Posted in: Disc Reviews by J C on March 2nd, 2012
"As a boy, I came to understand that two things marked my family: distinctive names and extreme stubbornness."
In fact, it was Thurgood Marshall's "extreme stubbornness" in the face of racial inequality that led to his name becoming synonymous with the civil rights movement and to his 1967 appointment as the United States Supreme Court's first African-American justice. Marshall's remarkable life story is told in Thurgood, a sensational one-man show starring Laurence Fishburne that previously aired on HBO and was filmed before a live audience at the Kennedy Center's Eisenhower Theater in Washington, D.C.
Posted in: Disc Reviews by Brent Lorentson on March 2nd, 2012
With the release of the book written by Jack Ketchum (author of Offspring) to coincide with the theatrical release of the film, Jack Ketchum and Lucky McKee bring us a horror story not quite like anything we’ve seen for a while. The Woman is a continuation of the film/novel Offspring that followed a tribe of cannibals struggling to survive. The Woman is not a story about cannibal, but instead a story about a family being ripped apart by the many secrets they try at all costs to keep hidden.
Chris Cleek (Sean Bridgers) is a small-town lawyer who embraces the role of the alpha male. He runs his household with an iron fist alongside his timid wife Belle (Angela Bettis) and their three children. Chris is an avid hunter, and it is on one of his hunts that he discovers a feral woman. His discovery does more than excite him as he quickly has his family clear out the cellar for a surprise he plans to share with his family. Following another trip to the woods Chris captures the woman and secures her ‘safely’ down in the cellar. It’s down in the cellar where Chris decides that it is his duty to help rehabilitate this woman.
Posted in: No Huddle Reviews by Archive Authors on February 29th, 2012
I am back! For now. Here to review Insight. Dun dun dun! A psychological thriller type that my husband thought I would like to take a look at. And then he bat his eyes and asked me to review it. Since I am a sucker for him and his gorgeous eyes, I agreed. Was this movie worth the look? Let's take a look, shall we?
So, we start the movie with an ambulance bringing in a stab victim. It is your typical scene of someone being wheeled in on a stretcher, down a hospital corridor. We learn that the stab victims name is Allison Parks (Angeline-Rose Troy) and she has been stabbed over a dozen times. They get to the operating room and start the usual medical jargon and run around the room acting like they are doing something important. They begin to fire up the heart zappers (Yes, I know there is a technical, fancy schmancy, medical name for them, but I like heart zappers, it sounds more festive) but before they can get them to full charge, the victim opens her eyes wide and looks at the nurse by her side. She tells her “He loved me”, the nurse grabs her, and ZAP! Nurse falls to the floor (You need to know that its not a good idea to grab someone who is about to be jolted with electricity, it does pass through one person to another).
Posted in: Disc Reviews by M. W. Phillips on February 29th, 2012
“Remember... Winter is coming.”
Very rarely, the stars align and a media magic event happens, creating a flawless television series. Such an event happened last year with the premiere of HBO’s Game of Thrones based on the novels from George R.R. Martin’s best selling and ongoing series A Song of Ice and Fire. HBO was so pleased with the series, it green-lit the second season only hours after the pilot premiered. Co-President Richard Plepler said, “We told George (R.R. Martin) we’d go as long as he kept writing.” The network projects topping $1 billion in international revenue and at $2.5 million an episode; it’s already double what they made on The Sopranos.
Posted in: Disc Reviews by Gino Sassani on February 29th, 2012
To Catch A Thief is not typical Alfred Hitchcock territory, but then again, it really is. It’s not a terribly suspenseful film coming from the acclaimed “Master of Suspense”, nor is it at all a frightening film even though it was directed by one of horror’s genius minds. What really is scary, however, is how close to a different film this almost was. Cary Grant had exiled himself into retirement. If you can believe his statements at the time, he was concerned that the moviegoing public was pretty much sick of seeing him and preferred the younger actors just then coming of age. He turned Hitchcock down for the role at least twice, before Hitch made a personal visit and appeal to the Hollywood legend. Grace Kelly was also reluctant to do the part. She did it because she loved working for Hitch. Unfortunately, Paramount had other plans. They were troubled that Grant was nearly twice Kelly’s age, and worried that either the public or the standards censors would not accept the situation. They were half right. While the film was one of Hitch’s toughest battles with the Standards folks, the public flocked to see Grant and Kelly on the screen together. Grant would continue his return to acting for over a decade longer. Not so Grace Kelly. The Philadelphia native would have her fateful meeting with Prince Rainier of Monaco and would spend nearly 30 years portraying the larger-than-life, but real nonetheless, Princess Grace of Monaco, before a tragic automobile accident would end her life. All the same, To Catch A Thief would remain one of her last films. Hitch almost lured her out of retirement some years later, but she declined, saying that if she were to do a film, Hitchcock was about the only man she would have done it for.
John Robie (Grant) is a renowned jewel thief and cat burglar. While he’s been retired for fifteen years, he’s still the prime suspect when a rash of burglaries occurs on the French Riviera. The MO is the same as Robie’s, and before long the police are blaming him for the work of France’s newest celebrity thief, The Cat. Robie sees only one chance to get himself out from under the mess. He has to go to the area and catch the real thief. Once there he hooks up with insurance agent Hughson (Williams) who cooperates on the off chance his company can be spared these high payouts. Robie also meets young and attractive socialite Frances Stevens (Kelly), who sets her sights on catching this thief for her own. She constantly tries to seduce Robie, knowing who he is and suspecting him of being The Cat. When her own family jewels turn up missing, she begins to rethink the dangerous game she was playing. That only gives Robie even more incentive to catch the real crook. Will Robie catch The Cat? Will Frances catch Robie? Only Hitch knew for sure, and in 1955 audiences found out in the film classic, To Catch A Thief.
Posted in: Disc Reviews by William O'Donnell on February 28th, 2012
Josephine Baker was an international sensation who faced adversity all her career because of the colour of her skin. Terrified and sickened by the treatment of black people in the US, Baker fled to France where she found joy, fame and fair treatment as an entertainer. As her career exploded into super-stardom, she was more than just an exotic singer/dancer, she became a war hero and civil rights defender.
After being teased during the opening credits with visions of Baker performing an intimidatingly sexualized dance, we are shown her traumatic childhood experience of witnessing race riots in St. Louis; riots that cost the lives of many black people and helped to enforce Baker's decision to flee the US as soon as she could. Before her exodus, she made a name for herself as a vaudeville comedienne, often performing in black-face. Stifled by the racist laws of the early American 1900s, Baker did not hesitate to tour Paris with a band of performers. Said tour would turn into her permanent residence in France.
Posted in: Disc Reviews by J C on February 27th, 2012
Carlos Santana is too cool for words. When I say that, I refer to both his widely-acknowledged status as a "Guitar God" and to the fact that he doesn't utter a single word until the 21-minute mark of his latest concert film, Santana — Live at Montreux 2011. Santana may not be chatty, but he and the rest of his eponymous band do a valiant job of holding your attention throughout most of this 167-minute concert in Montreux (which is in Switzerland, and I'm only a little ashamed to admit I had no idea where Montreux was located before I watched this disc).
The music starts almost immediately after you press play — following a short and sweet on-stage introduction by festival creator Claude Nobs — and what follows is a no-frills performance with minimal between-song banter that will nevertheless delight fans of salsa, jazz and rock and roll, genres that Santana has been masterfully fusing for decades. Santana performs his most popular hits — including "Black Magic Woman", "Oye Como Va", "Smooth" and "Maria, Maria" — a few personal favorites of mine (like the playful "Foo Foo") and more than a handful of instrumental numbers that seamlessly blend into one another. There were a couple of instances where I didn't even realize a new song had started until I checked the handy track list on the pop-up menu. (That 23-track song list also allows you to skip ahead to your favorite tunes.)
Posted in: No Huddle Reviews by Archive Authors on February 27th, 2012
What takes 13.7 billion years.? The history of the world. This History Channel special takes two hours to cover everything. Of course, Earth is only 4.5 billion years old, so when we talk about the history of the world, we are really talking about the history of the universe and everything that led up to where we are now. Little things like a gigantic planetary collision which then shoots off molten debris which forms into our moon.
3.8 billion years ago, something happened all over the planet. Bacteria. This was the beginning of life.
Posted in: No Huddle Reviews by Archive Authors on February 27th, 2012
One of the great things about the movies is that it shows you things you would never see. You get to see a facsimile of people living their lives and get to experience a pertinent slice of their personal problems. We can be entertained by it and we can learn from it. It takes us out of our personal life and our personal problems. The closer to the truth a movie is the more we can identify with it. I have seen so many movies, but I know it just scratches the surface of the life stories out there. There use to be a movie and a TV show with the tag line, ”There are 8 million stories in the naked city”. I might be off on how many million that was, but there are nearly 8 billion people on the planet, and each of them has a story.
Answers To Nothing is about a bunch of people all living separate lives, and we get to see how they all intersect. It takes place in LA, and that makes it similar to a lot of movies about people who live in LA, most notably Best Picture Oscar winner Crash. These people’s lives are going to crash into each other, but we just don’t know how. Answers To Nothing takes its time introducing various characters, but clearly the most dominant story thread is a police investigation of a young girl who is missing. Julie Benz is the detective, and she is frustrated because she is certain that the person of interest (Greg German) in the investigation is guilty, but she has no real evidence. Dane Cook and Elizabeth Mitchell (Lost) are trying to have a baby but seem to be having a fertility problem. We know this because Cook has a girlfriend help him get a sperm sample for the doctor. There are many other lives introduced, and we slowly wait for the forces of circumstance and coincidence to intersect and converge. The performances are low-key and naturalistic. The details are small but telling. There is a woman who is struggling to take care of her severely brain-damaged brother and is fighting a custody case using Elizabeth Mitchell as the lawyer. There is a depressed cop (Eric Paladino) grieving a death who walks the beat in the neighborhood he lives. There is a black woman who writes for a comedy show who looks down on a lot of people of her own race. There is the young songwriter who has regular sex sessions with Dane Cook. There is a rather anonymous man who place computer games and works at a school who seems slyly obsessed with the media reports on the missing girl. There is a man who is looking for a missing dog who is always sitting looking at people walking their dogs in the dog park. Dane Cook thinks his mother, Barbara Hershey, is pathetic for thinking his father is coming back after nine years.
Posted in: No Huddle Reviews by Archive Authors on February 27th, 2012
By Natasha Samreny
“You don't choose a life Dad. You live one.”
