Disc Reviews

“’Have gun, will travel’ reads the card of a man. A knight without armor in a savage land…”

Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett-Butler-gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

In 1363, the Black Plague had done its damage, leaving most infected areas uninhabitable. Escape — known in Norway as Flukt — is the story of a family that sets out into the countryside to get away from the plague and hopefully find a new place to rebuild their lives. But just as I’m thinking this is going to be a movie about sticking together and fighting to survive the elements, it shifts gears to something far darker but not all that original.

The small family is attacked and most are brutally slain; only Signe (Isabel Christine Andeasen), the daughter, manages to survive. Instead of simply killing the girl, the attackers decide to keep her around. When this decision was made by the attackers my mind instantly went to thinking they were going to torture and rape the girl. It seems extreme, but after seeing these attackers shoot down a young boy with a crossbow, well it should be safe to assume these killers are ruthless. Insert twist; back at their camp they have a little girl named Frigg. It seems all they want is for Frigg to have a sister.

All good things must come to an end, and for the fans of Private Practice the end has come. I'd like to think that the series deserved a little better than the final season provides. Of course, you get pretty much the kind of stories and production you've come to expect in six years, but it's a short season with only 13 episodes and a finale that, I think, might have let the fans down. The finality appears rushed and a bit too plastic and meaningless, something the series itself never was.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an embedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two-parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s.

“An affair born in betrayal will end in ashes.”

And a movie starring Lindsay Lohan and Grant Bowler depicting Hollywood’s most controversial and scandalous couple will share the same fate. Liz & Dick tells the love story of two-time Academy Award winning actress Elizabeth Taylor and respected theater actor turned leading man Richard Burton, documenting from their first meeting to Burton’s death in 1984. The key element to love stories, especially biographical love stories, is casting two people that will have chemistry that not only emanates on screen but resembles that of the two actors you are portraying, and Lohan and Bowler failed to deliver.

Most cartoons these days seem to be carbon copies of cartoons gone past just with different settings and characters. You got the superhero cartoon, adventure cartoon, anime cartoon, the really kiddie cartoon and the adult cartoon. Today, we have a classic I want to be a Pokemon imitator cartoon. It goes by the name Monsuno. Let us take a look inside the second volume and see if this one is more than an attempt to sell action figures and trading cards.

John Ceballos did a fine job on the first volume in this series, go check it out:

We all know what it feels like to nod off in the middle of a film. It starts with micro-naps that last a few seconds. They’re so short, we don’t even realize we’ve fallen asleep. But when we wake up, we feel totally lost because we’ve missed a line of dialogue or scene transition. I mention this for two reasons: 1.) the confused protagonist of Tomorrow You’re Gone floats through his life in a dream-like state and 2.) watching this incomprehensible mess of a movie constantly made me feel like I’d fallen asleep and missed something. That’s a problem because I was wide awake.

The plot of Tomorrow You’re Gone — based on the novel “Boot Tracks” by Matthew F. Jones, who also wrote the screenplay — is straightforward enough. We meet Charlie Rankin (Stephen Dorff) just as he’s about to be released from prison. He receives an encoded letter from Billy “The Buddha” Pettigrew (Willem Dafoe), Charlie’s former jail-house mentor. The hidden message orders Charlie to carry out a hit, and Charlie agrees because he feels indebted to The Buddha. On his way to do the job, Charlie meets Florence (Michelle Monaghan) a flirty oddball/former porn star, and the two form an uneasy bond. After the hit doesn’t go as planned, Charlie has to dodge an unhappy Buddha. (He also spends an inordinate amount of time dodging Florence’s sexual advances because...actually, it’s not really clear why he keeps rejecting this woman who is throwing herself at him. It flies in the face of everything we know about movie ex-cons.)

 “Season of the equinox, the witch besets her kill; one last soul, the town to know taken against their will.”

I’m not the type that scares easy, and I’m not overly superstitious. But when it comes to urban legends, I know there are a few things I never intend to do: I never intend to say “Bloody Mary” three times in the bathroom mirror, I never intend to mix Pop Rocks and Coke, and, if there is a legend about a witch that will come after you if you break one of windows of her house, guess what? I won’t be picking up a rock. Mind you, this is less about fear and more about having no desire to deal with the consequences if I’m wrong. If only the teens of The Wicked shared my views.

“Texas Territory. In 1821 it was known as ‘Téxas’, and its inhabitants were known as ‘Texicans’. This is the story of their fight for freedom. This is the story of Texas.”

Texas. Just the name of our nation’s second-largest state evokes images of cowboys, gunfights, scenic vistas, and much more. Few states have the combination of history, natural beauty and colorful characters that Texas does. These factors have provided a wealth of stories, and James A. Michener’s Texas (based off Michener’s best-selling novel) recounts one of the most tumultuous times in the state’s history.