve McQueen's motorcycle stunt from The Great Escape, except this time it was to get to a sunbathing Kim Cattrall. Apparently Cattrall was into the idea, but costs and other factors killed the idea in the...well...idea stage. Other ideas included a musical. None of these ideas got off the ground, and the show continued to plow its television horizons, cultivating a bit of a cult following.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2013
"The needs of the many outweigh the needs of the few."
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.
Posted in: No Huddle Reviews by Jeremy Butler on September 10th, 2013
Survival, Endurance, Adversity, and Courage took on new meaning for me after No Place on Earth. They say that you can never judge a person until you’ve walked a mile in their shoes and experienced their life. Well, I haven’t walked that mile, but the documentary did give me a first-hand account of the 511 days the Stermer family spent underground during the Holocaust. After seeing what that family went through firsthand (or at least as close as I could get to firsthand) only one world truly describes my opinion: Awe.
October 1952: Esther Stermer is living a quiet life surrounded by her family. Then the Nazis come, capturing every Jewish family and taking them to concentration camps. Neighbor turns on neighbor in the clamor to survive. Esther, knowing it is only a matter of time before she and her family are taken, acts quickly trying to find a place to hide from the Nazi forces. Their refuge came in the form of an underground cave. Forced to remain there for the foreseeable future, Esther along with her children and grandchildren battle to survive against starvation, dehydration, and the ever looming danger of Nazis, achieving the longest recorded uninterrupted underground survival occurrence in history.
Posted in: No Huddle Reviews by Archive Authors on September 10th, 2013
Earlier this year, I reviewed Enlightened Season One and said about Laura Dern's character that she “has so many outrageous outbursts of issues great and small that most people have dismissed her as crazy and just wish she would go away.” Now we are back with Season Two, and all of the potential craziness of Season One is ready to spill and overflow in an uncontrollable fashion. Originally conceived with a three-season arc, it is my sad duty to report that it is unlikely we will ever see the promised Season Three. Many shows have met an untimely demise like (the not so aptly titled) Luck, John from Cincinnati, Carnivale and The Big C. The Big C was given a very generous opportunity to come back with an abbreviated four-episode fourth season to conclude its heroine's story. I wish the same could be said of Enlightened. Enlightened was not renewed for a third season despite almost unanimous pleading from the nation's critics. It is always disappointing when a great series with compelling characters doesn't get to complete telling the story to the end. Two great series, Dexter and Breaking Bad, are in the middle of their final episodes, and nothing is more satisfying.
Enlightened Season One was about recovery. Season Two seems to be about revenge. Laura Dern's character, Amy, seems to be trying to sort through many confusing and unsettled feelings. Amy decides to focus on bringing down the company she works for. She has good reasons, but which are the real reasons? Her company is corrupt and dangerous, but is she merely motivated by petty feelings of rejection? Amy is a constantly shifting mass of conflicting emotions, good intentions, and bad impulses.
Posted in: Disc Reviews by J C on September 10th, 2013
Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.
Live in Tokyo captures their Nov. 14 show at Zepp Tokyo last year. PSMS — Portnoy (drums/vocals), Sheehan (bass/vocals), MacAlpine (guitar), Sherinian (keyboards) — was formed in January 2012. Although they weren’t exactly strangers, the group experienced some understandable growing pains when they first got together. (Portnoy expands on this in the Behind the Scenes featurette on this Blu-ray.) By the time this concert was filmed, however, PSMS had been together for nearly a year and they sounded like a totally cohesive unit.
