Disc Reviews

For 8 long seasons Rawhide followed the adventures of a cattle drive. Season 6 was separated into two releases. Here we shall look at what Part One has to offer. Feel free to browse previous releases covered by Gino on this same site: https://upcomingdiscs.com/?s=rawhide

Clint Eastwood got his first major role playing foreman Rowdy Yates for the entire run of this series. By the sixth season, Eastwood seems to be a far more comfortable and confident actor than what we saw in earlier seasons. A real white hat, Yates is often the voice of reason when his Trail boss (played by Eric Fleming) has his doubts. Although sometimes he needs a boost as well, and that comes in the form of support from their ever-lovin' cook Wishbone (played by Paul Brineger).

For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character's verbal gymnasitcs and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).

The formula (for lack of a better term) of each episode maintains in this first half of the final season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry’s uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one’s enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (most often murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.

"What is reality?"

Television has been around for about 75 years now. In that time we've seen just about every kind of show you might like. Fads and trends come and go along with stars and characters. Crime dramas have been among the most popular throughout those 75 years, and there have been so many "cop/detective" shows that we've also seen just about every kind of crime and investigation possible. With few exceptions there isn't much that can surprise us in the cop procedural drama.

With most of my teen years spent during the 90’s it’s no surprise that still many of the bands I grew up with manage to remain on my playlist.  Garbage is a band of the 90’s you couldn’t help but take notice of because though the airwaves were saturated with alternative music, Garbage was doing it with a female vocalist.  Shirley Manson wasn’t just a pretty face; she had the vocals and stage presence that was hard to resist at the time.  “I’m only happy when it rains” as well as “Stupid Girl” have been tracks that any time I catch them on the radio I can’t help but crank the radio a little louder and get a little nostalgic to the way things were in my teens.

Though Manson and the band managed to reach the status of performing the opening theme song for the Bond film The World is Not Enough, the band seemed to gracefully step out of the spotlight.  With the chance to check out this Blu-ray I was more than happy to take this and indulge myself a bit.  Now that I’ve had the chance to see it, well, my only regret is that I didn’t have the chance to see them in their prime.

Ever notice when an actor is having a good year, suddenly a film that they made years before their success makes an appearance? I refer to this movie as “the bandwagon film.” It is film that is shelved and does not have a prayer of being released. It happens too often for it to be coincidence and usually features said actor center stage on the cover art with the mention of the popular film that the actor took part in. Take Christian Bale for example: not long after the release of Batman Begins, a low-level film by the name of Harsh Times came to theaters. In the case of Dead Mine, that actor would be Joe Taslim. Taslim is having a good year with a starring role in the action packed The Raid: Redemption and scoring a bad guy role in Fast & Furious 6; the movie had promise in the beginning, but as the film progressed it launched into complete insanity and will likely be an anchor holding Taslim down.

Legend tells of an abandoned Japanese World War II bunker hidden in the Indonesian jungle that stores a vast fortune of Yamashita gold. After an excavation turns up the bunker’s location, rich boy Warren Price (Les Loveday, Sweeney Todd), Rie (Miki Mizuno, The Flying Publicist), a wide-eyed researcher, and Stanley (Sam Hazeldine, The Raven), an engineer from his father’s company. Given the uneasy and dangerous circumstance of the area, the group is appointed a security team led by Captain Tino Prawa (Ario Bayu, Java Heat).

I wasn’t all too familiar with Al Madrigal’s work before receiving his album to review.  After looking up his web site I had realized it was The Daily Show with Jon Stewart that I had recognized him from, but I wouldn’t go so far as to say I was a fan.  With comedians, though, going into their act knowing very little about them, most often the experience seems to be more enjoyable; after all, with no expectations it’s hard to come away disappointed.

Six months ago I’m not sure how much I would have been able to relate to Madrigal's set, a set that has a very distinct storytelling style, and his stories for the most part consist of him being a father.  Sure, not everyone has to be a parent to find his set funny, but had I not recently had a child come into my life in the past few months I don’t believe I’d connect with as much of his set as I did.  Whether Madrigal is discussing how he disciplines his children when they talk back or talking about hiding from the kids just to embrace a little alone time, he maintains a narrative that everyone in the audience can appreciate.

“Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.”

It’s easy to see why 26 talented filmmakers from across the world leapt at the chance to show audiences 26 different ways to die. Obviously, you can’t exactly be squeamish when you sit down to watch an anthology called The ABCs of Death. But I still wish fewer directors had interpreted “complete artistic freedom” as “make the most ridiculous and disgusting movie you possibly can.” 

Official Upcomingdiscs Autopsy Report:

There's a case to be made that it isn't exactly fair to review a television series that was axed after only 8 episodes. Fans of that kind of a show are already up and arms and just waiting to thrash you for, as they see it, putting another nail in the coffin while they're still looking for extraordinary measures to revive the corpse. It doesn't matter how long it's been dead or how slim the chances are for revival. If it's your show you just aren't ready to give up, and you certainly don't need a word jockey like me throwing dirt on the grave. When it comes to Red Widow, however, I think I've seen enough to make the official pronouncement of death.

I was starting to think the only comedians that get hour long specials any more were the ones with obscenity-soaked acts that were sprinkled with sexual humor (or riddled with just as much).  But then Pete Holmes came along.  Throughout his hour long special that was recorded in Austin, Texas sure, there are a few obscenities and a little sexual humor, but he never uses it as a crutch to carry his performance along.  From the moment he stepped out onto the stage he reminded me of that friend from high school who was that all around good guy that always knew how to make you laugh.  With first impressions set aside and as the act progressed I was happy to see I wasn’t disappointed.

Considering this was an hour long special, Holmes manages to cover a variety of topics and make them relatable to everyone in the audience.  Whether it’s discussing how he used GPS to get out of a bad neighborhood, hating a girlfriend’s friends (or family), to the awkwardness of carrying a dog, Holmes manages to deliver these bits as situations we all could have experienced.

Has there ever been anyone like Frank Zappa? He had a rare combination of incredible professionalism and steadfast sobriety mixed with zany insanity and freakish detours on offbeat paths. He is the freak of all freaks of the sixties yet had an unwavering distaste for the rampant drug use of the time. His music couldn't be more jarring or unconventional, yet he liked stately classical compositions to relax. A Token of His Extreme was a passion project for Zappa that he paid for with his own money back in 1974. It was produced with the intention of being an American Network Television special, but it never saw the light of day in the US.

The DVD also includes an appearance on The Mike Douglas Show in 1976 in which Zappa lamented about the television special. “This was put together with my own money and my own time, and it's been offered to television networks and to syndication, and it has been steadfastly rejected by the American television industry. It has been shown in primetime in France and Switzerland, with marvelous results. It's probably one of the finest pieces of video work that any human being has ever done. I did it myself. And the animation work that you're going to see in this was done by a guy named  Bruce Bickford, and I hope he is watching the show, because it's probably the first time that a lot of people in America got a chance to see it.”