Posted in: Disc Reviews by William O'Donnell on June 25th, 2014
Detective Carrie Wells (played by Poppy Montgomery) and her former boyfriend/current crime fighting partner Al Burns (played by Dylan Walsh) have been noticed because of their uncanny crime solving percentage in the upper 90% (a fairly common thing in TV crime shows, but nearly unheard of in the real world) and get promoted to the NYPD's Major Crimes unit. With this move, and the fact that this program bounced in and out of cancellation quagmire between the first and second season, all of the supporting cast (except for Jane Curtain as Medical Examiner Joanne Webster) and we are offered a new team of token (read: stereotypical) character types filling the void; including a sassy black female cop, an asian tech guy, and uptight yet quirky boss.
I was coming into this series with no prerequisite viewings of the first season, nor any knowledge of the characters. This was a major annoyance for the first episode as would discover that they had removed the opening narration that explained that Wells has a very rare (and very high functioning apparently) condition called hyperthymesia which grants her the ability to recall everything she sees and hears since she was a teenager. This is both an incredibly convenient ability for someone gathering evidence at crime scene as well as an incredibly convenient gimmick for this show as it takes all of the tough solving out of the police procedures and turns it into Well having frequent pregnant pauses to lay out all of the minuet details she recalled. Said condition would be eventually explained as episodes progressed but it made me wonder what the show title was for a decent amount of time.
The opening episode I found very deterring and I'm glad I was obligated to power through the entire season. All of the characters where very smug in this season opener and it made the show very unattractive to me. Those that watch shows like NCIS or CSI may be more accepting of such cocky attitudes but I personally find those shows hacky and am never charmed by those that are flippant in the face of victim's deaths and would sooner puff up their egos or flirt than be aware of the fact that they are dealing with violent criminals.
As I mentioned before, the episodes do get progressively better and I credit much of this to the humbling of the lead characters when the story-lines get more personal. This is especially true by the episode entitled “Memory Kings” where Wells must deal with the murder of an academic who first therapeutically helped her deal with her condition, that may have driven her insane had he not done so. The plots of each episode are not exactly subtle. Our heroes deal with serial killers, nuclear bombs, hacker terrorists and globe trotting assassins. I can appreciate the almost campy level of how much is at stake in each tale. Though I should note that, although the stories do improve, there is still a lot left to be desired with some of the corny dialogue and character relationships throughout this season.
In my reviews I tend to send out kudos to any show that brings aboard certain actors and/or make reference to another program or film I enjoy. Here I'd like to said such kudos to Unforgettable for the episode “East of Islip” which featured guest appearance by Wayne Knight who works alongside his former 3rd Rock from the Sun cast mate Jane Curtain as a small town coroner/potential love interest. They have a playful energy and charm that stole the episode from the stars.
Posted in: Disc Reviews by Brent Lorentson on June 24th, 2014
It’s hard to believe it was way back in 2001 when Joy Ride was first released. You can lump me in with the crowd that didn’t expect there to be a sequel, much less a third entry into this series. The second Joy Ride I seemed to have missed altogether, so when I was given Joy Ride 3, I have to admit I was a little hesitant about checking this film out. Now that I have checked out the Blu-ray and all its extras, all I can think is that I had a good time with this film.
The film starts out strong, bringing us into a seedy motel room where a couple of meth addicts are up to no good. When the two are tapped out of meth, they decide to use their CB radio to lure in an unsuspecting driver. It’s no surprise that the trucker they end up getting is Rusty Nail, and he seems to be more than happy to oblige these two addicts. How the rest of the opening sequence plays out is better seen than ruined in a review, but I will say this is one of my favorite openings for a horror film in some time. It’s fun, it’s brutal, and it’s bloody. It’s the perfect way to kick off this kind of film.
Posted in: Disc Reviews by Brent Lorentson on June 24th, 2014
It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action. Duck Dynasty comes to Blu-ray on its fifth season, and though I was a little underwhelmed with the previous season, this new release brings the show back to the backwoods charm that gained my appreciation from the start. Yes, I still have a hard time calling this a reality series, since just about every episode and sequence seems more scripted than most hour-long dramas, but the characters are so likeable and goofy that a lot can be forgiven.
The show gets off to a slow start with “Boomerang Becca” and “Willies Number Two”. The first is about Willie and Korie’s adopted daughter Rebecca, who has come home after completing a fashion internship in Los Angeles. Willie is just nervous her visit is going to evolve into her simply moving back home, and he doesn’t seem too OK with that. As for the second episode, Willie decides he needs an assistant, and Korie asks Willie to give her cousin John David a chance. Willie seems to warm up to having a guy very similar to himself working beneath him, but the Duck Commander crew doesn’t seem to appreciate the new guy giving them orders. These episodes just simply felt as though they were trying to introduce new characters into the show, but neither character worked, and I can’t say they were missed when they never returned for the rest of the season.
Posted in: No Huddle Reviews by J C on June 24th, 2014
“In 1956, a nationally-renowned fertility specialist met a former nightclub singer. Ten years later, they published a scientific study, which revolutionized our understanding of human sexuality.”
You can't call your TV show Masters of Sex and not expect to elicit a few chuckles. (You also can't be surprised if people go looking for it on Cinemax rather than Showtime.) Titillating title aside, Masters of Sex is actually an engaging, often-excellent period drama that shines when it's conveying the thrill of discovery and exploration. Also, it turns out there's a fair amount of sex.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2014
"Congratulations! You have been selected to take part in a once-in-a-lifetime game show. Of a long list of candidates in financial need, you have been chosen to compete for a fantastic cash prize."
Elliot Brindle (Webber) is having a tough patch in life. He wants to marry the woman who is about to have their baby, but his financial situation isn't going to support a new family. He's behind on his bills, he's supporting his brother's stay in an assisted living facility (instead of an insane asylum), and his father is about to be evicted from his own apartment. If that wasn't all enough, he just got fired from his sales job because his boss doesn't think he has the killer instincts to succeed. It looks like the end of the line for Elliot with no way out until he gets a mysterious call on his cell phone.
Posted in: Disc Reviews by J C on June 23rd, 2014
What would you do if you spotted your exact duplicate? Would you take a closer look so that your brain could try to confirm what your eyes were seeing? Check with your parents to make sure you didn’t have a long-lost twin they never told you about? And how long before you pinched yourself to ensure you weren’t dreaming? These were the sorts of questions that popped in my head as I watched Enemy, a stylish and mind-bending psychological drama.
The movie, which re-teams French-Canadian filmmaker Denis Villeneuve with his Prisoners star Jake Gyllenhaal, is based on Jose Saramago’s 2002 novel “The Double.” It’s the story of Adam Bell (Gyllenhaal), a bored history professor who gives the same lectures — and appears to make love to his girlfriend Mary (Melanie Laurent) in the same way — over and over again. While watching a movie recommended by a colleague, Adam notices one of the actors playing a minor role looks exactly like him. After a little online research, Adam figures out the actor’s name, visits the talent agency that represents him, and eventually calls him at home.
Posted in: No Huddle Reviews by J C on June 19th, 2014
“I got kids and I work, and it's hard sometimes. But, you know, boilerplate misery...alone in the world...might as well be a maggot sucking a dead cat's face. What's the point?”
That's how Louis C.K. describes his life during a season 3 episode of Louie. And since the FX comedy series — that is only nominally a comedy series — stubbornly and brilliantly defies any sort of easy categorization, the sad-sack declaration is also the best description you're likely to get of what the show is about.
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2014
First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time. The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but instead an artist would be assigned and create these beautiful and amazing covers.
When it comes to Almost Human, writer/ director Joe Begos seems to know exactly what it means to make an 80’s throwback film, and he welcomes the viewer to come along for the ride. It seems to be a trend with the new up and coming guys in horror to look to the 80’s horror genre, Ti West (House of the Devil) and Adam Green (Hatchet) are just a few of these throwback directors who seem to have a love and appreciation of the time period in horror and embrace it. Almost Human is a film that belongs on VHS, back in the era when practical effects still ruled the genre.
Posted in: Disc Reviews by J C on June 17th, 2014
“You are the most talented, most interesting, and most extraordinary person in the universe. And you are capable of amazing things.”
There’s a worthwhile message in The LEGO Movie about the importance of deviating from life’s instruction book and indulging your imagination. But for me, the biggest thrill came from the way it became the first film without Toy Story in its title to tap into the anarchic (and anachronistic) spirit of playing with toys.
Posted in: Disc Reviews by J C on June 16th, 2014
I hope everyone had a fantastic Father's Day! I've actually been lucky enough to have two strong paternal figures in my life (my dad and stepdad), which is much more than I can say for the young protagonist in Joe. The latest Southern Gothic drama from director David Gordon Green — adapted from the Larry Brown novel of the same name — features one of the very worst dads you'll ever see. To balance things out, the title character is one of the unlikeliest father figures in recent memory.
The movie's opening scene drops us right into the toxic relationship between 15-year-old Gary (Tye Sheridan) and his no-good alcoholic father Wade (Gary Poulter). Gary has been forced to become the provider for his family, which also includes his mom and sister. He goes looking for a job with a crew of workers tasked with deadening trees. (Poisoning weak trees so they die and can be cut down.) The crew is run by Joe (Nicolas Cage), a personable, authoritative ex-convict. Gary convinces Joe to give him a job, and the teenager proves to be a relentlessly hard worker. The same can't be said for Wade, and Joe gets a first-hand look at the abusive relationship between father and son. As Joe's bond with Gary continues to grow, the ex-convict — who struggles with his violent nature on a moment-by-moment basis — finds it increasingly difficult to resist getting involved in the young man's family drama.
