Posted in: Disc Reviews by J C on July 1st, 2013
The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.
Dr. Cara Jessup (Julianne Moore) would strongly disagree with my diagnosis. When we meet the widowed psychiatrist early on in 6 Souls, she’s expressing her belief that multiple personality disorder is a fad perpetuated by the media and pop culture. Cara’s father (Jeffrey DeMunn) is also a psychiatrist, and he’s playfully determined to prove his daughter wrong. He asks her to examine a seemingly timid young man named David (Jonathan Rhys Meyers) who becomes the much more aggressive Adam after a well-placed phone call. Even though Adam/David is very convincing, Cara wants to debunk the idea that he suffers from multiple personality disorder. As she investigates Adam/David’s background, she finds a common link between his personalities and realizes there might be more to come. (The movie isn’t called 2 Souls, after all.)
Posted in: No Huddle Reviews by J C on June 27th, 2013
We’re almost 150 years removed from the death of Abraham Lincoln, yet interest in the first major assassination in American history appears to be at an all-time high. Daniel Day Lewis just won a well-deserved Oscar for his astounding portrayal of our 16th president, and this month has already seen the home video release of the fascinating Killing Lincoln. Pictures From the Fringe enters the fray with the paradoxically-titled Saving Lincoln, a unique, well-meaning presentation of his presidency and a sketchy portrait of the not-so-well-known relationship between Lincoln and personal bodyguard Ward Hill Lamon.
Lamon, who Lincoln eventually appointed U.S. Marshal of the District of Columbia, was notably absent during the evening of the president’s assassination. (Lincoln had sent Lamon to Richmond as an ambassador promoting Reconstruction.) The film depicts Lamon (Lea Coco) and Lincoln’s (Tom Amandes) first meeting in Illinois — aspiring attorney Lamon looked up to Lincoln — as well as the moment when Lamon names himself the president's bodyguard after the Baltimore Plot to assassinate Lincoln in 1861 is uncovered. The film proceeds to hit the major signposts in the president’s political/persona life, including the Gettysburg Address and the Emancipation Proclamation. We also watch Lincoln deal with the death of son Willie (Elijah Nelson) from typhoid fever and the carriage accident that injured First Lady Mary Todd Lincoln (Penelope Ann Miller.)
Posted in: Disc Reviews by Gino Sassani on June 26th, 2013
"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."
If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review. I had not seen Oldboy at the time of the viewing or since. I did go out of my way to get some exposure to the film's famous imagery through clips and stills. Even still, I've never been more confused about a film than I am about Stoker.
Posted in: No Huddle Reviews by Jeremy Butler on June 25th, 2013
Burned, Recruited, Coerced, Betrayed, and Framed; in the past five seasons of Burn Notice, Michael Westen has been all of these things. The constant fluctuation in his ever-changing status is enough to drive a person mad, but through it all Michael has managed to stay level-headed and remain confident that he would find a way out. That confidence in his abilities is no doubt sustained by the support of his eternally loyal love, Fiona Glenanne. Fiona is Michael’s anchor; she keeps him centered, and as evident in last season when Fiona was framed for a bombing by Anson, Michael will go to any extreme to keep her safe; he needs her. However, when Season 6 opens up, Fiona has turned herself in to FBI to protect him from being used. What will Michael do now that the love of his life may be gone forever?
Season 6 picks right where the last season left off: Fiona turns herself in to the FBI and is taken into custody as Michael watches. Unable to save her, Michael becomes a man on a mission as he enlists the help of Sam, Jesse, and CIA officer Dani Pearce (Lauren Stamile) to find Anson (Jere Burns) and bring him in to clear Fiona’s name. Michael receives word of Anson’s plans to flee Miami as his identity has been compromised and he is being hunted. He catches up with him but is forced to let him go, condemning Fiona to her fate.
Posted in: No Huddle Reviews by Gino Sassani on June 25th, 2013
"The body is the proof. It will tell you everything you need to know if you just have the patience to look."
Body Of Proof was a mid-season entry by the network two years ago; it debuted at the end of March and ran for only nine episodes that year. It was renewed, so it had the opportunity to develop into something better than what it was. After a full season last year, it was decided to retool the show considerably for the third year. It was all an obvious sign that the show with so much potential was having trouble drawing in enough viewers to keep it alive. The end has finally come, and those last episodes are now available on DVD.
Posted in: Disc Reviews by William O'Donnell on June 25th, 2013
Every generation since “X” has lionized its slackers and frat boys with films (perhaps earlier if you look to Animal House as the beginning). Workaholics dances between this honouring of the stoner/slacker lifestyle and satirizing it. This show's third season is just like the previous two. Three best friends, Adam, Anders and Blake, spend their work days with pranks, pot and parties on their minds, and each episode showcases their adventures therein.
These three indulge in so much “bro” talk, which entails frequent use of the words “bro,” “dude,” and turning as many words as possible into slang, usually by shortening them to one syllable if possible. A whole scene may go by where their English has been massacred to the point where I feel as if they are speaking an entirely new language. While many times this would seem to be a way of relating to the keg-tapping demographic, it can reach such a preposterous level, such as when Adam talks about getting a girl to put her “H on his D,” that it becomes more of a lampooning.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2013
"Welcome to the wonderful world of magic."
They say that the hand is quicker than the eye. Through the art of misdirection and skillful manipulation we have been awed by magicians ever since Glog made Ooof's club disappear somewhere in Mesopotamia circa 20,000 BC. It's not all skill, really. The truth is we've always wanted to be fooled. We're begging for "magicians" to tamper with our sense of reality. I don't know how fast the hand happens to be, but today we're fooled at the speed of 24 frames per second (unless you happen to be Peter Jackson). The magic happens every time we walk into a movie theater or put a shiny disc into our magic machines. And what do we enjoy even more than being "tricked"? We love to laugh. The Incredible Burt Wonderstone has just the right amount of sleight of hand to pull it off.
Posted in: No Huddle Reviews by Gino Sassani on June 24th, 2013
“Midnight is the most evil part of the night. If someone dies at 23:59 hours, his soul will not rest in peace and will return to the mortal world.”
Every culture has its own set of ghost stories. They’re usually passed around very late at night by a group of very impressionable young people. That’s precisely where 23:59 — an atmospheric and thoroughly effective Malaysian/Singaporean horror flick — picks up, with a group of army recruits on an island training camp sitting around telling spooky tales. The only thing missing was the campfire.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2013
"On the evening of April 13th, 1865 John Wilkes Booth initiates his plan not only to kill Abraham Lincoln, but to decapitate the government of The United States."
Whatever you may think of Fox News or Bill O'Reilly, it would be a terrible mistake to discount seeing Killing Lincoln because of purely political leanings. The Department Of The Interior tried it when the book came out and underwent a campaign to keep the book from the public gift shops with claims of inaccuracies. Give O'Reilly credit for not taking the accusations lying down. He challenged any of the naysayers to point out these mistakes and, of course, nothing ever came out of the accusations. That's because the book is hauntingly accurate and tells a story most of you didn't get in your American History high school classes...unless you happened to have been in any of mine over the years. I can tell you not only as a film reviewer but a former history honors teacher and avid presidential reader that this account passes every test you can put to it. Of course, it's impossible to know every detail or intimate fact of an event we cannot witness. This comes as close as any production I've seen to date.
Posted in: No Huddle Reviews by Brent Lorentson on June 20th, 2013
Imagine being arrested, not even finished with high school, and you are tried and convicted of the rape and murder of your high school sweetheart. Try to imagine being locked away for 19 years in a cell, alone, awaiting your execution by lethal injection. But then one day, DNA evidence emerges that seems to exonerate you for your crimes, and suddenly you are given your freedom back. How do you go on? This is question creator and executive producer Ray Mckinnon explores in the new series Rectify that airs on the Sundance channel.
Daniel Holden (Aden Young) is the man, whose life we follow from day one of his release from a Georgia state prison. As his family anxiously awaits to see him, the media swarms outside waiting to hear from the newly freed man, all while Daniel nervously prepares to nervously step into the new life of freedom. The writers made the wise choice not to rush but to allow us to tag along for every awkward moment Daniel has, from not remembering how to tie his necktie, to the feel of grass between his toes, to simply enjoying his first beer. It’s easy to see how David seems to not fit in our world; after all nearly 20 years passed by without him, with only brick walls and a few other inmates on death row to keep him company.
