Disc Reviews

"For those of you who haven't met me, you might call me the undernourished Alfred Hitchcock. The great British craftsman and I do share something in common: an interest in the oddball, a predilection toward the bizarre. And this place is nothing if not bizarre, by virtue of the paintings you see hanging around me."

When I mention the name Rod Serling, I'll bet that The Twilight Zone is the first thing that pops into your head. And why not? It would be very hard, indeed, to argue against the impact that The Twilight Zone has had on television. To say that the series was a milestone in that medium would be an understatement of the worst kind. When Rod Serling brought his landmark series to CBS in October of 1959, television was still very new. No one was quite sure what the future held for that magical box. For five years Rod Serling would enter our living rooms with the most bizarre tales we'd ever seen.

Some of my favorite movies are ones where they use the "author" as the focal part of the story.  Films like Secret Window, Misery, and The Ghost Writer are ones that immediately come to mind for me.  However, Westerns tend to be somewhere down on the list of genres for me, and only ones like Tombstone or Unforgiven tend to spark any interest.  So when I received Jesus Kid, which features a Brazilian author who likes to write Westerns, well, you can kinda understand my apprehension.  However, my curiosity was also piqued at the same time for the very same set of reasons.

With streaming working the way it does now, every studio in the world is churning out hours and hours of television to please a growing number of viewers on multiple platforms. There's more material produced in one year today than was produced in any decade leading up to the day Netflix opened the door on a new trend. It's changed the way we watch television, and that extends to the networks that still operate over the airwaves. We no longer sit and watch an hour or two of television in what was once called prime time. Now we binge. The latest statistics tell us that the average person watches a minimum of four hours at a time, usually the same show. That means not only more content but a greater range of content types. A-list actors and filmmakers are joining the trend, and they're now able to cater to pretty much every taste or genre. Along comes AMC+ and the first effort to bring the Spaghetti Western to "television".

From the moment I saw the trailer for The Lost City, it immediately gave me vibes of Romancing the Stone and Jewel of the Nile, the adventure-romance films that starred Michael Douglas and Kathleen Turner back in the mid-eighties. The basic story for those films was simple: a romance writer who finds herself in an adventure to find a rare jewel alongside a handsome rogue with bad guys coming after them around every corner. I loved these films as a kid, and getting to see a modern twist on these stories is something I found welcome. What is even more welcome is getting to see Sandra Bullock back in a comedic role. I’ve been a fan of just about everything Bullock has done since she graced the screen in Demolition Man and then the following year in Speed. My only concern was seeing Channing Tatum as her co-star;

"It all started when a man named Bishop created a team of robots. He sent them back in time with one goal: to destroy the 20th century. These machines were programmed to think that they were beyond human. That they were superheroes. They made their way across country murdering some of the greatest figures in history, famous lawmen and men of science. Finally they kidnapped the inventor of time travel itself, and with his help set their sights on destroying all of history. No one could stop these so-called Legends. Not until we came upon the real flesh-and-blood superheroes whose job it is to put history back on track. We're the real Legends of Tomorrow."

If none of that made any sense to you, don't worry about a thing. It'll all become clear over the final 13 episodes of DC's Legends Of Tomorrow: The Complete 7th and Final Season. OK, I lied. No. It really is the 7th and final season, but it won't really become all clear. You see, that's the nature of the series. It's the crazy uncle of the Arrowverse that says a lot of things no one understands. But we all kind of nod our heads and suspect it will all be OK.

"All I know is that it was a tragedy. A terrible tragedy. I probably shouldn't say this, but some of those kids, eh ... no big loss, if I were honest. But those girls were special. They were champions."

What happens when you take a concept like Lost and sprinkle in a little Lord Of The Flies, the 1993 film Alive, and work in a bit of Pretty Little Liars and a heavy dose of pretty much any reality series out there? You'd get Showtime's latest creepy entry, Yellow Jackets. The new drama is one of those shows where they pack on the secrets and teases and then try to walk that tightrope of giving you enough resolution to keep you from giving up but maintain enough promise of more shockers to come so that you keep coming back for more. It's not an easy thing to navigate, and there are times that Yellow Jackets does that pretty well.

It is a shame that director Roger Michell (Notting Hill) passed away before this film had a proper release. He’s a director who while he may not have a filmography of blockbuster hits, he’s literally worked with many of the biggest stars of the industry.  Notting Hill is easily my favorite film of his; easily I’d rank it as one of the best rom-coms of all time.  Sadly he’d go most of his career not quite matching the success of the 1999 film, but with The Duke, he gives us a film that is so damn charming it shows how he’ll be missed in an industry that’s become so dependent on CGI and spectacle.

"Sounds like the Mad Hatter is throwing a tea party." 

Of all of the Arrowverse shows, I think Batwoman has had the hardest road of it. Ruby Rose was far from the dynamic character the CW or DC could have hoped for, and she spent most of her first season complaining or on the outs in some way or another. In her single season she was constantly outshone by her villain and pretty much everyone around her. It's bad when the one in the cape and cowl can't seem to attract any attention. It was a surprise to no one that Ruby Rose left the show after that first year. What did surprise me was that the show was going to continue. Instead of recasting Kate Kane, the powers that be brought in a completely different person to play the title character. Enter Ryan Wilder, played by Jevicia Leslie. She took the rap for a friend and ended up serving 18 months in prison for drug possession.

"The modern world comes to Downton." 

Downton Abbey spent six years on television and has amassed 52 episodes. In that relatively short run the series has also managed to collect over 200 award nominations and several Golden Globes along with other prestigious awards. Let's not forget a rather loyal fan base that has watched each episode with anticipation of the next sharp barb or character revelation. The fans have been vocal and strong enough that a new film franchise has been anticipated to fill the void left by the series and the first film. In one of its years it was the number-one binged series in the world. That's a lot of power, and it's little wonder that all of these ingredients are expected to create a little box office gold. But film franchises from television shows rarely go on to such golden heights. There are some notable exceptions, to be sure. But even here, expectations and changing caretakers often lead to both high points and flops.

Unfortunately, this film was a little immature to gain the Nalyce stamp of approval. While Japanese animated films have been her bread and butter in recent years, her tastes venture more towards anime such as Inuyasha and My Hero Academia. When it comes to Panda! Go Panda!, it was just too kiddie for her. Had this been a year or two ago, she would have been all about it. Perhaps there will be such an opportunity with my son, but given that he is only a week old, time will have to tell. As far as I’m concerned, it was a cute story if impractical. I recommend a suspension of belief if you chose to watch the film. Given that a suspension of belief is a prerequisite for all animated films, that shouldn’t be too much to ask. While I understand the need for this suspension of belief, I’m afraid I wasn’t fully able to achieve it at times.