Posted in: Disc Reviews by Gino Sassani on January 10th, 2019
"The list is an absolute good. The list is life."
It had been nearly 20 years since I had seen Schindler's List. I believe this was only the second time I've watched it since seeing it in the theaters back in 1993. It's one of those films that doesn't lend itself to repeated viewings. It clocks in at over three hours, and the material is emotionally draining. That doesn't mean the film shouldn't be on everyone's shelf. It should. It should, because it tells a brutal story that civilization must never forget. It's clear that while the event remains in our collective memories, the reality of the Holocaust has been lost on too many people. Watch this film, and you will be completely amazed that anyone could throw words like Hitler or Nazi to describe anything that could be happening in American politics today. I'm convinced that the people who use those descriptions need to sit down for three hours and watch Schindler's List, maybe for the first time. It belittles this horrific moment in history to throw it about as a political hit or hate speech.
Posted in: No Huddle Reviews by J C on January 9th, 2019
“This is Gilda Radner…her voice and her writing.”
Since its debut in 1975, Saturday Night Live has churned out more comedy superstars than you can count. However, the first performer that SNL creator Lorne Michaels cast for the show wasn’t Chevy Chase or even John Belushi. It was Gilda Radner, the daring and vivacious comic who became a breakout star on the show…and passed away much too soon in 1989. So while Love, Gilda is certainly a love letter to the late comedy legend, the documentary is at its best when it relies on Radner’s own musings to tell her story.
Posted in: Disc Reviews by J C on January 3rd, 2019
“You kind of loud.”
It made all the sense in the world on paper. Pairing Tiffany Haddish (coming off her outrageously profane, scene-stealing breakout in Girls Trip) with Kevin Hart (one of the shrillest most successful comedians in the world) seemed like a match made in loudmouth heaven. Instead, it turns out that almost all the creativity that went into Night School — which actually has a pretty decent premise — was limited to envisioning its two stars on a poster.
Posted in: Disc Reviews by Gino Sassani on January 3rd, 2019
IMAX films are the perfect source material to show off the capabilities of the UHD Blu-ray/4K format. Most of the films we watch in theaters today have been shot around 2.8 K and mastered at just 2K. A 35mm film actually shot on film has a native resolution of 4K. The IMAX film format uses 65mm and 70mm film that increases its native resolution well beyond our 4K televisions and players. They are relatively short and have a ton of bandwidth to deliver the best possible image and audio. Shout Factory discovered this as soon as the format was launched, and Upcomingdiscs was there to check them out. Now there's a new player in the IMAX UHD business, and it's Mill Creek Entertainment. They get it, and so now you can expect a few of those gems coming your way from Mill Creek. The first one that I've had a chance to see is Journey To The South Pacific, and it's sweet.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2018
"Predators don't just sit around making hats out of rib cages. They conquered space."
In 1987 Predator became somewhat of a milestone film for many reasons. The movie would anchor a franchise, thanks mostly to a wonderfully original Stan Winston creature design and the performance of Kevin Peter Hall under the suit. Both Winston and Hall have since passed, but the alien hunter that they created together is still going strong. The film also featured two stars who would later go on to become governors of their states. Arnold Schwarzenegger and Jessie Ventura made their mark in politics. The film also featured Rocky's Carl Weathers. It also featured Shane Black in a small role that might not have contributed to the blossoming franchise then, but he has made his own impact by writing and directing the latest installment of that franchise The Predator.
Posted in: Disc Reviews by John Delia on December 20th, 2018
Children’s fairy tales have taken a new drift with the film The House with a Clock in Its Walls. Packed with exciting action adventure, the movie, based on the book by John Bellairs, envisions the story with an incredible amount of CGI. You could almost call the film animated, but that’s a good thing here as things go bump in the night, magic forms the basis, and solving the mystery becomes the prominent focus for older youngsters. Orphaned due to a car crash that took his parents, young Lewis Barnavelt (Owen Vaccaro) gets invited to live at his Uncle Jonathan’s (Jack Black) magical mansion. He’s a bit fearful of the old house with its grand stairway and many mysterious rooms, but Lewis sort of likes the flamboyance of the magician-turned-warlock. There he’s introduced to Jonathan’s neighbor and best friend, Florence Zimmerman (Cate Blanchett), who assures Jonathan that he will enjoy living with his uncle.
Uncle Jonathan has only one rule for Lewis: he mustn’t open a special cupboard, ever.
Posted in: No Huddle Reviews by J C on December 20th, 2018
“Oh, he’s better than good…he’s a Crumb!”
Our parents always told us that we shouldn’t have too much Candy. The late comedy legend John Candy spent most of the 1980s either playing a scene-stealing sidekick (Splash, Spaceballs) or sharing top billing with fellow funnymen like Steve Martin (Planes, Trains & Automobiles) and Dan Aykroyd (The Great Outdoors). In 1989, Candy released four films and graduated to solo leading man status. One of those movies was Who’s Harry Crumb? a kooky caper that hasn’t aged very well but still serves as a showcase for Candy’s talents.
Harry Crumb (Candy) is the bumbling black sheep in a long line of private investigators who established a successful agency in Los Angeles. Eliot Draisen (Jeffrey Jones) is the slimy current head of the agency who assigns Harry to a case involving the kidnapping of multi-millionaire P.J. Dowling’s (Barry Corbin) favorite daughter. Why would Eliot assign an inept private eye like Harry to such a high-profile case?
Posted in: Disc Reviews by Gino Sassani on December 19th, 2018
"These young men and women are going on a long journey. One that goes around the globe and back to the foundations of our nation. Once you're in the Corps, you're in the Corps all your days on Earth."
Gene Hackman narrates an IMAX look into what it means to be a United States Marine. He's the perfect choice, and not because he has such a distinctive and authoritarian voice, but because he was also once a Marine. There's an element of pride in the narration that just can't be faked.
The film begins with a short history of the Marine Corp that was established in 1775 to act as gunboats to watch over Navy vessels and landing troops. They were instrumental in winning the Revolutionary War and continue to be a crucial part of America's defense.
Posted in: Disc Reviews by Gino Sassani on December 17th, 2018
"There's no such thing as luck, but I sure as hell believe in stupid."
We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script did hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because the first season of Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line.
Posted in: Disc Reviews by Archive Authors on December 17th, 2018
The Jerk, released in 1979, is a rags-to-riches-to-rags comedy film of belated self-discovery. This was Steve Martin’s first starring role in a feature film and was also written by him. It's hard to watch the film and quite picture Martin as the unknown he really was at the time. Since then Steve Martin has come and pretty much gone from our collective experience. When this film was released, much of this kind of humor was somewhat unique and clever. Today that is not so much the case, and it looks and feels quite a bit dated.
Carl Reiner directs Steve Martin (who co-wrote the script with Carl Gottlieb) in this gag-laden comedy about an idiotic white man, raised by a poor family of black sharecroppers, who doesn’t realize he’s not black. Navin R. Johnson (Steve Martin) is told the horrible truth when he finds himself instinctively tapping his f…et to an easy listening tune on the radio, instead of a low-down blues.
