Posted in: Disc Reviews by William O'Donnell on October 10th, 2013
This latest incarnation of “90210” ending in its fifth season means it ran for half the length of the original series (which ran for ten). Like the original, the stories of these sexy Beverley Hills residents began in high school. Now we see the sorts of adults they've become and the absolutely ridiculous success they've had. They all started on the top, and somehow manage to claw their way...to the top. Yup...real growth here.
What is this “ridiculous Success” I speak of? Oh, how about the fact that amongst the main characters is a successful club owner (which would warrants even more bragging rights since it's located in California), a software guru (yes, the word “guru” is actually used) and a freaking movie star whose film is #1 at the box office. Incredibly relatable stuff, no?
Posted in: Disc Reviews by William O'Donnell on October 9th, 2013
This is the third stab at making an animated series about these radical reptiles. This particular DVD set is the latter half of this show's first season. We are privy to a wide array of toys...er, I mean, characters whose stories are firmly established at this point (roughly 13 episodes into a 26 episode season).
This is the first series presented as a 3D computer animation. The graphics are nicely rendered, but are sometimes hard to see since the movements, especially during fight scenes, are incredibly frantic. I certainly hope the fact that I find the pacing too fast isn’t a sign of old age arriving. The animators have clearly gone through a lot of trouble choreographing a fight that can sometimes have at least a couple dozen characters interacting (a very difficult thing to manage) and I’d appreciate it more if the speed didn’t make me feel like I need to feed the DVD Ritalin.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"Toilet time is the last bastion of American freedom."
In this case it's toilet humor. I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 16 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 16 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.
Posted in: Disc Reviews by William O'Donnell on September 16th, 2013
Half of this story deals with a group of teenage faeries, who are smitten with some cute boys from a neighbouring magical kingdom, trying to connect with said boys. The other half deals with this same group of faeries and boys fighting against a trio of evil witches trying to steal all of the world's “positive magic.” In both halves there is a lot of girlish giggling, butterfly fluttering and sparkly colours....the enemy of any diabetic epileptic.
The plot wavers between flighty (pun sort of intended) teen romance, where the faeries focus their magical powers on obtaining cute-boys and cute-animal companions, and a action-fantasy filled with large scale battles with nightmarish monsters, complete with mass destruction of buildings, swordplay and vicious exchanges of energy blasts.
Posted in: Disc Reviews by William O'Donnell on September 12th, 2013
Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).
Jonny Lee Miller's portrayal of Holmes makes me want to start drawing comparisons to the title character in the medical drama House. Both shows surround an eccentric, drug-addict savant who blazes beyond socially acceptable behavior to a series of “aha!” moments. Granted, said “aha!” moments are much less contrived and formulaic than they are in House. It takes a little while for the show to get it's legs, but it does. The creators are clearly hoping the eccentric charm of Holmes can shoulder the burden of maintaining audience interest. Said eccentricity can come off a bit aimless at first. Sherlock has the ability examine people almost perfectly, yet the writers do not seem to have the character fully figured out, and there are too many moments where Holmes' odd behavior seems a bit tacked on, such as when he hypnotizes himself to get through an addiction support group meeting.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2013
"The needs of the many outweigh the needs of the few."
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.
Posted in: Disc Reviews by J C on August 28th, 2013
People have used a lot of different words to describe Michael Bay and his films: “loud”, “blockbusters”, “mindless”, “soulless”, “Hitler” and, of course, “awesome.” One of the words you don’t normally associate with Bay’s undeniably successful output is “clever.” I daresay Pain & Gain is the most interesting movie the action auteur has ever made; the film is both seriously silly and surprisingly smart in how it presents its stupid characters.
“Unfortunately, this is a true story.”
Posted in: Disc Reviews by William O'Donnell on August 25th, 2013
Chicago Law firm Lockhart & Gardner is facing bankruptcy so each attorney works harder to reel in high profile clients so that they can save themselves from being sold, or shut down. Meanwhile Alicia Florrick (played by Juliana Margulies), who is an attorney at this firm, is caught amidst her husbands election campaign for the office of governor, as well as the temptation to become either an Equity partner in her current firm, or leave to be a name partner in a brand new one.
The fight against bankruptcy eats up at least half a season's worth of storytelling. I'll confess that I find it a bit hard to root for people that talk in terms of millions of dollars, and never have to relinquish their luxurious homes or lifestyles at any point during their struggle to lose their debt. Thankfully the trustee appointed to aid them is played by more subdued by still very charming Nathan Lane, and the cases the attorneys take on during their duress get increasingly engrossing. Said cases keep their topics very current with political references like the gun control debates and the actions of Anonymous (the protest group) becoming key issues.
Posted in: Disc Reviews by Gino Sassani on August 23rd, 2013
“It’s been a long time getting from there to here.”
Thirty-five years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: Disc Reviews by William O'Donnell on August 17th, 2013
For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character’s verbal gymnastics, and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).
The formula (for lack of a better term) of each episode maintains in this second half of the final season. The primary suspect is profiled, caught and examined in the first half of each story. When things do to trial, the true guilty party is found out, often on the witness stand, as Perry’s uncanny winning streak gets the best of those who try to hide the truth from him. Said winning streak might spoil one’s enjoyment of the show since the outcomes can be predicted during the opening titles screen, but the crimes (most often murders) are elaborate enough to maintain interest for the most part. At the same time, I feel it should be noted that the pacing of the show can often be slow. Think of it being a closer relation to Matlock than the sexier modern Legal dramas like The Practice. Not to say that it is better to have attorneys with chiseled jaws or short skirts versus methodical investigation and character development, but you had better prepare yourself for a lot of men in suits standing in one spot speaking their thoughts aloud.
