Posted in: Disc Reviews by Jeremy Butler on May 11th, 2017
From the suggestion of the title, you would think that we would be diving deeper into the world of BDSM, but after watching, the only thing that I can say about Fifty Shades Darker is that it’s a love story. Yes, I know that it was always a love story, but the first film possessed an edge and intensity which no longer exist in the sequel. Disappointing is too pale a word for the film. From its failure to properly capture the essence of the source material, less than engaging performance of the leads, and the vanilla nature of the sex scenes, the movie does not live up to the hype. If 50 Shades of Grey pushed the envelope with its sexuality, 50 Shades Darker embraces the commercialism of a sequel for profit rather than effect.
When last we saw Christian Grey (Jaime Dornan) and Anastasia Steele (Dakota Johnson) they had just learned that Ana may not be compatible for the kind of relationship that Christian needs, and they broke up. Their separation is temporary as both parties notice the absence of the other quickly, resulting in Christian seeking Ana out and attempting to renegotiate the terms of their relationship. Ana is all but willing to reconcile, but as soon as it seems that they are about to embrace their happily ever after, complications in the form of an ex-sub Leila and the reemergence of Christian’s original temptress, Elena Lincoln (Kim Basinger) threaten to tear the couple apart.
Posted in: Disc Reviews by Gino Sassani on May 9th, 2017
It's hard to believe that it has been 45 years since The Godfather first graced theater screens. The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid. Suddenly this wasn’t just about a gang of mobsters. This was a story about a family. Most of us can’t relate to the mafia ins and outs, but we all have fathers, and even when we dislike what our fathers represent, we will more often than not come to their aid if they’re being threatened. This unique morality paved the way for an entire genre of such characters today. There just couldn’t have been a Tony Soprano or Vic Mackey without The Godfather. While there were certainly protests from aspects of the Italian-American community decrying the violent way our ethnicity was portrayed, most of us from that community saw more than violence and Mafioso. If you’re from an Italian family, you simply can’t help recognizing aspects of your own family in the Corleones. I could see my own grandfather in Vito, sans the mob boss occupation. Many of us took away the strict codes of honor and respect that drive Italian-Americans to this day in very normal lives. We’re a very passionate people, even if most of us are not part of an organized criminal element.
I’m not going to waste any time here taking you through the Godfather saga. Even if you’ve never seen any of these films, and I can’t imagine anyone hasn’t, you know the story and characters almost as much as if you had. For those of us who have seen these films, it has likely been an experience you have never forgotten. They are like potato chips in that you can not have watched them just a single time. For us these films are more than merely films. They are memories that we share as a culture. They have surely become a part of American mythology, as much as Homer’s tales of conquering heroes and mighty gods were for the ancient Greeks. We know the names of the Corleones as well as any of Shakespeare’s characters. We’ve quoted these films as much as anything short of the Bible itself. It is entirely outside of the realm of possibility, for me at least, to imagine American culture without them. While the films are now 45 years old, they still shape our films and literature today. What television series hasn’t done a spoof of The Godfather. Phrases like: “An offer you can’t refuse”, “Leave the gun. Take the cannoli”, or “Just when I thought I was out, they pull me back in” appear everywhere around us.
Posted in: Disc Reviews by Brent Lorentson on May 8th, 2017
When The Ring (2002) first came out, if you looked hard enough you could still find movies on VHS, so the thought of a mysterious tape that kills you seven days after watching it wasn’t so entirely farfetched. Now that we are in 2017, if someone were to find a mysterious VHS tape, well, they’d be out of luck for the most part, since I’d wager most of the US population no longer has a VCR. But Hollywood won’t let this stop their successful franchise from moving forward, even though it’s been 12 years since The Ring Two, this weekend is the release of the third film in the series, and quite frankly, I have to wonder if anyone really wanted this.
Samara is back, and she is hungry to take the lives of anyone foolish enough to watch the video, and as the film opens we’re in a plane along with a passenger who has seen the film and only has minutes to go before his seven days are up. While this is a fun scene that gave me hope for what would continue, I couldn’t help but feel that the scene was perhaps a throwaway sequence from Final Destination. Then, oddly enough, the film seems to start again, two years later when we see Gabriel (Johnny Galecki), a college professor, purchasing an old VCR. Once Gabriel gets to his apartment, he gets a surprise when he discovers a tape with the words “Watch Me” written on it. Just like all foolish characters in horror films, he watches the film and immediately gets the phone call.
Posted in: No Huddle Reviews by J C on May 4th, 2017
“I thought it was dull...unless it was supposed to be a satire.”
Television has been trending toward shorter, more self-contained stories. Successful shows like American Horror Story, Fargo, American Crime, and others reboot themselves every year with new characters and storylines in an attempt to offer viewers something fresh each season. The Affair seemed ready-made for that formula: each season could've followed different adulterous encounters in a wide variety of settings. Instead, the perspective-shifting Showtime drama is determined to chronicle the far-reaching effects of a single Long Island dalliance. So while the show brushes up against some interesting relationship dynamics, it feels like it has stretched a thin concept beyond its breaking point.
Posted in: Disc Reviews by Gino Sassani on May 2nd, 2017
"Man, we'll die with you. Just don't ask us to do it twice."
Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letter to the action movie fans. It's called The Expendables, and it's out right now on UHD Blu-ray in 4K from Lionsgate.
Posted in: Disc Reviews by John Delia on May 2nd, 2017
When’s the last time you saw a good dog movie with love, devotion, and heroism? Not the animated type, but one that stars dogs doing some awesome stunts, creating the love for animals and even inspiration. Well, you can find all that and more in the movie A Dog’s Purpose, a fun, adventure of a dog’s life that runs full circle. It’s fun for the whole family, but don’t be surprised when your youngster starts begging for a new furry friend. After escaping from a cage, a starving young pup gets saved by Elizabeth (Juliet Rylance). Her son Ethan (Bryce Gheisar) wants to keep the dog, and after an intervention with his father, Elizabeth wins out. Young Ethan names his new-found friend Bailey (narrated by Josh Gad), and they get along famously. As time goes by, Ethan (KJ Apa), now a popular high school football player, finds his true love with the help of Bailey.
The film goes on from there as Ethan finds himself losing a chance at a college scholarship when he gets hurt in a fire-related accident. Director Lasse Hallstrom does a very good job of changing from one breed of dog to another, showing all the quirks of the new pup’s personality. He provides a lot of comedy with the different dogs, touching scenes that warm the heart and some very dramatic situations that lead to heroic deeds. Mixed in with the passage of time the audience does get exposed to very strong scenes showing abuse, so please be cautioned when taking the immature youngsters to see A Dog’s Purpose.
Posted in: Disc Reviews by Michael Durr on May 1st, 2017
Even though I was born in 1975, I don't remember a thing until I was about 5 years old, therefore I missed most of the "Disco" era. My dad would play music from the 70's, but that consisted of Led Zeppelin, Queen and Black Sabbath among other bands; no disco in sight. But one faithful day in my middle school years, I did find my mother's record and 8-track collection. There was some Barry Manilow, Julio Iglesias, and something called the Bee-Gees. I wouldn't say anything crazy like it turned my life around, but after listening, I clearly understood. I clearly understood that my mother was crazy and I was much better off listening to Whole Lotta Love. Anyway, we have a movie to review, let's continue with Saturday Night Fever.
A train whistle calls in the distance as we overlook the Verrazano Bridge. A tune to the name of Staying Alive chimes in. Tony Manero (played by John Travolta) walks down the street in his red shoes; perfectly in time to the music swinging a paint can. He checks out a few girls, orders a couple of slices of pizza and then makes his way to the paint & hardware store. Apparently, he works there for Mr. Fusco (played by Sam Coppola).
Posted in: Disc Reviews by Gino Sassani on April 28th, 2017
"Everyone outside the family is a mark. Family comes first."
Meet the most dysfunctional crime family since The Sopranos. Not quite at the same level either on-screen or in quality, but once again we're drawn toward another dangerous clan with criminal intent. I guess we could call them The Baritones. Actually Animal Kingdom is an apt description for television's latest baddies. They're about to head into their second season of mayhem on TNT where the series was the network's top ratings winner during its run. Now that first season is out on Blu-ray from Warner Brothers, and it's one crazy ride, of that you can be certain.
Posted in: Disc Reviews by Jeremy Butler on April 24th, 2017
The WWE is like a dog with a bone, refusing to let this franchise as well as its other one (12 rounds) go. I will give them this: they are maintaining some consistency with Mike “The Miz” Mizanin reprising his role of Jake Carter for the third time for The Marine 5: Battleground. This time around, however, the series won’t just star one WWE superstar, but six. That’s right you read correctly, six WWE superstars have come together for this action film. With the addition of The Mix come Bo Dallas, Heath Slater, Curtis Axel, Naomi, and Maryse Ouellet Mizanin. Didn’t recognize any of those names? Don’t worry; me neither, as my days of watching wrestling ended with the end of the attitude era.
This time around, Jake Carter has returned stateside and is now working as an EMT. Working to make a difference, he finds himself drawn into a conflict with a notorious biker gang. After the murder of the president of their club, biker Alonso (Bo Dallas) is tasked to hunt down the shooter and gain revenge for the club. Accompanied by two more murders in the club (Curtis Axel and Naomi), they track the perpetrators to an underground parking garage at an amusement park. At the same time, Jake and his partner are called to the scene to find one man dead and the other critically wounded. With the bikers on the hunt, Jake must make the difficult choice, which turns out not to be a choice at all, of staying or leaving the man to his fate. I’m sure you all know what decision he made. Keeping them all alive will require all his acquired skills, especially when the bikers’ reinforcements arrive, leaving him severely outnumbered.
Posted in: Disc Reviews by Gino Sassani on April 21st, 2017
I was eight years old when Armstrong first stepped on the moon in July of 1969. Like every kid my age, it filled me with a feeling that I was lucky enough to get in on the ground floor of humanity's grand exploration of space. By the time I was 15, we had landed the first probes on Mars. We were certainly on our way. The sky literally wasn't the limit anymore. But then it all stopped. By the 80's we had shifted our focus to low Earth orbit, and we haven't explored the limits of space with a manned mission in nearly 50 years. Even the Space Shuttle is gone, and we don't even have the capability to send Americans to the space station that we mostly paid for without hitching a ride with the Russians. And if you've been following world events at all, that ride isn't a sure thing anymore. That 8-year-old with the mile-wide grin would never have believed we'd be so earthbound by the time he reached his mid-50's. Along comes National Geographic with the new mini-series Mars. Is it enough to get today's 8-year-old dreaming once again? I don't know. But it provided enough to give the 8-year-old still here a little bit of hope mixed with more than a little what-might-have-been.
Mars is a six-part series that looks to be returning with more episodes in the future. The focus and drama of the first three episodes is found in the first manned mission to the Red Planet set in 2033. The crew of the Daedalus faces fierce challenges in order to establish a foothold on Mars. Each episode has several components that make it somewhat unique in its storytelling. While we witness the close calls and successes of the crew, we also learn more about the characters and the mission from flashbacks and pre-flight interviews that remind me a little of those "confessional" segments you find on the "reality" television shows. Here we also see the politics of the international crew and the agency that heads the mission. There are also documentary segments found throughout each episode. These bring us back to 2016 and cover the attempts by SpaceX to develop the technology to eventually make the 2033 drama a reality. There are interviews with scientists who talk about the real challenges in that kind of mission and how we are working to resolve them. Of course, many of these pieces deal with issues that the fictional crew encounters. It's very much a standard documentary style during these segments.
