Posted in: No Huddle Reviews by Brent Lorentson on June 20th, 2013
What’s a girl to do when her bills pile up, her hours at work get cut, and though she’s a promising medical student, life seems to be getting in the way of her studies? Well, the “easy” answer seems to be, hit the closest strip club and put your natural assets to work. At least that is the direction Mary Mason (Katharine Isabelle) decides to take. Though luckily as fate would have it, during her “audition” process an emergency occurs, allowing Mary to put her surgical skills to the test and make a quick five grand. Was Mary’s decision ethical? In this film you’ll need to throw out the books on medical ethics, because this is a tale of revenge at its core, but also about giving people what they want, to live the lives they believe they were meant to live.
As Mary comes to term with the procedure she tended to in the club’s basement, word of her handiwork has spread and she begins to get requests for procedures that even the doctors from Nip Tuck would have to reject. After collecting ten grand for a procedure that transforms a woman to finally resembling a real life doll, Mary’s handiwork is then spread across the web, and she becomes all the more in demand. Mary doesn’t go into this field of body modification lightly, as she still has aspirations to be a successful surgeon, but unfortunately that all comes to an end after she attends a late night surgeons’ party. Unfortunately this isn’t your average party; it turns out to be an underground sex club where the surgeons bring girls, drug them, and rape them. Considering one of the attendees happened to be one of her instructors who she looked up to, the hurt is only worse and is enough to push Mary over the edge to seek revenge.
Posted in: Disc Reviews by J C on June 20th, 2013
Any discussion of the greatest living rock stars has to have Paul McCartney at or near the top of the list. Obviously, “greatest” is a totally subjective descriptor, but even if you’re more of a Stones person you can’t argue with McCartney’s staggering success. He has sold more records than anyone else, wrote the most covered song of all time (“Yesterday”) and owns a handful of other Guinness World Records. The recipe for his singular greatness is a mixture of artistic brilliance, versatility and longevity. It’s what has allowed him to remain relevant more than 40 years after the dissolution of the best-selling band of all time. And a key part of that staying power was Wings.
The first Wings album, “Wild Life”, was released in 1971, just one year after the formal break-up of The Beatles. Wings released nine albums in the 1970s — seven studio albums, the “Wings Greatest” compilation, and the live “Wings Over America” album — scoring five straight chart-toppers in the United States. The band was arguably at the peak of its powers in 1976 and featured its most celebrated lineup — Paul McCartney, Linda McCartney (keyboards), Denny Laine (guitar), Jimmy McCulloch (guitar) and Joe English (drums) — when it set off on a massive world tour that covered ten countries and brought music to more than two million people. That tour turned into the 1976 “Wings Over America” triple album and was also captured cinematically with 1980’s Rockshow. I know patience is a virtue, but 33 years still seems like an overly long time to wait for such an excellent concert to get a proper home video release.
Posted in: Disc Reviews by Jeremy Butler on June 19th, 2013
“Fee, Fi, Fo, Fum, ask not whence the thunder come. For between heaven and earth it’s a perilous place, home to a fearsome giant race. Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow…”
Jack the Giant Slayer is the mash-up adaptation of two classic fairy tales; Jack and the Beanstalk and Jack the Giant Killer. Now adaptations are big business in today’s industry, but is combining two different source materials wise, or a recipe for disaster? To answer that question, let’s examine the recipe of this film: two popular children’s stories, Bryan Singer at the helm, top-shelf actors Nicolas Hoult, Ewan McGregor, and Stanley Tucci. Well, considering that the resulting brew is an entertaining, family-friendly fantasy film, my answer is going to be coming up on the positive side.
Posted in: No Huddle Reviews by Archive Authors on June 19th, 2013
When a documentary is made about a subject and interviews are presented with a wide variety of individuals talking about a single thing, most of the time no one will question such a presentation. In this case, people are likely to question the intentions and ultimate content of the project. The film is directed by noted photographer Deborah Anderson, who has taken photographs of many famous celebrities like Elton John and George Clooney. She is the daughter of rock singer Jon Anderson from Yes. Aroused is about celebrities of a sort. The film includes extensive interviews with porn stars and their agent during the course of an extensive photo shoot. The question then becomes, “How serious is this project?” It turns out to be a somewhat serious examination of the psychological stress that these women have to go through. That said, there is a fair amount of nudity as the film progresses. Is it gratuitous or not? That's not easy to say. I would say that if they wanted this to be taken seriously, they might have limited the nudity. Of course, it will probably have a higher level of sales with the nudity.
I can't say I know many of the people being interviewed, but I will list some names for those of you who might know; Allie Haze, Ash Hollywood, Asphyxia Noir, April O'Neill, Alexis Texas, Belladonna, Brooklyn Lee, Francesca Lee, Jesse Jane, Kayden Kross, Lisa Ann, Misty Stone, Tanya Tate, Teagen Presley and Fran Amidor. Anderson wants to get to know the real women. Who were they before they became the stigma or pariah? Many of them came from sheltered or timid backgrounds. Some were married to ministers, and some went through strict religious training.
Posted in: Disc Reviews by Jeremy Butler on June 18th, 2013
Enigma: something hard to explain or understand: well, that about sums up Charlie Zone. The story itself is mildly interesting but takes its time building traction. I was expecting to be introduced to a film about underground fighting and instead was introduced to a film about two people who were dealt a bad hand and are thrust into a life-or-death situation. At odds at first, the two must work together in order to survive. Does this plot theme sound familiar to anyone else?
Paul Avery (Glen Gould, Cashing In) was once an up-and-coming boxer from the Indian Reservation. He was thought to have a real chance at a pro career until he got caught up in a smuggling racket and served four years in prison. After losing his boxing license as well as four years of his life, Paul now struggles to make ends meet and has turned to participating in recorded internet street fighting for extra cash.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2013
"Now, this game has 12 rounds. You win more than you lose, I turn myself in. You don't, a lot of people die including you. If you refuse to cooperate, people die. If you make any attempt to contact the police, people die."
I'm usually pretty skeptical when it comes to movies that are made by any of the various fighting federations out there. W?? usually stands for "What The F***". I get it. There are a lot of tough guys out there who would like to follow in the footsteps of guys like The Rock. But for every successful transition to acting there are a hundred stories of mindless muttering substituting for actual... I don't know.... words. The idea is if enough guys beat up enough other guys we'll take the necessary testosterone injections to come along for the ride. Did I mention I hate needles? Still, I actually quite enjoyed John Cena in the original 12 Rounds and gave it a pretty respectable 3.5 in my review back in 2009. It's taken someone four years to figure out that the title has yet to be mined for another outing. Take away John Cena, director Renny Harlin and a guest cast that included the likes of Ashley Scott, and I found myself wishing that whomever that certain "someone" was would have contracted a serious case of amnesia.
Posted in: No Huddle Reviews by J C on June 18th, 2013
The pint-size heroes of The Dragon Pearl battle greedy thieves and come face to face with a centuries-old dragon, but their biggest challenge may be overcoming a pair of skeptical/clueless parents. It’s a familiar plot device in kid-centric adventures, yet it’s one I’m becoming more sensitive to as I get older. For example, I was absolutely sure at an early age that the bumbling Wet Bandits were the bad guys in Home Alone; however, as I’ve grown older and not-necessarily wiser, I realize the real villains are the nincompoops who left little Kevin McCallister behind in the first place. To be fair, the parents in this film are being asked to swallow a much more fantastical story.
The Dragon Pearl opens with a prologue about an ancient Chinese emperor who enlisted a celestial dragon’s power to help him fend off warring tribes. The source of the dragon’s power is the titular pearl, which is said to be lost in the heat of the battle. In the present day, we're introduced to sullen Australian teen Josh (Louis Corbett) and outgoing Chinese teen Ling (Li Lin Jin). Josh and Ling are meeting up with their respective parents, Dr. Chris Chase (Sam Neill) and Dr. Li (Wang Ji), on what Josh assumes will be a boring archeological dig in China. (He should've known better: having Sam Neill at an archeological dig is a recipe for excitement.)
Posted in: Disc Reviews by J C on June 17th, 2013
Earlier this year, Warm Bodies become a solid box office hit by giving its zombie hero a heart. The Amazing Adventures of the Living Corpse seeks to carve its own uniquely bloody path by saddling its undead protagonist with a soul. It’s a clever way to go considering there’s not much new territory to cover in zombie fiction 45 years after George A. Romero’s Night of the Living Dead shambled into pop culture immortality. I just wish this provocative promise had yielded a better movie.
Based on the Dynamite Publishing comic series “The Living Corpse: Exhumed”, the film introduces us to John Romero, who rises from his grave and promptly snacks on his own wife and daughter. As a horde of the undead prepares to eat his son Taylor, John realizes what he’s done and saves his only surviving family member. Confused as to why he’s the only zombie with a conscience, he ventures to the underworld, where he is counseled by Asteroth Guide of the Wretched and Worthless Merk (the movie’s source of "comic relief"). Meanwhile, a traumatized Taylor is taken to a sinister boarding school filled with other misfit orphans and inconveniently located next to a cemetery.
Posted in: Disc Reviews by Jonathan Foster on June 17th, 2013
Hank Williams, Sr. was arguably one the most influential country artists of all time. During his short life (he died at the young age of 29) he had more than 30 #1 singles. His music has been covered by not just country artists, but has also crossed over into the pop, gospel and blues genres. With The Last Ride, this music legend joins Johnny Cash and Loretta Lyn in having their lives put on film.
When a stranger with a brand new Cadillac comes into his garage, young Silas (Jesse James, As Good as It Gets) takes notice. After Silas overhears the stranger asking for a driver, he immediately offers his services. He is hired and finds out his job is to get “Mr. Wells” (Henry Thomas, E.T. the Extraterrestrial) to West Virginia in two days, and to get him there sober. If Wells arrives drunk or hungover, Silas won’t get paid. Fighting the weather and sometimes each other, the two embark on what ended up being the last trip Hank Williams ever took.
Posted in: Disc Reviews by Gino Sassani on June 13th, 2013
"Me and my boy here, we're gonna put a whuppin' on ya!"
In case you haven't been paying attention, 2013 is turning out to be the year of the returning action stars. The Governator Arnold Schwarzenegger teamed up with Korean action director Jee-woon Kim to deliver a very entertaining ride in The Last Stand. Sly Stallone teamed up with action icon Walter Hill to bring us the not-so-entertaining Bullet To The Head. Of course, perhaps the most eagerly awaited return was Bruce Willis back in the role that made him an action star in the first place. This is less Willis's return and more a potential swansong for cowboy cop John McLane. It's the fifth entry in the Die Hard franchise and the first sequel written originally as a Die Hard film and not something adapted to the character. With the disappointing Live Free Or Die Hard still fresh in my memory, all bets were off when I entered the cinema for a sneak peak of A Good Day To Die Hard.