Disc Reviews

Before Jay & Silent Bob, Harold & Kumar, and Seth Rogen, James Franco and their current band of merry stoners, there was Cheech & Chong. In terms of pot humor, they were the trailblazers who happily blazed on screen and on stage. The comedy duo’s popularity hit its apex with the release of 1978’s Up in Smoke, which became the year’s highest-grossing comedy. Still, Richard “Cheech” Marin and Tommy Chong’s roots were always in music.

They released nine albums in the ‘70s and ‘80s, winning the Grammy for Best Comedy Album in 1973’s “Los Cochinos.” Some of their most famous songs and routines — including “Dave’s Not Here”, “Earache My Eye”, and “Let’s Make a Dope Deal” — have been re-imagined in Cheech and Chong’s Animated Movie!, the new Blu-ray that was released suspiciously close to April 20. (Unfortunately, this year’s 4/20 didn’t fall on a Tuesday, which is the day most home video titles are released.)

What do you get when you take one over-actor, one under-actor, a mythical creature, and place them in the Norwegian woods? The answer is Thale, the worst thing to come out of Norway since the Viking raids. This is quite possibly the most boring film I’ve ever seen (and I’ve seen Rubber and Southland Tales). Leo and Elvis clean up crime scenes for a living. One day, while cleaning up a scene where a man’s body has been scavenged by animals, they find a hidden doorway to a secret room. In that room, they find a naked girl in a tub hooked up to life support machines and tubes à la The Matrix. Unsure of what to do or how to help her, they soon find out she’s not what she seems, and that different groups want her.

My first problem with this film was the audio. This is one time where I would have preferred subtitles. (There were no subtitles to be had.) The English dubbing over the Norwegian dialogue was worse than a Godzilla flick. Admittedly, I don’t know a thing about dubbing audio, but it’s like the people responsible didn’t even try to match the voices to the actors’ lips. There were times when the audio came on a good half second after the actor stopped speaking. Compounding the bad dubbing was the similarity in the voices for Leo and Elvis, so sometimes the only way to tell who was talking was by the tone of the voice. (Elvis is usually freaked out, while Leo almost always speaks in a stoner’s monotone, but more on that later.) It gets really confusing when Leo and Elvis find the deceased man’s audio tapes, and they start talking over them while the camera is focused on the tape player.

Things needed to survive a zombie apocalypse: a secure location to hole up in, water (lots of water), canned goods, a hatchet, and a high-powered rifle (preferably with a scope). Luckily for Jim, the main character of State of Emergency, all these things just happen to fall into his lap. Produced by the Clay Brothers (Haven’t heard of them? That’s okay, neither have I.), State of Emergency is their second feature film, and though it ultimately shows promise, it could have been better with a few tweaks.

State of Emergency dives right into the story, dropping the audience right into the middle of the crisis. As the film opens, four people barricade themselves in a room; one man braces himself against the door as something tries to force its way inside, then the other man enters the frame. Armed with a rifle, he takes up a defensive position and gives the nod to his partner to move away from the door and let the threat in. Wordlessly and without argument, the man bracing the door steps away and moves behind his rifle-wielding friend. Suspense builds as the two await the door opening, and then boom….the audience is transported three days earlier without discovering what’s behind the door.

“Now it’s mandatory that you do not make make eye contact until we tell you that it’s all clear.”

Typical, one person can’t follow simple instructions and the rest are doomed to die because of it. Or at least that’s how it starts in Escapee, the new suspense horror film starring Dominic Purcell and Christine Evangelista, or what I like to call it: Halloween with a dash of Friday the 13th. Harsh perhaps, but as I watched the film I could not help but the see the comparisons. It fooled me at first with a fairly interesting opening sequence, but from there, it become painstakingly obvious that the film did nothing but rehash many of the themes that made the previous films famous. It wasn’t until the reveal at the climax of the film that the story felt mildly original.

"This series presents information based, in part, in theory and conjecture. The producers’ purpose is to suggest some possible explanations, but not necessarily the only ones to the mysteries we will examine."

Everybody loves a mystery. I'm not talking about a murder mystery found in a book or movie. I'm talking about the mysteries of life. We're surrounded by them. Do aliens exist? Have they visited us now or in our ancient past? Can plants communicate? Are some sharks immortal? Is there life after death? How about before birth? Is there really a Fountain of Youth? Do our pets have ESP? There are as many questions as there are stars in the sky. If you're rather fond of these questions, and who isn't? (Oops, that was another question.) In Search Of... is just the vintage television show for you. Thanks to the folks at Visual Entertainment you just got your chance. So ask away.

“Nobody grows up wanting to be a knuckleball pitcher. It’s born of desperation; it’s born of necessity.”

By the start of the 2011 season, there were only two active knuckleballers in Major League Baseball. One was a failed power-hitting 1B/3B, while the other had been cut by his team at the start of the previous year’s spring training. Knuckleball! — an engaging documentary dedicated to the kookiest pitch in baseball history — illustrates how that desperation extends beyond the few brave souls who have attempted to make a living in the big leagues by throwing very softly.

Donnie Yen continues to deliver one great martial arts film after the other, easily making him the most entertaining martial arts star for quite some time.  Sure, there are those who cling to the idea of Bruce Lee being “the best” or perhaps mentioning Jackie Chan or Jet Li for more modern viewers.  But for me it’s Yen, and I have no problem saying he may be the best martial arts star of all time.  His work with Ip Man, Seven Swords, and Flash Point are staples in a career that has been going since 1984.  With Dragon you can check off another hit for Yen; though it may not be as action-packed as some of his previous releases, what we get instead is a fun detective story that asks the question, can a man that has committed atrocious crimes be capable of change?

Dragon opens up in a small village in 1917 China.  The village is quaint; everyone has their place in keeping the village alive and running.  For money the village makes paper; it’s not enough to exactly have everyone living the high life, but that isn’t what you’d expect in this village that probably hasn’t changed much in the past hundred years.  But everything changes when two thieves come into the village and attempt to rob it.  Liu Jin-xi (Yen) reluctantly stops the robbery, and in the process a “fight” breaks out which results in the death of the two thieves.  Was it simply luck on Jin-xi’s part, or is his simpleminded act of heroism a ruse, and beneath it all could he possibly be a trained killer?  This is left to Xu Bai-jiu (Takeshi Kaneshiro Red Cliff and House of Flying Daggers), an investigator sent to the village to decide if it was all an act of self defense.

“I want to talk to you about the war for the soul of Los Angeles.”

This could easily describe the current rivalry between the surging L.A. Clippers and the geriatric Los Angeles Lakers, but Gangster Squad has slightly weightier matters on its mind. The stylish 1940s and 50s cops-and-crooks saga wants to tell a story about corruption and violent men unable — or unwilling — to turn off their capacity for hurting others. Instead, the film winds up being a somewhat shallow 21st century gloss on The Untouchables. And there’s absolutely nothing wrong with that.

You need to imagine you are back in 1969. Many of you will have no idea what a different world it was back then. So many things did not exist, like computers and the internet and cable television. So much is available now that people could only fantasize about then. Now any unsupervised 10-year-old can see just about anything they want. It's hard to imagine how big a difference that is. Hiding Playboy magazines under the mattress was about as bad as it got back then. There was a huge unfulfilled demand for adult entertainment when adults couldn't find much that excited or titillated them. But there was a change coming slowly without calling too much attention to itself. Radley Metzger saw an opportunity to create a kind of art film that would let him break new ground.

The film The Lickerish Quartet was one of a number of films Metzger created as a film distributor and director. The films look quaint now. They were filmed beautifully with excellent production values. For instance, The Lickerish Quartet makes superb use of an actual castle (Balsorano in Italy's Abruzzi Mountains) by the gorgeous seaside and countryside. It attempts to use Pirandello's Six Characters in Search of an Author as an inspiration for its existential musings. Metzger's forays are pretentious, but they did break ground in upscale eroticism. Both Andy Warhol and NY Times film critic Vincent Canby gave it high praise.