Posted in: Disc Reviews by Brent Lorentson on December 24th, 2021
In 1999 when The Sopranos first premiered on HBO, I don’t think anyone was expecting just how much it would change the television landscape. In its run it made cable TV a main contender for the Emmys, but it also changed the way we see TV, as it took the gangster movie dynamic and stretched it out into a series that ran successfully for 86 episodes. Then there was the way the series came to a close that has had fans and critics talking nearly 15 years after it last aired. It’s the show that raised the bar for what television can be and has been the standard since which only a handful of shows have been able to match in quality. Personally (and I know this is a controversial take), I’m only a fan of the first three seasons, but even a bad episode of The Sopranos is better than most television shows out there.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2021
"80 billion light years of hive knowledge across universes would explode your tiny little brain."
Sony released two films from their corner of the Marvel universe in 2021. On October 1st we got Venom: Let There Be Carnage. October was a good spot for the film that taps into the horror film vein as much as it does the comic book superhero world. The first film did pretty well, and Sony really wants to expand their little corner of Marvel. The film did quite well in this post-COVID reality and pulled in $500 million in 11 weeks. That was impressive, to be sure. Spider-Man No Way Home was the other Sony/Marvel film. It had the unfortunate timing of releasing just as the Omicron variant of the virus hit, and as some states are going back to various restrictions there was some question if audiences would venture out into the cinemas in enough numbers to give the film any kind of return at all. After all, we've seen big-budget films fall to the wayside enough to understand this is risky business. That question has been answered
Posted in: Disc Reviews by Jeremy Butler on December 22nd, 2021
“As long as we are looking over our shoulder, the past is not dead.”
When it comes to Daniel Craig’s Bond movies, I’ve found them to be hit-or-miss. There are those I love, such as Casino Royale and Skyfall, and then there are those that I wasn’t that into, such as Quantum of Solace and Spectre. However, when it comes to No Time to Die, there is no question that it is my favorite of all the Craig-led Bond movies. Maybe it was how long I’ve been waiting to experience it given that the onset of COVID resulted in the film’s release being delayed multiple times, so by the time it was finally here, I could barely contain my excitement. However, I think it is more likely that the reason is the knowledge that this will be Craig’s final portrayal as the suave secret agent with a penchant for shaken martinis.
Posted in: Disc Reviews by Archive Authors on December 17th, 2021
Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades
Posted in: Disc Reviews by Brent Lorentson on December 16th, 2021
I was disappointed when it was announced that James Wan wouldn’t be returning to helm the third Conjuring film, but when the reasoning was that he had a new original concept to direct, well, it still made me pretty happy. When it comes to the technical side of filmmaking, I feel James Wan is one of the most exciting directors currently working in the industry. What the guy pulls off is impressive mostly because he relies more heavily on in-camera trickery than depending on CGI. Sure, he did Aquaman and is about to do the sequel, but those films aside, he’s pretty much a master of the practical craft who I’d put up there with Hitchcock. So when I saw the trailers for Malignant, I’ll admit I was a bit excited, especially when Wan had said that this was a nod to the Giallo films of the past. But did he deliver?
Posted in: Disc Reviews by Jeremy Butler on December 16th, 2021
Be honest; who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for the release of the animated version comes the double release of The Addams Family and its sequel, The Addams Family: Family Values, featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family.
Posted in: Disc Reviews by Brent Lorentson on December 8th, 2021
When Netflix released The Haunting of Hill House, I fell in love with the series. I have watched it several times since its release, and it continues to hold up. So when it was announced that Mike Flanagan would be returning to do a follow-up series, it was impossible not to get my hopes up. Mike Flanagan is perhaps the best thing to happen to horror in quite a while. He doesn’t depend on gore or crazy special FX, but instead his focus is more on that natural evil that people can do to one another. From Hush to Doctor Sleep to The Haunting of Hill House and his most current work Midnight Mass and all his projects in between, he’s maintained a consistency that I feel ranks him as one of the better visual storytellers of the past decade, and he seems to only get better with each project.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2021
"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"
Another holiday season and another release of the classic It's A Wonderful Life. This edition looks like a storybook case and has both the restored black & white version as well as the recent colorized versions of the films. If you have one of the UHD 4K collections, you pretty much have the definitive version of the film, and the audio and visual aren't likely to get any better than that. But there are many of you out there who have not made the switch to UHD. This is likely going to be that best ever release for you. You get two versions of the film in an attractive and safe case.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
When we got aboard the Snowpiercer, it would seem like a new world order was going to be happening. Well, that still holds true for Season 2, but not quite the way we were initially imagining. Did you see what I did there, “got aboard,” because it’s a train. OK, OK; that’s my one joke. Last we saw Daveed Diggs’ Layton, he’d finally managed to seize control of the train carrying the last of humanity following an apocalyptic freezing of the planet. His reign is extremely short-lived, however, as he is almost immediately threatened by the return of Mr. Wilford (Sean Bean) and Melanie’s thought-dead daughter, Alexandra (Rowan Blanchard). I can tell you that after this cliffhanger of a season last season, I was on the edge of my seat with anticipation for the next season. And this season doesn’t disappoint, as the power struggle for the train is continued with a new adversaries, as old adversaries become new allies.
Posted in: Disc Reviews by Jeremy Butler on November 25th, 2021
This was actually the first movie I ever saw on a date. Nearly twenty years ago. The most interesting thing being that I can tell all sorts of things about that experience, but for the life of me, I can’t tell you a thing about the movie. Prior to re-watching it, that is, and having done so, I now understand why it faded from memory, because it isn’t a movie that really makes a lasting impression. This is surprising given that the film is credited as the first photorealistic computer animated film, as well the most expensive video-game inspired film up until 2010. The thing is, it’s a film that if you ask me, never really should have been. The story is not compelling, and it does not accurately depict the source material by which it was inspired. They share the same name, but none of the characters or the plot of the film originated from the video game franchise. Talk about a bait and switch.
