Posted in: Disc Reviews by William O'Donnell on September 12th, 2012
There is a long line of adaptations of The Strange Case of Dr. Jekyll and Mr. Hyde, and here we have a modern re-telling of the classic horror tale. Like the original, Dr. Jekyll is experimenting on a wild potion, but while experimenting on himself a malevolent alter-ego named Mr. Hyde emerges from within him to go on killing sprees.
The original tale is told from the point of view of the attorney enlisted to help solve this problem. In this film, the attorney is both an aid to Jekyll and a love interest. While this added romantic element does make for some added moments of increased tension when Hyde attacks the woman Jekyll is falling for, it mostly just makes the movie feel more cliché and makes the flow of the story much more boring and predictable with the plot falling into the usual "final-girl" or "boy must save girl" trappings when relying on their relationship to be the anchor of the conflict, when there are so many more interesting elements at play.
Posted in: Disc Reviews by William O'Donnell on September 10th, 2012
Geared towards pre-schoolers, and their fascination with dinosaurs, this show teaches us about dinosaurs, one at a time, in 10-minute episodes. A group of young dinosaurs, eager to learn, travel on a magical train through time to meet the dinosaur highlighted in their episode.
This particular DVD collection focuses on the biggest of the dinosaurs, the sauropods (long neck behemoths). The lack of variety might hinder whatever education this show is wishing to tender to it's young viewers. Making a dinosaur one neon colour versus another doesn't do enough to distinguish each beast. There are unique mini-adventures attached to each lesson but there is hardly enough narrative or even gags for children to be grabbed by this. If your child happens to be a huge fan of this type of dinosaur...then by all means, feed them this assembly line of incredibly similar beasts.
Posted in: Disc Reviews by Michael Durr on September 10th, 2012
Remember when I mentioned the difficulty of reviewing a season in the middle of the show’s run? This week, I shall attempt to review two different HBO shows at the end of their respective run. Yes, I will be piecing together a show that is in its last season with very little (or no knowledge) of the seasons before. This should be a fun ride and our last entry is the third season of the HBO Comedy: Hung.
Our very own M.W. Phillips was able to review the second season of this show, so feel free to check that out.
Posted in: Disc Reviews by J C on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
The central joke is that the most stable adult Ellis (a mature, non-showy Graham Phillips) has ever known is Goat Man (David Duchovny), a kind soul who appears, at first glance, to have worse hygiene than the goats he spends most of his time with. Then again, Goat Man pretty much wins by default because Ellis’s mother Wendy (Vera Farmiga) is more interested in her own spiritual rituals and new boyfriend (Justin Kirk) than she is in trivial things like paying her bills. (Ellis handles all the finances.) Wendy, however, is lucid enough to become enraged when Ellis decides to attend Gates Academy, the same prep school where his father (Ty Burrell) studied.
Posted in: Disc Reviews by Michael Durr on September 9th, 2012
One of my strongest assets is my ability to compute numbers. It has helped me to excel at my paying position in the workforce as well as stay ahead when it comes to my finances. However, to date I have never really been placed in a position where my mastery of numbers would determine life or death. However, our movie today, Safe does involve a girl named Mei whose very life indeed could end on the basis of whether or not she can properly remember her numbers.
As our story opens, we find ourselves in a subway with a Chinese girl named Mei (played by Catherine Chan) who is very scared and alone. But if we transport ourselves just an hour earlier, we find that same girl in front of the Russian mob. Emile Docheski (played by Sandor Tecsy) demands that Mei give him the numbers. Numbers? Well, to understand that we need to travel to a year ago.
Posted in: No Huddle Reviews by J C on September 7th, 2012
James Caan and Paul Sorvino are prominently featured on the DVD cover of this true life gangster tale. (The cover also features a bloated Edward Furlong of Terminator 2 fame, but the trio only has a combined 20-25 minutes of screen time.) It’s almost as if the filmmakers figured that, by having supporting actors from The Godfather and Goodfellas, some of the greatness from two of the best crime films of all time would somehow rub off on their modest venture. As you can probably tell from the tone of this opening paragraph, it didn’t exactly work.
For the Love of Money introduces us to Izek (Cody Longo), a Tel Aviv teenager in 1973, and his colorful family. Izek and his cousin Yoni (Jonathan Lipnicki…yes, THAT Jonathan Lipnicki) dream of becoming successful enough to buy their own Ford Mustangs. Yoni’s brother Levi (Oded Fehr) is a bank robbing criminal, while Izek works in his older brother Jacob’s (Michael Benyaer) bar, which features an illegal casino frequented by local scumbags including wild card wannabe tough guy Tommy Goldberg (Furlong).
Posted in: No Huddle Reviews by Gino Sassani on September 7th, 2012
The considerable talents of Arthur Rankin, Jr. and Jules Bass are probably best known for their Christmas classic Rudolph The Red-Nosed Reindeer. It's been an annual holiday classic since the 1960's. There have been quite a few other television classics over the years. But the team did not restrict themselves to just doing television specials. Not at all. With the enormous success of Rudolph they looked toward the feature film business. At that time Disney pretty much had a monopoly on the animated feature, and Rankin & Bass decided to give the Mouse House a run for their money.
The first of these films was the now-forgotten Willy Bean & His Magic Machine. The film was actually begun during the Rudolph production and featured pretty much the same talent both in front of and behind the camera. While it's a forgotten film today, it led to distribution deal and a couple of other relatively unknown releases. The deal culminated in the release of Mad Monster Party. While it tanked at the box office, the property found new life in syndicated television and would show up as an annual Halloween staple for many years. The film actually played better in its trimmed television condition. The truth is that much of the film was padded to make it more of a feature film. It was there on television that horror fans fell in love with the little film that could.
Posted in: Disc Reviews by Bob Ross on September 7th, 2012
What’s the latest home video gimmick? 3D, of course. And what’s the leading genre for cheap thrills on a low budget? The goofball horror movie, right? So it makes sense – sort of – for an enterprising filmmaker to throw together a low-comedy fright flick with cheesy gross-outs and bouncing breasts. See, in 3D, those babies can bounce big-time. And if that’s not enough boost for the boys in the audience, you also get severed heads, detached limbs, barf jokes and the dopiest plot this side of Lake Placid the Final Chapter. OK, you caught me. I never saw that one, it just sounds ridiculous.
But I did sit through Piranha 3DD, which was not difficult because (a) I still enjoy the novelty of 3D home video, (b) it’s only 82 minutes long, and (c) the film earns its R rating (for “sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use”) while refusing to take itself seriously for even a moment.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2012
To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Let’s not take anything away from the show’s true force here. This is an excellent cast being fed brilliant scripts playing to an awesome crew. Everything just clicks on this series, and it only got better in the second year. I am truly impressed with how much these characters are fleshed out and how much we learn about them without the need of office romance. No precious show time is squandered on excessive personal life stories. We’re given just enough to bring the characters alive beyond their team dynamic, which is quite strong. Each character is constructed through the subtle nuances the actors infuse their performance with. From the moment you watch your first episode, you will find this team believable enough to care about them and their work. Surprisingly, the show often gets muddled in a ton of exposition, but somehow it’s carried off by the cast so that you never find yourself going numb with clinical information overload. Granted, the material itself is attention-worthy, but these guys pull it off no matter how interesting the information might be. Add to the stellar portrayals a writing team second to none in the industry. The support teams do everything they need to make sure these talents are never wasted.
Posted in: No Huddle Reviews by Brent Lorentson on September 7th, 2012
“It’s times like this you need to think like a stoner.”
It’s not every day you get the chance to say the quote above and apply it with conviction. But when you watch High School or any other “stoner” movie, you simply have to view them through smoke-filled glasses or the viewing experience will be in vain. Kind of like watching The Rocky Horror Picture Show, as a movie it’s bad, but when you see it with a live performing act it becomes a completely new experience. Now I’m not advocating that everyone light up before every movie, but to understand that some films ask their viewers to sometimes step outside their comfort zone.
