Disc Reviews

Even among the crowded field idyllic meadow of big-screen romances, the “Nicholas Sparks movie” has become its own lucrative sub-genre. The only other contemporary authors I can remember achieving that sort of name brand recognition are Stephen King and John Grisham. (When people went to watch a Harry Potter film, they didn’t usually say, “Let’s go see the new J.K. Rowling movie.) It’s easy to spot a Nicholas Sparks movie: the lily white leads usually live in or around one of the Carolinas, where they inevitably get drenched by a romantic, cleansing rain before coming across a pivotal letter.

The fact that Safe Haven hits every single one of these checkpoints should, in theory, make it the ultimate Nicholas Sparks movie experience. Instead, the new film — the eighth big-screen adaptation of the author’s work — comes off as a pale imitator.

“’Have gun, will travel’ reads the card of a man. A knight without armor in a savage land…”

Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett-Butler-gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

“’Have gun, will travel’ reads the card of a man. A knight without armor in a savage land…”

Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett-Butler-gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

In 1363, the Black Plague had done its damage, leaving most infected areas uninhabitable. Escape — known in Norway as Flukt — is the story of a family that sets out into the countryside to get away from the plague and hopefully find a new place to rebuild their lives. But just as I’m thinking this is going to be a movie about sticking together and fighting to survive the elements, it shifts gears to something far darker but not all that original.

The small family is attacked and most are brutally slain; only Signe (Isabel Christine Andeasen), the daughter, manages to survive. Instead of simply killing the girl, the attackers decide to keep her around. When this decision was made by the attackers my mind instantly went to thinking they were going to torture and rape the girl. It seems extreme, but after seeing these attackers shoot down a young boy with a crossbow, well it should be safe to assume these killers are ruthless. Insert twist; back at their camp they have a little girl named Frigg. It seems all they want is for Frigg to have a sister.

All good things must come to an end, and for the fans of Private Practice the end has come. I'd like to think that the series deserved a little better than the final season provides. Of course, you get pretty much the kind of stories and production you've come to expect in six years, but it's a short season with only 13 episodes and a finale that, I think, might have let the fans down. The finality appears rushed and a bit too plastic and meaningless, something the series itself never was.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an embedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two-parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s.

“An affair born in betrayal will end in ashes.”

And a movie starring Lindsay Lohan and Grant Bowler depicting Hollywood’s most controversial and scandalous couple will share the same fate. Liz & Dick tells the love story of two-time Academy Award winning actress Elizabeth Taylor and respected theater actor turned leading man Richard Burton, documenting from their first meeting to Burton’s death in 1984. The key element to love stories, especially biographical love stories, is casting two people that will have chemistry that not only emanates on screen but resembles that of the two actors you are portraying, and Lohan and Bowler failed to deliver.

Most cartoons these days seem to be carbon copies of cartoons gone past just with different settings and characters. You got the superhero cartoon, adventure cartoon, anime cartoon, the really kiddie cartoon and the adult cartoon. Today, we have a classic I want to be a Pokemon imitator cartoon. It goes by the name Monsuno. Let us take a look inside the second volume and see if this one is more than an attempt to sell action figures and trading cards.

John Ceballos did a fine job on the first volume in this series, go check it out: