Posted in: Disc Reviews by J C on September 10th, 2013
Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.
Live in Tokyo captures their Nov. 14 show at Zepp Tokyo last year. PSMS — Portnoy (drums/vocals), Sheehan (bass/vocals), MacAlpine (guitar), Sherinian (keyboards) — was formed in January 2012. Although they weren’t exactly strangers, the group experienced some understandable growing pains when they first got together. (Portnoy expands on this in the Behind the Scenes featurette on this Blu-ray.) By the time this concert was filmed, however, PSMS had been together for nearly a year and they sounded like a totally cohesive unit.
Posted in: Disc Reviews by J C on August 27th, 2013
Carlos Santana is too cool for words. When I say that, I refer to both his widely-acknowledged status as a “Guitar God” and to the fact that he doesn’t utter a single word until the 30-minute mark of Invitation to Illumination, his 2011 reunion with John McLaughlin. Having another rock deity on stage appears to have inspired Santana, who performs with an extra little bounce in his step during this Montreux Jazz Festival show. This Blu-ray also has the unintended consequence of serving as a tribute to the festival’s late founder.
Claude Nobs, the festival’s general manager and founder, died earlier this year following a skiing accident. The Montreux Jazz Festival was established in 1967, and Nobs crossed paths with both Santana and McLaughlin in the early 1970s. That was also around the time the rock/jazz fusion-loving duo collaborated for 1972’s “Love Devotion Surrender” album, which was followed by a tour the next year. Exactly 40 years later, their first full-length concert in decades makes its Blu-ray debut.
Posted in: Disc Reviews by J C on June 20th, 2013
Any discussion of the greatest living rock stars has to have Paul McCartney at or near the top of the list. Obviously, “greatest” is a totally subjective descriptor, but even if you’re more of a Stones person you can’t argue with McCartney’s staggering success. He has sold more records than anyone else, wrote the most covered song of all time (“Yesterday”) and owns a handful of other Guinness World Records. The recipe for his singular greatness is a mixture of artistic brilliance, versatility and longevity. It’s what has allowed him to remain relevant more than 40 years after the dissolution of the best-selling band of all time. And a key part of that staying power was Wings.
The first Wings album, “Wild Life”, was released in 1971, just one year after the formal break-up of The Beatles. Wings released nine albums in the 1970s — seven studio albums, the “Wings Greatest” compilation, and the live “Wings Over America” album — scoring five straight chart-toppers in the United States. The band was arguably at the peak of its powers in 1976 and featured its most celebrated lineup — Paul McCartney, Linda McCartney (keyboards), Denny Laine (guitar), Jimmy McCulloch (guitar) and Joe English (drums) — when it set off on a massive world tour that covered ten countries and brought music to more than two million people. That tour turned into the 1976 “Wings Over America” triple album and was also captured cinematically with 1980’s Rockshow. I know patience is a virtue, but 33 years still seems like an overly long time to wait for such an excellent concert to get a proper home video release.
Posted in: Disc Reviews by Brent Lorentson on June 7th, 2013
With most of my teen years spent during the 90’s it’s no surprise that still many of the bands I grew up with manage to remain on my playlist. Garbage is a band of the 90’s you couldn’t help but take notice of because though the airwaves were saturated with alternative music, Garbage was doing it with a female vocalist. Shirley Manson wasn’t just a pretty face; she had the vocals and stage presence that was hard to resist at the time. “I’m only happy when it rains” as well as “Stupid Girl” have been tracks that any time I catch them on the radio I can’t help but crank the radio a little louder and get a little nostalgic to the way things were in my teens.
Though Manson and the band managed to reach the status of performing the opening theme song for the Bond film The World is Not Enough, the band seemed to gracefully step out of the spotlight. With the chance to check out this Blu-ray I was more than happy to take this and indulge myself a bit. Now that I’ve had the chance to see it, well, my only regret is that I didn’t have the chance to see them in their prime.
Posted in: Disc Reviews by Jonathan Foster on May 20th, 2013
“Never let the truth spoil a good story.” – Charlie Watts, drummer
Ever since they came on the scene in the ‘60s, The Rolling Stones have done things in their own unique and unapologetic style. Widely regarded as the anti-Beatles, The Stones’ blues-infused rock music spoke to many people and inspired many a future musician. They personified the era of sex, drugs and rock & roll...especially the "drugs and rock & roll” part.
Posted in: Disc Reviews by J C on December 9th, 2012
Coming off the staggering crossover success of the world’s loveliest and catchiest booty call song — “It’s a quarter after one, I’m a little drunk/ And I need you now” — Lady Antebellum were the kings (and queen) of the country pop world. (Non-Taylor Swift division, of course.) That means the pressure was on for their follow-up third album. Though Own the Night brought the band a more modest truckload of critical and commercial kudos than Need You Now, it also inspired the raucous world tour captured on this Blu-ray, a must-have for any Lady A fan.
Lady Antebellum: Own the Night World Tour finds lead singers Charles Kelley and Hillary Scott along with guitar/piano/mandolin player and background vocalist Dave Haywood in Little Rock during the final days of their global trek earlier this year.
Posted in: Disc Reviews by Jonathan Foster on December 3rd, 2012
Jimi Hendrix. Carlos Santana. Jimmy Paige. Eddie Van Halen. Slash. These are arguably some of the greatest guitar gods to ever rock the stage. Yet somehow this pantheon feels incomplete. I humbly submit Peter Frampton’s name for inclusion with these mighty warriors of rock. In 1976, the singer released his most successful album — Frampton Comes Alive! — and, according to this Blu-ray’s box, “the best-selling live album in the world.” In 2011-2012, Frampton went on tour in celebration of its 35th anniversary. This concert Blu-ray was filmed over two shows on this tour and features 26 songs. The first 14 are the entirety of Frampton Comes Alive! played front to back, with the remainder of the songs being highlights from his long career all the way through his most recent album, Thank You Mr. Churchill.
At 62, Frampton hasn’t mellowed at all. His vocals and guitar-playing prowess haven’t diminished one bit and blend smoothly with the backing vocals and guitars of Rob Arthur and Adam Lester. Arthur pulls triple-duty, playing keyboards as well. Stanley Sheldon and Dan Wojciechowski anchor the concert on the bass and drums, respectively. An especially cool moment occurs when Frampton invites his son, Julian, to come on stage and sing with him. Julian Frampton performs “Road to the Sun” and “I Don’t Need No Doctor”. I wish he had sung some more, because his energetic voice pairs well with his dad’s epic guitar playing.
Posted in: Disc Reviews by Jonathan Foster on December 3rd, 2012
In 1975, Gerald Ford was President of the United States, Wheel of Fortune made its debut, disco was groovy, and Patti Smith burst onto the music scene with her debut album, Horses. She would go on to become known as the “Godmother of Punk” and greatly influence the New Wave genre of music. I admit, before watching this concert, I had only heard one of Smith’s songs — her #1 single, “Because the Night” — so I was curious to hear more of her material. The fact that my aunt says she still owns an LP of Horses she bought as a teenager intrigued me more.
This concert was filmed during the 2005 Montreux Jazz Festival in Switzerland. Smith and her band spend 83 minutes playing 12 songs, including 11 from Smith’s records and a cover of Bob Dylan’s “Like a Rolling Stone.” The entire group performs with the ease and familiarity that only comes with years and years of playing together. Lenny Kaye and Tom Verlaine’s guitar work anchors each song and blends very well with Tony Shanahan’s bass and Jay Dee Daugherty’s drums. Smith herself even jumps on guitar for a song or two, but someone needs to keep her away from the clarinet. I’m no expert, but I’m pretty sure the clarinet shouldn’t sound like someone strangling a sick goose. I actually ended up muting my TV whenever she got to wailing on the clarinet.
Posted in: No Huddle Reviews by J C on November 7th, 2012
Please put down the torches. The mediocre rating you see attached to this review is in no way an indictment of Queen, one of rock history’s most iconic bands fronted by, arguably, the best male vocalist of all time. No, this mediocre rating is specific to this two-disc DVD collection of Freddy Mercury and Co’s music video oeuvre.
Queen: Greatest Video Hits features 33 clips starting with the band’s mid-1970s breakthrough, continuing through their reign as the kings of stadium rock in the early and mid-1980s, and concluding right at the dawn of the 1990s. (Mercury died in 1991 of bronchopneumonia resulting from AIDS.) For the most part, the music videos — especially the earlier clips on Disc 1 — seem relatively primitive by today’s standards, but they serve as a great time capsule of the burgeoning art form. Plus, the music is undeniably terrific.
Posted in: Disc Reviews by J C on October 30th, 2012
Whether you’re into their music or not, The Doors: Live at the Bowl ’68 gives fans a chance to see a band (and a rock icon) at the height of their powers. Admittedly, The Doors didn’t have the longest shelf life — the band was formed in 1965, released their self-titled debut album in 1967, and frontman Jim Morrison was found dead in a Paris apartment in 1971 — but their impact can be felt to this day. Of course, when I say the band was at the height of their powers, you should understand that means there’s a pretty good chance Morrison was on acid.
That’s not irresponsible guesswork on my part; drummer John Densmore makes the claim himself in one of the behind-the-scenes documentaries on this disc. (For what it’s worth, keyboardist Ray Manzarek and guitarist Robby Krieger pass up the chance to confirm Densmore’s statement.)
