Posted in: Disc Reviews by Brent Lorentson on August 1st, 2019
When it comes to Body At Brighton Rock, there was an opportunity for this to be something pretty awesome. After all, when you think about it, only a few years ago The Revenant was showing just how great a film can be about surviving in the wilderness and how intense a bear attack can be. Well, to be fair, I don’t believe Body At Brighton Rock was aiming to be in the same ballpark of The Revenant, but as I was watching this, it was difficult to not think about what could have been. Really, the film is a simple little tale about a state park employee who gets lost in the woods and stumbles upon a dead body in the process. It’s a good start for the film, but sadly this turns into a bit of a snooze-fest despite some spurts of promise.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2018
It’s okay to groan. I get it. Just when you thought the found-footage genre was dead, another film manages to get released. I think at this point we all simply have to accept that this is a genre that will never completely die on us, but we can always hope that it will eventually produce a hit every once and a while. When it comes to Found Footage 3D, it’s a bit of a mixed bag for me, and since the Blu-ray came with both a 3D and 2D version, I did in all fairness watch both versions, and there is definitely a version that won out, and if the time comes that I check this out again, I know how I plan on doing so. In case you were wondering, the disc does come with two individual 3D glasses, not the ones you can pick up at your local theater, but instead the throwback red and blue kind.
Posted in: Disc Reviews by Brent Lorentson on September 6th, 2018
There is something about the notion of movie magic that I believe can grab hold of an audience member and pull them from their living room seat and into the story they are watching. This movie magic seems to occur more often these days, as special effects seem to take leaps and bounds every year as new technology is created to dazzle us all. Here’s the thing, though, sure, it’s great how we can now see lifelike 50-story monsters destroying cities, or how underwater worlds can exist, but none of it matters if the story or the characters are not relatable. If the story isn’t there, then your big effects are nothing more than overpriced cartoons that will be forgotten by the time the audience has exited the theater. When it comes to Higher Power, the best way to describe it is to use the overused expression, “all style and no substance.”
Posted in: Disc Reviews by Brent Lorentson on December 21st, 2016
Coming out of Norway we have In Order of Disappearance, a film I knew nothing about aside from the cover art. To be , it pretty much reminded me of any of the numerous revenge films we’ve seen Liam Neeson in. Stellan Skarsgard instead stars in this revenge romp that I feel got lost in translation with me. It’s not that I couldn’t understand the base of the film being a revenge tale; this is very much clear as day, but it is the film’s sense of humor that borders on being dry and black, to other points I feel it’s just a Norwegian thing. Usually one of the first things I do with a foreign film is I make sure everything is set to the original language track and use the subtitles to follow along (never been a fan of dubbing).
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2016
When you have a title like Satanic, it’s kind of hard to not start to build up expectations right out of the gate. I like a horror film that isn’t afraid to go dark and play with the subject matter of the occult, because honestly it’s the only topic that can manage to get under my skin. The Exorcist in my opinion is hands down the best horror film of all time and manages to haunt me after a viewing simply because the boy I once was who went to Catholic mass every Sunday knew that it could happen.
Posted in: Disc Reviews by Brent Lorentson on June 22nd, 2016
Disaster films are something that for me screams American cinema of the 90’s. I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth. Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG. This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved. With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states. Now here’s the question: is it any good, though?
Posted in: Disc Reviews by Brent Lorentson on May 25th, 2016
Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories. I have to admit I fall somewhere in between. With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution. So when a title like Synchronicity came along, I went into it with an open mind. I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.
Posted in: Disc Reviews by Gino Sassani on July 14th, 2015
"What you're talking about is a one-way street, you understand? Once you start there is no going back."
Ah, but there is going back if you're watching Kill Me Three Times. I don't necessarily mean that you'll want to watch the film over again (you might). Kill Me Three Times is a bit of a collection of vignettes that continue to circle back upon each other. Each time you get a different perspective or a bit of new information is unveiled. For those of you who insist on a linear logic to your films, this one's not for you. In fact, those of you who insist on logic at all might not quite get this one.
Posted in: Disc Reviews by J C on June 22nd, 2015
What do Elvis Presley, Frank Sinatra, The Beach Boys, Sonny & Cher, The Monkees, and Nat King Cole have in common? (Besides, of course, their undisputed status as musical icons and the adoration of millions of fans.) Well at various points in their illustrious careers, they were each backed by The Wrecking Crew, a tight-knit group of session musicians responsible for cranking out some of the most familiar hits of all time. This documentary is a lively love letter to that incredibly charismatic and cohesive group, whose contributions remained largely anonymous for decades.
Posted in: Disc Reviews by J C on March 23rd, 2015
The Norwegian oil boom of the early 1980s isn’t the most obvious setting for a thriller, but director Erik Skjoldbjærg manages to squeeze plenty of intrigue out of what seems like a pretty dry subject. Of course, Pioneer could never be described as “dry” in the literal sense since the film follows a group of commercial divers in Norway as they try to establish the country’s first petroleum pipeline 500 meters underwater.
