Posted in: No Huddle Reviews by Gino Sassani on July 11th, 2012
It sounds like nothing new. Hard-boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix, and the series started in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punch cards. This wasn’t science fiction. We’re not talking some newly-discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down-to-earth gritty detective show. Mike Connors played the tough-as-nails detective. He was perfect for the part and blended into the role seamlessly for eight years.
The show was created by the team of Link and Levinson, who later gave us the detective in the rumpled raincoat, Columbo. It was groundbreaking in so many areas. While it might not be remembered today as one of the top detective shows, there can be no argument about the impact Mannix had on the genre. A decade later one of my favorite television detectives, Jim Rockford, would borrow rather heavily from Mannix. Like Rockford, Mannix was getting beat up a lot. They both had the same sense of style, wearing rather ugly sport jackets. Neither was afraid to bend the rules, or the law, when necessary. Again like Rockford, Mannix often falls for the wrong girl at the wrong time. Mannix was good with a gun and equally adept with his fists. The show received a ton of controversy from the start for the amount of violence it employed. Tame by today’s standards, Mannix was quite aggressive for its time. The joke was that the show’s producers mandated a fight or car chase every 15 minutes whether it was needed or not. I’m sure that wasn’t true, but nonetheless the show opened the floodgates for the detective shows that followed. In this first season, Mannix worked for the enigmatic detective agency, Intertect. They supplied him with the latest in modern technology and with his cases. His main company contact was Lou Wickersham, played by Joseph Campanella. Now Mannix is on his own and begins to resemble more and more these detectives that would eventually follow in his tire tracks.
Posted in: No Huddle Reviews by Gino Sassani on July 11th, 2012
If you weren’t around in the 1970’s, you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them literally bring the show to life. The series was run by Quinn Martin, himself no stranger to groundbreaking television. Martin was the same talent who created the crime drama with The Untouchables. His uncanny ability to come up with a clever premise was responsible for such milestones in television history as The Invaders and The Fugitive. Later he would continue to shape the look of television with shows like Tales Of The Unexpected, The FBI, and Most Wanted. He was the Steven Bochco of his time. Long before NYPD Blue, Martin was able to make San Francisco, the city itself, an iatrical character for Malden and Douglas to interact with. The show had tremendous style, even if the cases were purely formula. Certainly you won’t find anything in these plots you haven’t seen a hundred times before. What you will find is a unique presentation that somehow makes even the most mundane story appear quite compelling. If you enjoy the Bochco and Wolf dramas or fall in with such classics as Starsky and Hutch or Miami Vice, you owe a tremendous debt to Martin for setting the table for all of those fantastic meals that would follow.
Inspectors 81 are back on the tough streets of San Francisco for a third season of gritty police work. Remember, these are the same streets Dirty Harry worked during the same decade. There are some memorable moments in this next half season release of “Streets”.
Posted in: No Huddle Reviews by Brent Lorentson on July 10th, 2012
A serial killer is on the loose in New York dispatching up-and-coming hip hop artists. Is it a feud between rappers, a crazed fan, or is it all part of a conspiracy connecting all the homicides involving rappers reaching back to the days of Tupac and the Notorious BIG? Chances are if you’re anything like me you couldn’t care less. I take rappers about as seriously as Carrot Top, and I’m willing to wager it’s Carrot that has more talent. But people still enjoy the music, and as long as the fans are happy that’s all that matters.
It doesn’t take long to figure out who the killer is, but what does seem to drag through this film is the reason why the murders are taking place to begin with. As the investigation of the murders goes on, our lead detectives Johnson (James McDaniel) and Francelli (Michael Mosley) explore the many avenues that lead to why the hip hop scene is how it is. The murders create buzz which raises the sales of albums, so it’s made clear that violence between artists is more than welcomed by the record companies. Even the hip hop magazines stand to make a profit when they manage to release an article or the last interview with a fallen artist.
Posted in: Disc Reviews by Michael Durr on July 10th, 2012
One of my favorite television pastimes is watching some Storage Wars episodes. Initially, it was the lure of finding that goldmine buried beneath a pile of trash in a storage locker. But as I got more into it, I realized that it was the people who kept me coming back episode after episode. Barry, Jarrod, Brandi (she is a cutie), Darrell and even occasionally Hester all intrigue me as I watch each episode. Here in my hands is Volume 3, let’s see if the viewing pleasure continues.
If you need to learn about the Storage Wars regulars, you can check out my Volume 2 review at https://upcomingdiscs.com/2012/02/19/storage-wars-volume-2/.
Posted in: Disc Reviews by Michael Durr on July 9th, 2012
As expressed many times on these reviews, I grew up with the original G.I. Joe, the original Transformers, He-Man and so forth. In those shows, I tended to perhaps forgive some of the quirkiness and things that we would probably never see in a cartoon in this decade simply because I loved them so much as a kid. But would I be so forgiving with a G.I. Joe series that started out in the 90’s, when I was already in high school? We shall soon see when I review Season 2 of the second series of G.I. Joe.
The second series of G.I. Joe officially started in 1989 by DIC Entertainment with a 5 part mini-series which soon launched them into about forty to fifty episodes that lasted until early 1992. With this review, we are taking a look at the final twenty episodes of the show. Let us take a peek at some of the key moments.
Posted in: Disc Reviews by J C on July 9th, 2012
When Duran Duran's new concert film arrived at UpcomingDiscs headquarters, the staff was practically fighting over the Blu-ray. ("You take it!" "No, YOU take it!") Needless to say, no one was tripping over themselves to spend a significant amount of time with a band once dubbed "the prettiest boys in rock." When I expressed admiration for a few of their songs, I became this site's Duran Duran Fan (By Default). After watching this lively 2011 performance, I feel pretty good about removing the "By Default" portion of my title and simply calling myself a fan of the band.
Filmed in Manchester's MEN Arena in December 2011, A Diamond in the Mind capped a roller coaster year for the band. (More on that in the Special Features section.) Duran Duran was formed in Birmingham, England in 1978 and quickly achieved superstardom in the early 1980s. Though there have been several different groupings throughout the years, the "classic" Duran Duran lineup — singer Simon Le Bon, keyboardist Nick Rhodes, guitarist Andy Taylor, drummer Roger Taylor and bassist John Taylor (believe it or not all the Taylors are unrelated) — reunited in the early 2000s. That same lineup (except for Andy Taylor, who left in 2006 and was replaced by Dom Brown) is featured in A Diamond in the Mind.
Posted in: Disc Reviews by M. W. Phillips on July 8th, 2012
“Come on Ryan! These are big existential questions, best left for boring Russian novelists and teenagers on acid. Real people don't think about this shit!”
As Wilfred: The Complete First Season begins, Ryan Newman (Elijah Wood), a miserably depressed out of work lawyer, just reached the end of his rope. One night, after meticulously composing the final draft of his suicide note, he downs a handful of pills, chugs them back with a bottle of NyQuil and heads off to bed. Nothing happens. He can’t even fall asleep. The following morning his hot next-door neighbor, Jenna (Fiona Gubelmann), shows up at his door asking if he would watch her dog Wilfred for the day. Thing is, where everyone else sees a big, shaggy mutt, Ryan sees a scruffy Australian man (Jason Gann) in a furry dog suit… a wisecracking, pot-smoking, frequently profane man who stands upright and seemingly has opposable thumbs under his costume.
Posted in: Disc Reviews by William O'Donnell on July 7th, 2012
An aimless slacker named Jeff shambles out of his mother's basement (where he lives, hence the movie title), tasked with a chore, but is sidetracked by a theory that he is being given signs. What are these “signs” meant to mean? Not even Jeff knows as he runs into his brother and mother along his seemingly random path. The films asks, is said path truly random? Or is he finally on a journey to find true meaning in his life?
This film is essentially about people who are dissatisfied about their placement in life and are in need of something drastic to shake them out of it. Jeff, played by Jason Segal, seems to focused on fruitless theories and journeys to ever make something of himself. His brother, played by Ed Helms, suspects his wife of infidelity after she blows up at him over buying a new Porsche without consulting her. Their mother, played by Susan Sarandon, is a widow who has not had excitement in her life since her husband passed on. When an anonymous love note arrives, she takes the chance of discovery who her “admirer” is.
Posted in: Disc Reviews, No Huddle Reviews by Gino Sassani on July 7th, 2012
"Early to rise, early to bed. And in and between I cooked and cleaned and went out of my head."
There was a new girl in town for the 1976 television season. Well, she wasn't exactly new. The whole thing started out as a feature film called Alice Doesn't Live Here Anymore starring Ellen Burstyn as the title character Alice Hyatt. The film was one of the first feature films directed by Martin Scorsese. Burstyn won the Oscar for her performance as Alice, and the film achieved a ton of critical acclaim, and two years later a sit-com on CBS that lasted nine seasons. It took a long time but the series has finally come to DVD thanks to Warner's Classic Archive Collection series of manufactured on demand discs.
Posted in: No Huddle Reviews by J C on July 7th, 2012
Any movie that features one man flying through the air before slicing another guy's face clean off within the first three minutes and concludes with a swordsman using his female companion as a bow to launch himself in the air like a human arrow so he can rip straight through a bad guy's body pretty much defies criticism. (And I didn't even mention the part where the bad guy comes back a few minutes later, despite the fact that he'd also been decapitated.) Believe me when I say I haven't even scratched the surface of the insanity that is Butterfly Swords.
I mean, this 1993 movie can't even decide if it wants to be called Butterfly and Sword (the title that appears during the opening credits and on the film's IMDb page) or Butterfly Swords (which is what's plastered on the latest DVD release, out July 10), not to mention the fact that the confusing description on the back of the new DVD case gives away the entire movie!
