Special Category

Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

Above the Earth, we see various satellites circle the great planet. One of those satellites is named KITSAT-1 who takes pictures of the Korean Peninsula and provides other measurements. But like all things, KITSAT-1 has started to break down and stop working. Instead she uses her time to focus in on various sounds, sounds like a boy playing a wonderful song on a piano at a lonely club. The sound captivates her so much, she decides to speed towards Earth to seek it out.

Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.

Above the Earth, we see various satellites circle the great planet. One of those satellites is named KITSAT-1 who takes pictures of the Korean Peninsula and provides other measurements. But like all things, KITSAT-1 has started to break down and stop working. Instead she uses her time to focus in on various sounds, sounds like a boy playing a wonderful song on a piano at a lonely club. The sound captivates her so much, she decides to speed towards Earth to seek it out.

Like most people my age (I'm not telling), I watched my fair share of Full House. I wished I could be as cool as John Stamos, be as funny as Dave Coulier and wished Bob Saget was my dad. Then I grew up and realized I wasn't as cool as John Stamos, didn't find Dave to be quite as hilarious (sorry Dave), and still wished Bob was my dad (Actually, even more so when I found out he was quite the dirty comic). Fast forward about twenty years and the Full House theme has been brought back into the present with some familiar faces and a few new ones. Let's take a look at Season 2 of Fuller House.

If you are one of those people like myself who have never seen an episode of Fuller House and need a quick rundown of characters, well here you go. We have DJ Tanner-Fuller (played by Candace Cameron Bure) who is widowed, a veterinarian and has three kids. The three kids are Jackson (played by Michael Campion), age 13, Max (played by Elias Harger), age 7 and Tommy Jr (played by Dashiell & Fox Messitt), age barely out of the womb (probably around 2). In addition, we have DJ's sister, Stephanie Tanner (played by Jodie Sweetin) who has moved from London to help DJ raise her kids. Also, she is ridiculously hot. (There I said it, I'm sure it will come up again).

Here comes Volume four of this clip commentary comedy show (CCC could catch on as a sub-genre title couldn't it?). This time we get two seasons worth of episodes; the “Collas” and “Exposed Arms” entitled seasons, as it were. Very little is different as far as format or new segments are concerned since the last time I wrote about this show.

YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O  takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.

It was inevitable. Spongebob Squarepants gets its own Christmas Special. Usually television shows take the lazy route and inject their own characters into a familiar Christmas story and make a parody or adaptation (how many times have we seen Charles Dickens A Christmas Carol redone?). Thankfully this special offers a unique tale of the malevolent Plankton creating a special fruitcake that turns any eater into a totally jerk. Will Spongebob's demeanour make him immune? Of course...but what of the rest of Bikini Bottom?

This episode/special takes up a full half hour time slot, which separates it from many of the other Spongebob stories that range closer to 10 or 15 minutes in length. That is not its most notable characteristic though. This episode adopts the Rankin/Bass style stop-motion of animation that has become synonymous with Christmas specials. Though the movements are far smoother and more frantic than the classics it is honouring, the animation is well coordinated and looks very nice.

In the Florida everglades, the Wedloe family have a 650-pound tame bear for a loyal pet. A very young Clint Howard stars as Mark, the son of a game warden (played by Dennis Weaver),who leads Ben around on several adventures and merry mishaps. Though “merry” may be the wrong word as Mark and Ben encounter their fair share of real life dangers.

Right off the bat, this show leaps into stories that are far more intense than one might expect from a family program from the 1960s. In the debut episode, the entire community faces a deadly hurricane. The characters spend the entire hollaring at eachother in the driving rain as things get torn apart around them. As the season continues, the high stakes hardly let up as members of the Wedloe family are threatened by poachers, wrestle with alligators, get trapped by wild fire, and square off against a huge number of malevolent hunters, voodoo doctors, and wildlife in every single episode. At one point little Mark is trying to help Burt Reynolds get out of a crashed plane while fighting away a tiger with a fire extinguisher...you read that correctly. Each tale was always moral and wholesome, but never exactly soft.

Charles Dickens' Christmas Carol is vastly re-imagined with characters from Dora. Swiper replaces Scrooge as the one who travels through time in order to learn the true meaning of Christmas. This special is twice the length of a normal episode.

Music and singalongs have always been a part of the Dora the Explorer experience but this particular special is formatted more like a typical children's musical. There are fewer moments where the characters do that unnerving pause in anticipation of the audience to talk to the television, and more time spent on songs. Sometimes they merge the audience participation/pausing moments with the music during a reoccuring tune about swiper not swiping. Repetition is a staple of children's programming...it can also be a device that forges madness in the mind of adult viewers.

There are five clans of Vampires that are secretly living amongst humans. Said secret is maintained by a code of conduct called the “Masquerade” which states that vampires can never reveal themselves to a human; nor can they “embrace” (bite and convert) a human without approval from the highest council. Defying this means that your lengthy life is forfeit. A detective discovers the truth about the Masquerade when his girlfriend loses her life after defying these very rules, and he sets out to reveal the entire realm of vampires in San Francisco.

The vampire clans resemble mafia crime syndicates. They operate in secret to both hide their supernatural identities, and hide their financial operations; many of which have spanned centuries. So the story of the detective seeking to uncover the vampire world operates on different levels; revealing the truth behind the murders and other crimes these groups are committing, along with the aforementioned exposure of their supernatural lineage.

Jenna Hamiton (played by Ashley Rickards) is looking to make a great impression in high school but things get off to a dreadful start. After breaking her arm in a bathroom accident (sounds less gross than it is), rumors spread throughout her new school that she attempted to commit suicide. She has plenty of attention but not the sort she wanted. Now her quest is to take the misunderstanding and turn into an opportunity to shine. Cris-attunity! (as Simpsons fans would say).

This shows sets itself up to resemble a teenage Sex and the City, with the main character's narration coming from her writing. Jenna has a blog whose name was “Invisible Girl” until she took an optimistic turn and renamed it “That Girl Daily” (by Season 2 she reveals her true name in the blog's name and continues to post with total exposure). This is the thesis for the show and the method in which it tries to be relatable. Teenagers do not want to be invisible, but they don't want to be an embarrassment either. Jenna is this statement in a nutshell. She lost her virginity at summer camp, but the boy she lost it to ignores her until she takes a stand (or a stage, more accurately) and owns her own awkwardness. From that point on she hurdles over and around the odd machinations of her friends, family and oddball guidance councillor.

A New York city homicide detective is haunted by the night where her mother was murdered by two gunmen, who themselves were killed by a mysterious being. A decade after that night she finds out that the mysterious being is still around. As this “Beauty” and her “Beast” finally meet, they start investigating the truth behind their secret ties to each other.

The similarities between this adaptation of Beauty and the Beast and any others begins and ends at the title. Originally slated as a reboot of the 1987 series that starred Ron Perlman and Linda Hamilton, this series trades the romance and battle of misfits for crime investigations and military conspiracies.